A Rivalry Of Genius

By comparing interpretations of the Hebrew Bible by Jews, Christians, and Gnostics in Late Antiquity, this book provides a unique perspective on these religious movements in Palestine. Rival interpretations of the early Church and the Midrash are set against the backdrop of the pagan critique of these religions and the gnostic threat that grew within both Christianity and Judaism. The comparison of the exegetical works of Christianity and Judaism illuminates the later development of the two religions and offers fresh insight into the Bible itself.

By comparing interpretations of the Hebrew Bible by Jews, Christians, and Gnostics in Late Antiquity, this book provides a unique perspective on these religious movements in Palestine. Rival interpretations of the early Church and the Midrash are set against the backdrop of the pagan critique of these religions and the gnostic threat that grew within both Christianity and Judaism. The comparison of the exegetical works of Christianity and Judaism illuminates the later development of the two religions and offers fresh insight into the Bible itself.

“The remarkable story of the two seventeenth-century geniuses. . . . A highly successful double biography.” —Booklist The rivalry between the brilliant seventeenth-century Italian architects Gianlorenzo Bernini and Francesco Borromini is the stuff of legend. Enormously talented and ambitious artists, they met as contemporaries in the building yards of St. Peter’s in Rome, became the greatest architects of their era by designing some of the most beautiful buildings in the world, and ended their lives as bitter enemies. Engrossing and impeccably researched, full of dramatic tension and breathtaking insight, The Genius in the Design is the remarkable tale of how two extraordinary visionaries schemed and maneuvered to get the better of each other and, in the process, created the spectacular Roman cityscape of today. “Entertaining. . . . Morrissey finely renders the intense rivalry between these two artists.” —Publishers Weekly “With clear prose and splendid touches of drama, history and architecture are both brought wonderfully to life.” —Ross King, New York Times bestselling author of Brunelleschi’s Dome and Michelangelo and the Pope’s Ceiling “Engrossing.” —Matthew Pearl, of The Dante Club “Genius in the Design reveals the dark side of 17th Century Italy with sparkling anecdotes and you-are-there immediacy” —Laurence Bergreen, author of Over the Edge of the World “Fascinating . . . a scintillating introduction to the Baroque.” —Iain Pears, New York Times bestselling author An Instance of the Fingerpost “Page-turning reading.” —Seattle Times Book Review “Morrissey illuminates the contrast between the celebrated Bernini and the anguished Borromini.” —Boston Globe

The executive editor of Sports Illustrated offers an in-depth analysis and behind-the-scenes look at the historic 2008 match between tennis titans. In the 2008 Wimbledon men’s final, Centre Court was a stage set worthy of Shakespearean drama. Five-time champion Roger Federer was on track to take his rightful place as the most dominant player in the history of the game. He just needed to cling to his trajectory. So, in the last few moments of daylight, Centre Court witnessed a coronation. Only it wasn’t a crowning for the Swiss heir apparent but for a swashbuckling Spaniard. Twenty-two-year-old Rafael Nadal prevailed, in five sets, in what was, according to the author, “essentially a four-hour, forty-eight-minute infomercial for everything that is right about tennis—a festival of skill, accuracy, grace, strength, speed, endurance, determination, and sportsmanship.” It was also the encapsulation of a fascinating rivalry, hard fought and of historic proportions. In the tradition of John McPhee’s classic Levels of the Game, Strokes of Genius deconstructs this defining moment in sport, using that match as the backbone of a provocative, thoughtful, and entertaining look at the science, art, psychology, technology, strategy, and personality that go into a single tennis match. With vivid, intimate detail, Wertheim re-creates this epic battle in a book that is both a study of the mechanics and art of the game and the portrait of a rivalry as dramatic as that of Ali–Frazier, Palmer–Nicklaus, and McEnroe–Borg. “Deftly touches on all the defining factors of contemporary tennis.” —San Francisco Chronicle “Illuminates a kingdom changing hands. An engrossing book.” —Bud Collins

Justin Martyr, a second-century Gentile Christian apologist, was active in the Christian-Jewish propaganda war to convert each other and the pagans. He radicalized the ideas of St. Paul on the divine Election, Abraham, the Pentateuch, and the Gentiles. Justin's background, sources, and thought, and his place in the inter-religious propaganda war, are discussed, as are the irreconcilable views of Jesus and Paul on the Pentateuch and the Gentiles. Justin Martyr and the Jews considers the place of Paul and Justin's teachings in today's Christian-Jewish dialogue about the roots of early Christian Antisemitism, showing that the presuppositions of Paul and Justin must be abandoned if Christians and Jews today are to reach true understanding. As part of the search for such understanding, recent scholarly literature has been concerned with pre- and post-Holocaust inter-religious relations, as well as with the roots of Christian Antisemitism. Some scholars have endeavoured to show that Pauline teachings were misunderstood, and thereby exonerate Paul from the responsibility for Christian persecutions of Jews through the ages. These scholars have also attempted to make Paul a bridge between Christians and Jews in their modern dialogue. The present writer argues that this interpretation of Pauline teaching, followed and even radicalized by Justin, is unfounded.

A critical reading of Ephrem's numerous poetic writings demonstrates that his sharp anti-Jewish and anti-Judaizing language helped to solidify a pro-Nicene definition of Christian orthodoxy, cutting off from that community in the very act of defining it his so-called Judaizing and Arian Christian opponents, both of whom he accused of being more like Jews than Christians. Through carefully crafted rhetoric, Ephrem constructed for his audience new social and theological parameters that reshaped the religious landscape of his community.

Judaism is a monotheistic religion with a history of over 3,500 years. 'Defining Judaism' illustrates the range of theoretical and practical issues required for comparative and historical study of the faith. The texts range from historical attempts to define individual 'Jews' to imagining Judaism as a religion like other religions, to modern and post-modern attempts to decentre these earlier definitions. The reader brings together a wide range of essays from influential scholars of ancient and contemporary Judaism to attempt a full picture of Judaism that will be of interest to all those involved in the study of religion.