A Place Of Refuge Omnibus A Cozy Space Opera

Not your usual space opera, the cozy A Place of Refuge features badass lesbians in space, the kindness of strangers, banter, close-knit friends, found family, trauma recovery, and lots of delicious food. They lost the revolution. But then, they found sanctuary—and hope. Telepathic warrior Talia Avi, genius engineer Miki Boudreaux, and augmented soldier Faigin Balfour fought the fascist Federated Colonies for ten years, following the charismatic dissenter Jon Churchill. Then Jon disappeared, Talia was thought dead, and Miki and Faigin struggled to take Jon’s place and stay alive. When the FC is unexpectedly upended, Talia is reunited with her dearest friends and they find sanctuary on the isolated planet Refuge. The trio of former guerillas strive to recover from lifetimes of trauma by building new lives and forging intimate connections with each other. This omnibus edition of Finding Refuge, Accepting Refuge, and Embracing Refuge also includes a Refuge glossary and character list, plus the short story “A Day in the Life: Jefri Dantagnan.” Keywords: women loving women, lesfic, non-binary people, polyamory, polycules, misfits, outsiders, oddballs, found family, trauma recovery, telepaths, decolonization, speculative utopia, fighting fascism, anti-fascism, queer fiction, queer utopia, LGBTQIA fiction, far future sf, BAMF women, lovers reunited, friends to lovers, lesbian romance, lesbian science fiction, lesbian sci-fi, sci-fi romance, science fiction romance, after the war, artificial intelligence, cute robots, very large dogs, therapy, pastry, enhanced humans, cyborgs, augmented humans

This isn't your grandma's King Arthur story. Nate Arturi isn't a knight in shining armor. He sure as hell isn't a king. The last time someone called him heroic, it was because he fetched his neighbor's corgi off the roof. But when an ancient alien beacon awakens on Earth, sounding the call to enemies near and far, the Merlin is left with little choice. Ambushed by a hulking alien brute and tricked into accepting a foul-mouthed sword from a homeless wizard, Nate suddenly finds his senior year at Penn State more than a little out of hand. But when an armada of butt-ugly troglodans and exotic gorgon killers starts raining from the sky, one thing becomes inescapably clear: Unless he mans up and gets that damned beacon off of his planet, everything he knows is about to be burned to a crisp. And that's only the beginning of the galaxy's problems… Welcome to the Excalibur Knights Saga—a sprawling Arthurian space opera that follows the rise of Ser Nathaniel Arturi from reluctant (and frankly terrible) hero to the stuff of legends. If you love action-packed science fiction, snarky AI companions, and radical character growth, then secure your crash couches and prepare for 1,800+ pages of epic sci-fi adventure! Included in the set: - The Eighth Excalibur (Book 1) - The Black Knight (Book 2) - Spoils of War (Book 3) Plus the following Excalibur Knights shorts, novelette, and serial: - Flight of the Huntress - The Last Good Boy - The Complete Meyerwitz Logs - The Leftovers (Parts 1-4)

“Stephen Baxter has been heralded, with some merit, as Arthur C. Clarke’s literary heir, and Proxima certainly reinforces this accolade in spades.”—Concatenation Mankind’s future in this galaxy could be all but infinite. There are hundreds of billions of red dwarf stars, lasting trillions of years—and their planets can be habitable for humans. Such is the world of Proxima Centauri. And its promise could mean the never-ending existence of humanity. But first it must be colonized, and no one wants to be a settler. There is no glamor that accompanies it, nor is there the ease of becoming a citizen of an already-tamed world. There is only hardship...loneliness...emptiness, even as war brews in the solar system. But that’s where Yuri comes in. Because sometimes exploration isn’t voluntary. It must be coerced.

A lush, feminist re-imagining on what happened to Wendy after Neverland, for fans of Circe and The Mere Wife. LOCUS AWARD FINALIST FOR BEST FIRST NOVEL Find the second star from the right, and fly straight on ’til morning, all the way to Neverland, a children’s paradise with no rules, no adults, only endless adventure and enchanted forests – all led by the charismatic boy who will never grow old. But Wendy Darling grew up. She has a husband and a young daughter called Jane, a life in London. But one night, after all these years, Peter Pan returns. Wendy finds him outside her daughter’s window, looking to claim a new mother for his Lost Boys. But instead of Wendy, he takes Jane. Now a grown woman, a mother, a patient and a survivor, Wendy must follow Peter back to Neverland to rescue her daughter and finally face the darkness at the heart of the island…

Andre Norton-Grand Mistress of science fiction-presents a grand tapestry of the far-flung interstellar future, in which the first starships from Earth have burst out into the universe . . . only to run straight into the restraining grasp of the stagnant alien federation known as Central Control. Only as interstellar mercenaries can humans go to the stars; the aliens who already dominate the galaxy allow no other recourse. But when Swordsman Third Class Kana Karr and his comrades-in-arms are betrayed and abandoned on a hostile world by their alien masters, the warriors from Earth begin a desperate but glorious march across a planet whose every sword is against them. Their actions may doom humanity's future . . . or lead the way to an empire of their own! Four thousand years later, galactic civilization is collapsing, and the underfunded crew of an exploration starship is forced to set down on an uncharted planet: a mysterious, abandoned world that is achingly beautiful-and hauntingly familiar. Ranger Sergeant Kartr, telepath and stellar Patrolman, searches with his crewmates for the source of a beacon which may mean escape for them all. What he finds is far stranger: the first clue to what may become the greatest revelation in galactic history! The defining events of future historyas only Andre Norton could tell them! At the publisher's request, this title is sold without DRM (Digital Rights Management).

Do unto others as you would others should do to you. You can never be rude if you bear the rule always in mind, for what lady likes to be treated rudely? True Christian politeness will always be the result of an unselfish regard for the feelings of others, and though you may err in the ceremonious points of etiquette, you will never be im polite. Politeness, founded upon such a rule, becomes the expression, in graceful manner, of social virtues. The spirit of politeness consists in a certain attention to forms and ceremonies, which are meant both to please others and ourselves, and to make others pleased with us ;a still clearer definition may be given by saying that politeness is goodness of heart put into daily practice; the.re can be no true, politeness without kindness, purity, singleness of heart, and sensibility. Many believe that politeness is but a mask worn in the world to conceal bad passions and impulses, and to make a show of possessing virtues not really existing in the heart; thus, that politeness is merely hypocrisy and dissimulation. Do not believe this; be certain that those who profess such a doctrine are practising themselves the deceit they condemn so much.

DigiCat Publishing presents to you this special edition of "Memoirs of an Infantry Officer" by Siegfried Sassoon. DigiCat Publishing considers every written word to be a legacy of humankind. Every DigiCat book has been carefully reproduced for republishing in a new modern format. The books are available in print, as well as ebooks. DigiCat hopes you will treat this work with the acknowledgment and passion it deserves as a classic of world literature.

There is a great difficulty in the way of a writer who attempts to sketch a living Constitution-a Constitution that is in actual work and power. The difficulty is that the object is in constant change. An historical writer does not feel this difficulty: he deals only with the past; he can say definitely, the Constitution worked in such and such a manner in the year at which he begins, and in a manner in such and such respects different in the year at which he ends; he begins with a definite point of time and ends with one also. But a contemporary writer who tries to paint what is before him is puzzled and a perplexed: what he sees is changing daily. He must paint it as it stood at some one time, or else he will be putting side by side in his representations things which never were contemporaneous in reality.