A Visual Catalogue Of Richard Hattatt S Ancient Brooches

Richard Hattatt's collection of brooches ranges from the Iron Age to the Middle Ages, though most were Roman and Romano-British. Between 1982 and 1989 he wrote four books illustrating all the brooches, and in the fourth book he included a visual catalogue which provides a quick guide to the types and dates. it is this visual index - with drawings of all 2000 brooches - that is reproduced.

Richard Hattatt's collection of brooches ranges from the Iron Age to the Middle Ages, though most were Roman and Romano-British. Between 1982 and 1989 he wrote four books illustrating all the brooches, and in the fourth book he included a visual catalogue which provides a quick guide to the types and dates. it is this visual index - with drawings of all 2000 brooches - that is reproduced.

This book is the result of a large-scale yet detailed study of early medieval grave furnishings from the Netherlands, aiming at the creation of a comprehensive artefact typology and updated relative chronology for this under-explored period in the Low Countries.

Part of the Penguin History of Britain series, An Imperial Possession is the first major narrative history of Roman Britain for a generation. David Mattingly draws on a wealth of new findings and knowledge to cut through the myths and misunderstandings that so commonly surround our beliefs about this period. From the rebellious chiefs and druids who led native British resistance, to the experiences of the Roman military leaders in this remote, dangerous outpost of Europe, this book explores the reality of life in occupied Britain within the context of the shifting fortunes of the Roman Empire.

This dissertation presents four methodological case studies that elaborate on the results of two field survey projects (the Astura and Nettuno surveys) that were carried out by the Groningen Institute of Archaeology (GIA). The case studies aim at investigating biasing factors that limit the analytical and comparative value of data from archaeological survey in general using these two projects as a suitable testing ground. Both surveys, carried out between 2003 and 2005, fell within the ambit of the Pontine Region Project (PRP), a long-term research program aimed at the diachronic archaeological investigation of the various landscape units forming this region. They covered two contiguous areas, situated on the Tyrrhenian seaboard, approximately 60 kilometres south of Rome. The study area comprises the communal area of the modern town of Nettuno, as well as the lower valleys of the Astura and Moscarello rivers (see fig. 0.1).2 As such it incorporates parts of the hinterland of the ancient towns of Antium and Satricum. In chronological terms this dissertation considers a time-span of 1300 years, from the 6th century BC to the 7th century AD.

Since early discoveries of so-called Celtic Art during the 19th century, archaeologists have mused on the origins of this major art tradition, which emerged in Europe around 500 BC. Classical influence has often been cited as the main impetus for this new and distinctive way of decorating, but although Classical and Celtic Art share certain motifs, many of the design principles behind the two styles differ fundamentally. Instead, the idea that Celtic Art shares its essential forms and themes of transformation and animism with Iron Age art from across northern Eurasia has recently gained currency, partly thanks to a move away from the study of motifs in prehistoric art and towards considerations of the contexts in which they appear. This volume explores Iron Age art at different scales and specifically considers the long-distance connections, mutual influences and shared ‘ways of seeing’ that link Celtic Art to other art traditions across northern Eurasia. It brings together 13 papers on varied subjects such as animal and human imagery, technologies of production and the design theory behind Iron Age art, balancing pan-Eurasian scale commentary with regional and site scale studies and detailed analyses of individual objects, as well as introductory and summary papers. This multi-scalar approach allows connections to be made across wide geographical areas, whilst maintaining the detail required to carry out sensitive studies of objects.