A Pact With Darkness

Desperate to find a cure for his dying wife, David becomes obsessed with the legendary Grand Grimoire containing the ritual for summoning a demon.

Almon Campbell encounters a cat. The feline accuses his mother of a heinous crime. Justice must be served. And the cat demands only one payment… Almon’s soul. Almon’s first mystery plummets him down the rabbit hole. A world where demons lurk. But something beautiful also awaits. Should he risk it all? Cozy mysteries in a paranormal world. A Pact with Demons investigates uncanny tales with heart and danger. In a world where cats talk. And darkness lurks everywhere. Why do lost hearts sell their souls to demons?

The sexy, thrilling adventures continue in bestselling author Keri Arthur’s new Dark Angels series, starring half-werewolf/half-Aedh Risa Jones. Risa will go to any lengths to avenge her mother’s murder—even if it means making a pact with the most evil vampire she’s ever met. Lethal and powerful, Madeline Hunter is leader of the vampire council, and will put her resources behind finding the killer—for a price. The venerable vampire requires the assistance of Risa’s psychic powers. Quid pro quo. Someone—or something—is targeting the elders of the local council, cursing the immortal vampires to rapidly age, sink into madness, and die. Risa must track down the vengeful being responsible. But Risa’s father, a rogue Aedh priest, also enlists her in a dangerous mission. And not even the great Madeline Hunter may be able to protect her from the shadowy forces that desire nothing less than Risa’s destruction.

A dark yet compassionate comedy of art aspirations and friendships come to naught. First published in 2003, Gary Indiana’s turn-of-the-millennium novel traces the lives of a loosely connected group of New York artists and the dissolution of their scene. During the summer of 2001, the narrator of Do Everything in the Dark, a gallery curator, receives intermittent dispatches from his far-flung friends—many of whom resemble well-known figures in the art and intellectual worlds—who are spread out across the globe, from Istanbul to Provincetown to Santa Fe. Seeking various reprieves from a changed New York, the long-festering, glossed-over incompatibilities of these aging bohemians blossom into exotic and unbearable relief. Beneath the contemporary excesses Indiana chronicles, we can see the outlines of the earlier New York bohemia captured by Dawn Powell. Arguably Indiana’s most intimate, internal, and compassionate work to date, Do Everything in the Dark is a chilling chronicle of madness and failure, success and disappointment, and the many ways love dies in a world people find increasingly unlivable.

Sequel to New York Times bestselling author Alison Goodman's acclaimed The Dark Days Club--a smashing combination of Buffy and Jane Austen! June 1812. Just weeks after her catastrophic coming-out ball, Lady Helen Wrexhall--now disowned by her uncle--is a full member of the demon-hunting Dark Days Club. Her mentor, Lord Carlston, has arranged for Helen and her maid, Darby, to spend the Summer Season in Brighton, where Helen can sharpen her Reclaimer powers. Then the long-term effects of Carlston's Reclaimer work takes hold and his sanity begins to slip. At the same time, Carlston's Dark Days Club colleague and nemesis will stop at nothing to bring Helen over to his side--and the Duke of Selburn is determined to marry her. The stakes are ever higher for Helen, and her decision will truly change the world . . .

The Devil, Satan, Lucifer, Mephistopheles - throughout history the Prince of Darkness, the Western world's most powerful symbol of evil, has taken many names and shapes. Jeffrey Burton Russell here chronicles the remarkable story of the Devil from antiquity to the present. While recounting how past generations have personified evil, he deepens our understanding of the ways in which people have dealt with the enduring problem of radical evil.After a compelling essay on the nature of evil, Russell uncovers the origins of the concept of the Devil in various early cultures and then traces its evolution in Western thought from the time of the ancient Hebrews through the first centuries of the Christian era. Next he turns to the medieval view of the Devil, focusing on images found in folklore, scholastic thought, art, literature, mysticism, and witchcraft. Finally, he follows the Devil into our own era, where he draws on examples from theology, philosophy, art, literature, and popular culture to describe the great changes in this traditional notion of evil brought about by the intellectual and cultural developments of modern times.Is the Devil an outmoded superstition, as most educated people today believe? Or do the horrors of the twentieth century and the specter of nuclear war make all too clear the continuing need for some vital symbol of radical evil? A single-volume distillation of Russell's epic tetralogy on the nature and personifcation of evil from ancient times to the present (published by Cornell University Press between 1977 and 1986), The Prince of Darkness invites readers to confront these and other critical questions as they explore the past faces of that figure who has been called the second most famous personage in Christianity.