A Memoir Of The Future

A Memoir of the Future, Bion's unorthodox attempt to cast psychoanalytic speculation in fictional form, is composed of three semi-autobiographical novels: The Dream (1975), The Past Presented (1977), and The Dawn of Oblivion (1979). Presented here for the first time in one volume, they appear together with the Key to A Memoir of the Future, a glossary of terms and concepts compiled by Wilfred and Francesca Bion.

"A raw and unfiltered journey into the life and mind of Bobby Hall, who emerged from the wreckage of a horrifically abusive childhood to become an era-defining artist ... A self-described orphan with parents, Bobby Hall began life as Sir Robert Bryson Hall II, the only child of an alcoholic, mentally ill mother on welfare and an absent, crack-addicted father. After enduring seventeen years of abuse and neglect, Bobby ran away from home and--with nothing more than a discarded laptop and a ninth-grade education--he found his voice in the world of hip-hop and a new home in a place he never expected: the untamed and uncharted wilderness of the social media age"--

INSTANT NEW YORK TIMES BESTSELLER A moving account of resilience, hope, fear and mortality, and how these things resonate in our lives, by actor and advocate Michael J. Fox. The entire world knows Michael J. Fox as Marty McFly, the teenage sidekick of Doc Brown in Back to the Future; as Alex P. Keaton in Family Ties; as Mike Flaherty in Spin City; and through numerous other movie roles and guest appearances on shows such as The Good Wife and Curb Your Enthusiasm. Diagnosed at age 29, Michael is equally engaged in Parkinson’s advocacy work, raising global awareness of the disease and helping find a cure through The Michael J. Fox Foundation for Parkinson’s Research, the world’s leading non-profit funder of PD science. His two previous bestselling memoirs, Lucky Man and Always Looking Up, dealt with how he came to terms with the illness, all the while exhibiting his iconic optimism. His new memoir reassesses this outlook, as events in the past decade presented additional challenges. In No Time Like the Future: An Optimist Considers Mortality, Michael shares personal stories and observations about illness and health, aging, the strength of family and friends, and how our perceptions about time affect the way we approach mortality. Thoughtful and moving, but with Fox’s trademark sense of humor, his book provides a vehicle for reflection about our lives, our loves, and our losses. Running through the narrative is the drama of the medical madness Fox recently experienced, that included his daily negotiations with the Parkinson’s disease he’s had since 1991, and a spinal cord issue that necessitated immediate surgery. His challenge to learn how to walk again, only to suffer a devastating fall, nearly caused him to ditch his trademark optimism and “get out of the lemonade business altogether.” Does he make it all of the way back? Read the book.

In the last years of his life Bion gathered unusual manuscripts handwritten in his tidy lettering that assumed the form of a trilogy. Finely typed and edited by his dedicated wife, they were named A Memoir of the Future. Many of the themes of this book were already evident in Transformations and Attention and Interpretation. These earlier books provide many of the theories whose practical counterpart finally found a form in the trilogy: as Bion himself noted, "the criteria for a psychoanalytic paper are that it should stimulate in the reader the emotional experience that the writer intends, that its power to stimulate should be durable, and that the emotional experience thus stimulated should be an accurate representation of the psychoanalytic experience that stimulated the writer in first place." In this second volume of a much needed introduction to Bion's last work, A Memoir of the Future, Paulo Cesar Sandler continues his detailed and insightful "prelude" to a work many readers have found "obscure, complicated and difficult".

A provocative, exuberant novel about time, memory, desire, and the imagination from the internationally bestselling and prizewinning author of The Blazing World. A young woman, S.H., moves to New York City in 1978 to look for adventure and write her first novel, but finds herself distracted by her mysterious neighbor, Lucy Brite. As S.H. listens to Lucy through the thin walls of her dilapidated building, she carefully transcribes the woman’s bizarre monologues about her daughter’s violent death and her need to punish the killer. Forty years later, S.H. stumbles upon the journal she kept that year and writes a memoir, Memories of the Future, in which she juxtaposes the notebook’s texts, drafts from her unfinished comic novel, and her commentaries on them to create a dialogue among selves over the decades. She remembers. She misremembers. She forgets. Events of the past take on new meanings. She works to reframe her traumatic memory of a sexual assault. She celebrates the legacy of the wild and rebellious Dada artist-poet, the Baroness Elsa von Freytag-Loringhoven. As the book unfolds, you witness S.H. write her way through vengeance and into freedom. Smart, funny, angry, and poignant, Hustvedt’s seventh novel brings together the themes that have made her one of the most celebrated novelists working today: the strangeness of time, the brutality of patriarchy, and the power of the imagination to remake the past.

This book examines the importance and continued relevance of A Memoir of the Future in understanding and applying Bion’s work to contemporary psychoanalysis. Bion continued to innovate throughout his life, but the Memoir has been largely overlooked. Focusing on A Memoir of the Future is not only of deep interest in terms of the author’s biography, or even only in function of a better understanding of his theoretical concepts, but can also be considered, for all intents and purposes, the final chapter of an ingenious creative enterprise While by some it was thought as the evidence of Bion’s presumed senility, this book challenges that perspective, arguing that it represents the last challenge he issued to the psychoanalytic Establishment. In each chapter, the authors explore this notion that A Memoir forms an essential part of Bion’s theory, and that in it he establishes a new ‘aesthetic’ psychoanalytic paradigm. With an international list of distinguished authors, this is a key book for any analysts interested in a comprehensive understanding of Bion’s work.

"Jessica Teich's understanding of trauma is the infallible authority upon which her tale rests. But the delicacy and nuance with which she renders this story is that of a poet." -- Meryl Streep Jessica Teich was among the first wave of women to expose Hollywood's culture of harassment and abuse. Her memoir, The Future Tense of Joy, tells the inspiring story of her own recovery from trauma, empowering other victims to move past silence and shame toward help, healing, and hope. Teich writes openly, courageously, of the challenges facing so many survivors: to feel safe, to find love, to nurture optimism and resilience, and to reclaim the sense of connection -- of belonging -- that defines us as human beings. Kirkus called The Future Tense of Joy "an honest, compassionate memoir about shaking off personal demons." Library Journal said, "Teich looks at motherhood, depression, the effect of damaging relationships, and the challenges placed on successful, driven women. She does so with grace and openness, even while exploring painful parts of her past." (starred review) The Future Tense of Joy belongs with classics of the genre-from Eat, Pray, Love and The Glass Castle to Wild-that celebrate the triumph of truth-telling and the redeeming power of love. Lyrical, funny and brave, Teich's book speaks to anyone eager to emerge from the long shadow of betrayal to find love, liberation, and joy.