A Look Into The Blue Tide

“Somewhere in me a scream is rising, but I contain it. Just.” Diazepam-fogged Amy isn’t the best person to investigate an unexplained death, but she’s the only one Jay can get through to. On the run from her troubled past and controlling older (ex) lover, she winds up on a Welsh eco farm where she starts to rebuild her life, grounded by the earth and healed by the salt air. But it isn’t just her inner self that she manages to uncover. There are living ghosts at Môr Tawel, and they’re as loud as the waters crashing over the shingle on the beach. Amy’s new life has just started, and she’s already running out of time.

Sculptor, poet, diarist, graphic designer, pioneer artist's book maker, performer, publisher, musician, and, most of all, provocateur, Dieter Roth has long been beloved as an artist's artist. Known for his mistrust of all art institutions and commercial galleries--he once referred to museums as funeral homes--he was also known for his generosity to friends, his collaborative spirit, and for including his family in his art making. Much to the frustration of any gallery that tried to exhibit his work (supposedly none more than once), Roth thumbed his nose at those who valued high purpose and permanence in art. Constantly trying to undo his art education, he would set up systems that discouraged the conventional and the consistent: he drew with both hands at once, preserved the discarded, and reveled in the transitory. Grease stains, mold formations, insect borings, and rotting foodstuffs were just some of the materials used, both out of a fascination with their painterly, textural aspects and for their innate ability to make time visible and play to chance. "More is better," he once said, and more there always was. Roth never stopped working, and he believed that everything could be art, from his sketch pad to the table he sat at, the telephone he talked on, or his friend's kitchen (the kitchen was later sold to a museum). Roth Time: A Dieter Roth Retrospective is published to mark the first major survey exhibition of the artist's work since his death in 1998. Five decades of drawings, graphics, books, paintings, objects, installations, films and video works are represented. The publication offers a window into Roth's creative world, reflecting him and his era. The exhibition is organized by the Schaulager with The Museum of Modern Art, New York and the Museum Ludwig, Cologne.

Fans of Passenger by Alexandra Bracken, Under the Never Sky by Veronica Rossi, and The Assassin’s Curse by Cassandra Rose Clarke will love this post apocalyptic young adult novel that brings the best of both Fantasy and Action Adventure to life. Blue Tide is a stand-alone novel. Seventeen-year-old refugee Lux plots her escape from the island where her family is stranded, denying that her home was lost in the Floods. Lux is determined to get her old life back by any means possible. But before her feet even leave the sand, she's taken hostage by a vengeance-driven pirate nearly as young as she is. Her capture is the key to his freedom... Captain Draven's scarf veils more than his face. Underneath, he struggles between morality and survival. When Lux sees deeper into his motivations, she's torn. She can commit mutiny to escape to a home that may no longer exist, or she can try to help Draven escape the clutches of the person responsible for the deaths of half the world. Staying would mean entrusting her life to a pirate. Helping Draven would mean losing her heart to one. Blue Tide is an award-winning YA adventure-packed romance steeped in Middle Eastern culture and set in the Asian Pacific amongst dangerous oceans and tropical islands. Young adult fantasy Young adult fantasy adventure Young adult fantasy romance Young adult dystopian fantasy Multicultural and diversity YA Fantasy Coming of Age Science Fiction Teen adventure books Pirate books for teens young adult romance action adventure pirates diversity books teen alpha romance leader young adult fantasy romance love story books Dystopian books for teens Middle Eastern Culture

Nearly three decades after its first printing, Book as Artwork 1960-1972 remains a widely-cited landmark in the critical literature on artists' books. Penned by the critic and curator Germano Celant to accompany an exhibition at Nigel Greenwood Gallery in London, it was the first critical consideration of the artist's book. A bibliography lists over 300 historic artist-produced publications from this golden age of the medium.