A Stranger At Home

Traveling to be reunited with her family in the arctic, 10-year-old Margaret Pokiak can hardly contain her excitement. It’s been two years since her parents delivered her to the school run by the dark-cloaked nuns and brothers. Coming ashore, Margaret spots her family, but her mother barely recognizes her, screaming, “Not my girl.” Margaret realizes she is now marked as an outsider. And Margaret is an outsider: she has forgotten the language and stories of her people, and she can’t even stomach the food her mother prepares. However, Margaret gradually relearns her language and her family’s way of living. Along the way, she discovers how important it is to remain true to the ways of her people — and to herself. Highlighted by archival photos and striking artwork, this first-person account of a young girl’s struggle to find her place will inspire young readers to ask what it means to belong.

From the New York Times bestselling author of The Couple Next Door, a new thriller featuring a suspicious accident, a wife who can't account for herself and unsettling questions that threaten to tear a couple apart. You come home after a long day at work, excited to have dinner with your beautiful wife. But when you walk through the door, you quickly realize that she's not there. In the kitchen, there is a pot on the stove, and vegetables on the counter, abandoned. Her cellphone and her purse are still in the house, in the bedroom, exactly where she keeps them. It looks like she's left in a blind panic. You fear the worst, so you call her friends to see if they know where she is. Then you call the police. The police tell you that your wife's been in an accident. They found her in the worst part of town, after she lost control of the car while speeding through the streets. But why would she go to that neighbourhood? And why was she driving so fast? Was she running toward something? Or away from something? The police think your wife was up to no good. You refuse to believe it, at first. Then, as the stories and facts don't line up, and your wife can't remember what happened that evening, you start to wonder. You've been married for two years and you thought you knew her better than anyone else in the world . . . . . . but maybe you don't.

A pathbreaking introduction to eighteenth-century metaphors of the mind that recasts the grand narrative of the Enlightenment in terms of its tropes and figures. An encyclopedic dictionary along the lines of Voltaire’s classic Dictionnaire Philosophique, Metaphors of Mind provides an in-depth look at the myriad ways in which Enlightenment writers used figures of speech to characterize the mind. Drawn from Brad Pasanek’s massive online archive, http://metaphorized.net, this volume constitutes a veritable treasury of mental metaphorics. Dividing the book into eleven broad metaphorical categories—Animals, Coinage, Court, Empire, Fetters, Impressions, Inhabitants, Metal, Mirror, Rooms, and Writing—Pasanek maps out constellations of metaphors. He frames his collection of literary excerpts in each section with a more descriptive and theoretical discussion of what he calls “desultory reading,” a form of unsystematic perusal of writing frequently employed by Enlightenment thinkers. By surveying the printed past alongside the digital present, the book treats eighteenth-century writing as its topic while essentially exemplifying its rhetorical approach. More than an exercise in quotation, this intellectual history offers illuminating readings of fragmentary literary works and confrontations with neoclassical and contemporary theories of metaphor. The book’s entries complicate received ideas about Locke’s blank slate, question M. H. Abrams’ claims about mirrors and lamps, and chart changing frequencies of metal metaphors in a moment of industrial revolution. The book also responds to current anxieties about reading and the mass digitization of literature, touching on recent discussions of “distant reading,” “shallow reading,” and “surface reading.” Promoting critical and creative anachronism, Metaphors of Mind redefines the notion of an archive in the age of Amazon and Google Books.

For Jacques Derrida, the notions and experiences of "community," "living," "together" never ceased to harbor radical, even infinite interrogations. Gathered around an unpublished essay by Derrida, the contributions to this volume explore the struggles and chances of living together in the post-9/11 era and in regions of intense political conflict.

Nobody wants to be a stranger at home, even if one wants to feel at home in an alien country. Celebrated Nigerian author Tanure Ojaide in this memoir recounts his experiences as a Nigerian living and working in the United States. Feeling at home in the United States, but not all the time is coupled with a longing to visit his natal home, as if possessed by the god of nativity, to his home country he goes. Drawn both ways, in a tough tug of war, depending upon where he finds himself—he is caught up in an unending oscillation; now at home and wishing to leave, and soon outside and wishing to be back at home. Often feeling like a stranger no matter how long he has lived and worked in the United States. Not feeling like a stranger he has also refused to blend, wearing materials that make him stand out as an outsider, an African, a Nigerian, a foreigner. There are other differences of beliefs and ideas which do not follow the mainstream, he seems to see things often from different perspective, as a postcolonial fellow, and the others from their metropolitan position of power. He feels he was already formed as a man before his relocation, maybe he is what he is by choice or remain so instinctively.

In Strangers in the Family, Guo-Quan Seng provides a gendered history of settler Chinese community formation in Indonesia during the Dutch colonial period (1816–1942). At the heart of this story lies the creolization of patrilineal Confucian marital and familial norms to the colonial legal, moral, and sexual conditions of urban Java. Departing from male-centered narratives of Ooverseas Chinese communities, Strangers in the Family tells the history of community- formation from the perspective of women who were subordinate to, and alienated from, full Chinese selfhood. From native concubines and mothers, creole Chinese daughters, and wives and matriarchs, to the first generation of colonial-educated feminists, Seng showcases women's moral agency as they negotiated, manipulated, and debated men in positions of authority over their rights in marriage formation and dissolution. In dialogue with critical studies of colonial Eurasian intimacies, this book explores Asian-centered inter-ethnic patterns of intimate encounters. It shows how contestations over women's place in marriage and in society were formative of a Chinese racial identity in colonial Indonesia.