A Word With Wilderness Poems Inspired By American Nature

With the author's self-portrait sketch on the cover, ""A Word With Wilderness: Poems Inspired by American Nature? is a collection of soulful nature poems accompanied by her elegant and delightful hand-drawn sketches. The gifted poet's subtle yet innocent, and often spiritual way of looking at nature's wonders makes her poetry a joy for any true nature lover - in America or any other part of the world. NOTE: This paperback edition has BLACK & WHITE INTERIOR featuring the illustrations in classic monochrome style. The preview may show color. Gyaneshwari Dave is a writer/poet, illustrator, nature photographer and the founder of www.pineconedream.com.

George Washington Sears tributes the great outdoors with a collection of poems chronicling life among nature in all its rugged glory. A committed outdoorsman, Sears was most at home among the trees and hills of America's wilderness. Each poem in this anthology chronicles a different aspect of life spent camping and living in the depths of nature, with only creatures for company. The author's affinity is plain to behold: he describes watching how a given animal behaves, how the weather unfolds amid the forest, how a camp feels like home, how overarching nature's majesty is. The invigorating aspect of being outdoors is admired by the author; the mountain air, tinged with the scents of trees, was thought to benefit health in the 19th century. Other aspects of the book recount movements of the era; temperence from alcohol, and conflicts with the Native Americans, are alluded to.

George Washington Sears tributes the great outdoors with a collection of poems chronicling life among nature in all its rugged glory. A committed outdoorsman, Sears was most at home among the trees and hills of America's wilderness. Each poem in this anthology chronicles a different aspect of life spent camping and living in the depths of nature, with only creatures for company. The author's affinity is plain to behold: he describes watching how a given animal behaves, how the weather unfolds amid the forest, how a camp feels like home, how overarching nature's majesty is. The invigorating aspect of being outdoors is admired by the author; the mountain air, tinged with the scents of trees, was thought to benefit health in the 19th century. Other aspects of the book recount movements of the era; temperence from alcohol, and conflicts with the Native Americans, are alluded to. George Washington Sears felt a sense of awe and wonder about nature while still a boy: his parent's books featuring Native Americans depicted a vast and beautiful habitats. Growing up to be a great lover of nature, Sears would often camp in the forests between working as a journalist and poet. He was an early proponent of the canoe as a means of exploring the rivers, and would undertake tours using these boats.

A tide of newfound prosperity swept through America as the nineteenth century turned into the twentieth. Modernity had arrived. Yet amid this climate of progress, concerns over the perils of modernity and civilization began to creep into the national consciousness. Stress, overcrowding, and immigration stoked fears of degeneration among the white middle- and upper classes. To correct course, the Back to Nature movement was born. By shedding the shackles of modernity and embracing the great outdoors, Americans could keep fit and stave off a descent down the evolutionary ladder. Drawing on a wide range of primary and archival sources, Robin Schulze examines how the return to nature altered the work of three modernist poets: Harriet Monroe, Ezra Pound, and Marianne Moore. Like other Americans of their day, the trio heeded the widespread national call to head back to nature for the sake of the nation's health, but they faced a difficult challenge. Turning to nature as a means to combat the threat of degeneration in their literary and editorial work, they needed to envision a form of poetry that would be a cure for degeneration rather than a cause. The Degenerate Muse reveals the ways in which Monroe, Pound, and Moore struggled to create and publish poems that resisted degeneration by keeping faith with nature-influenced ideas about what American poetry should be and do in the twentieth century. A combination of environmental history and modernist studies, The Degenerate Muse reveals that the American relationship to nature was a key issue of modernity and an integral part of literary modernism.

With contributions from over 100 scholars, the Encyclopedia of American Poetry: The Nineteenth Centry provides essays on the careers, works, and backgrounds of more than 100 nineteenth-century poets. It also provides entries on specialized categories of twentieth-century verse such as hymns, folk ballads, spirituals, Civil War songs, and Native American poetry. Besides presenting essential factual information, each entry amounts to an in-depth critical essay, and includes a bibliography that directs readers to other works by and about a particular poet.

In Roseanne Carrara's A Newer Wilderness, the world's rich and compelling past buckles and swells beneath our feet, and its abiding influence rises like geothermal steam into the present. Powerful voices from history and legend issue forth and mingle with our familiar, circadian surroundings. These poems serve to remind us that our future need not cost us our past, that our capacity for intellect need not diminish our basic humanity, and that civilizations need not be built at the expense of the natural environment in which they thrive.