A Very Big House In The Country

Holidays are about surviving the gaps between one meal and another.' For one long hot summer in Devon, three families are sharing one very big house in the country. The Herreras: made up of two tired parents, three grumbling children and one promiscuous dog; the Littles: he's loaded (despite two divorces and five kids), she's gorgeous, but maybe the equation for a truly happy marriage is a bit more complicated than that; and the Browns, who seem oddly jumpy around people, but especially each other. By the pool, new friendships blossom; at the Aga door, resentments begin to simmer. Secret crushes are formed and secret cigarettes cadged by the teens, as the adults loosen their inhibitions with litres of white wine and start to get perhaps a little too honest . . . Mother hen to all, Evie Herreras has a life-changing announcement to make, one that could rock the foundations of her family. But will someone else beat her to it?

Provides a review of social trends and their effect on architecture and design.

Tales from the Big House: Normanby Hall tells the story of a place known perhaps today mainly as the home where Samantha Cameron grew up, but historically it has been the seat of the Sheffield family, whose most famous member was arguably the Duke of Buckingham in the seventeenth century. As with most country houses, the Hall was used as a military hospital in the Great War, and in the Second World War there were military personnel based there again. It stands just a few miles from the great steelworks on the Brigg Road, which have always defined Scunthorpe, so it played its part in the history of steel-making also.The book includes biographies of the famous but also tells of the lives of the ordinary people who kept the house and the estate going, from the gamekeepers to the gardeners, and the cooks to the stable hands. All this is set against the social background through the centuries of its existence, up to the sale of the Hall to Scunthorpe Borough Council in 1964. The lives familiar to us today from Downton Abbey and similar family sagas are at the heart of Stephen Wades history. But along the way, the reader will meet such characters as Sir Berkeley Sheffield, model railway enthusiast, Walter Brierley, architect, Thomas Sumpter, the schoolmaster, John Fletcher, machine-maker, and perhaps most charismatically of all, Lady Arthur Grosvenor, an expert on gypsy caravans.

This book is a comprehensive study of the ascendancy novel from Maria Edgeworth's Castle Rackrent (I800) through contemporary reinventions of the form. Kreilkamp argues that Irish fiction needs to be rescued from the critical assumptions underlying attacks on the historical mythologies of Yeats and the Literary Revival. Exploring the uniquely Irish dimensions of colonial and post-colonial societies, Kreilkamp charts the self-critical formulations of a gentry culture facing its extinction—more often and more successfully with comic irony than nostalgia. Kreilkamp positions the Big House novels within current debates in postcolonial criticism and theory. She argues that these fictional representations of a beleaguered society provide a complex, nuanced gaze into a hybrid colonial group that distanced itself from the self-aggrandizements of the revivalists. As she examines the gothic, revisionist, and postmodern permutations of an enduring national form, she illustrates the ways ascendancy women transformed conventions of an English domestic genre into political fiction. Her attention to Edgeworth's Irish works, the fiction of the neglected Victorian novelist Charles Lever, and the gothic forms of the Big House by Sheridan Le Fanu and Charles Maturin provide a historical context for later reformulations of the genre by Somerville and Ross, Elizabeth Bowen, Molly Keane, William Trevor, Jennifer Johnston, Aidan Higgins, and John Banville.

Faced with the sale of the century-old family summer house on Cape Cod where he had spent forty-two summers, George Howe Colt recounts returning for one last stay with his wife and children in this stunning memoir that was a National Book Award Finalist and a New York Times Notable Book of the Year. This poignant tribute to the eleven-bedroom jumble of gables, bays, and dormers that watched over weddings, divorces, deaths, anniversaries, birthdays, breakdowns, and love affairs for five generations interweaves Colt’s final visit with memories of a lifetime of summers. Run-down yet romantic, The Big House stands not only as a cherished reminder of summer’s ephemeral pleasures but also as a powerful symbol of a vanishing way of life.

The Big House has been an element of tragedy in the course of Ireland's history and it is considered such by contemporary novelists such as Aidan Higgins and Jennifer Johnson. It has been the crucible in which two civilizations failed to melt and yet became inseparably bound together."ófrom the Introduction by Guy Fehlmann. Contents: Introduction An Historical Survey, Guy Fehlmann; The Big House in Western Ireland, Breand·n MacAodha; "Cast a Cold Eye": A Sociological Approach, Joy Rudd; Distribution, Function and Architecture, Breand·n MacAodha; The Beginnings of Big House Fiction; Maria Edgeworth: Castle Rackrent, Bernard Legros; Irish Homes in the Work of C.R. Maturin, Claude FiÈrobe; Historical Glimpses: John Banim, Bernard Escarbelt; Gerald Griffin, Michel Flot; Le Fanu's Houses, Jean Lozes; The Golden Age; George Moore's Big House Novel: A Drama in Muslin, Jean NoÎl; Joyce Cary: Castle Corner, A Big House Novel?, Jacques Emprin; Interior and Exterior: The Big House and the Irish Landscape in the Work of Elizabeth Bowen, GearÛid Cronin; Elizabeth Bowen's A World of Love, Josette Leray; The Big House in Se·n O'Faol·in's Fiction, Denis Sampson; Molly Keane, Maurice Elliot; Jennifer Johnston, Mark Mortimer; John Banville and the Subversion of the Big House Novel, GearÛid Cronin; A View from Outside; A Shadowless Castle of Treasures: Kinalty Castle in Henry Green's Loving, Fiona MacPhail; Major and Majestic: J.G. Farrell's Troubles, Fiona MacPhail; Through the Poets' Eyes; Yeats and the Big Houses, Jacqueline Genet; The "Big House" by Paul Muldoon: The Approach of the Satirist, Dominique Gauthier; The Image of the Big House in the Poetry of Derek Mahon and Tom Paulin, Caroline MacDonough.

William Kauffman Scarborough has produced a work of incomparable scope and depth, offering the challenge to see afresh one of the most powerful groups in American history—the wealthiest southern planters who owned 250 or more slaves in the census years of 1850 and 1860. The identification and tabulation in every slaveholding state of these lords of economic, social, and political influence reveals a highly learned class of men who set the tone for southern society while also involving themselves in the wider world of capitalism. Scarborough examines the demographics of elite families, the educational philosophy and religiosity of the nabobs, gender relations in the Big House, slave management methods, responses to secession, and adjustment to the travails of Reconstruction and an alien postwar world.

An inside look at the University of Michigan's football program from the man who was the team's equipment manager for more than four decades Forty years ago, Michigan equipment manager Jon Falk began his legacy, becoming a living encyclopedia of Michigan football tradition and history. Hired by Bo Schembechler in 1974, the now retired Falk shares his firsthand, inside stories from in the locker room, on the sideline, and on the road with one of college football's most storied institutions. He may not be as well known as the Big House or the Little Brown Jug, but among coaches, players, and a good portion of the Michigan football faithful, Jon Falk has fashioned a lively legend of his own. Falk's recollections connect the past and present to highlight the importance of the relationships created during the best four years of any college player's life and it's those relationships that drive the Wolverines to success.