A World Of Their Own Making

Discusses ritual events we regard as family traditions and how they must be open to perpetual revision so we can satisfy our human needs and changing circumstances.

Tracing the history of intercultural struggle and cooperation in the citrus belt of Greater Los Angeles, Matt Garcia explores the social and cultural forces that helped make the city the expansive and diverse metropolis that it is today. As the citrus-growing regions of the San Gabriel and Pomona Valleys in eastern Los Angeles County expanded during the early twentieth century, the agricultural industry there developed along segregated lines, primarily between white landowners and Mexican and Asian laborers. Initially, these communities were sharply divided. But Los Angeles, unlike other agricultural regions, saw important opportunities for intercultural exchange develop around the arts and within multiethnic community groups. Whether fostered in such informal settings as dance halls and theaters or in such formal organizations as the Intercultural Council of Claremont or the Southern California Unity Leagues, these interethnic encounters formed the basis for political cooperation to address labor discrimination and solve problems of residential and educational segregation. Though intercultural collaborations were not always successful, Garcia argues that they constitute an important chapter not only in Southern California's social and cultural development but also in the larger history of American race relations.

"Illustrated with 150 photographs, plans, and drawings, Catherine Howett's engaging study analyzes the singular convergence of influences that occurred in the imagination of a highly unusual woman. The book provides welcome insight into the culture of the New South and into a richly inventive period in the history of American landscape architecture."--BOOK JACKET.

As a teenager in a working-class English town, Jack Buckby found himself at the center of the biggest nationalist movement in modern British history. Looking for a political group that championed working people concerned about mass immigration, he stumbled into a world of anti-Semitism, racist paranoia, and extreme-right violence and terrorism. Through those experiences, Jack explains how both the left and the right fundamentally misunderstand what it means to be “far right” and why young men are becoming radicalized across the Western world. Through a three-pronged attack carried out by the media, negligent politicians, and far-left ideologues, the white working class is being backed into a corner and forced to either be quiet, or get radical.

There no longer seems any point to criticizing the internet. We indulge in the latest doom-mongering about the evils of social media-on social media. We scroll through routine complaints about the deterioration of our attention spans. We resign ourselves to hating the internet even as we spend much of our waking lives with it. Yet our unthinking surrender to its effects-to the ways it recasts our aims and desires-is itself digital technology's most powerful achievement. A Web of Our Own Making examines how online practices are reshaping our lives outside our notice. Barba-Kay argues that digital technology is a 'natural technology'-a technology so intuitive as to conceal the extent to which it transforms our attention. He shows how and why this technology is reconfiguring knowledge, culture, politics, aesthetics, and theology. The digital revolution is primarily taking place not in Silicon Valley but within each of us.

In Monsters of Our Own Making, Marina Warner explores the dark realm where ogres devour children and bogeymen haunt the night. She considers the enduring presence and popularity of male figures of terror, establishing their origins in mythology and their current relation to ideas about sexuality and power, youth and age.

"One of the most extraordinary works of fantasy, for adults or children, published so far this century."—Time magazine, on the Fairyland series September has longed to return to Fairyland after her first adventure there. And when she finally does, she learns that its inhabitants have been losing their shadows—and their magic—to the world of Fairyland Below. This underworld has a new ruler: Halloween, the Hollow Queen, who is September's shadow. And Halloween does not want to give Fairyland's shadows back. Fans of Valente's bestselling, first Fairyland book will revel in the lush setting, characters, and language of September's journey, all brought to life by fine artist Ana Juan. Readers will also welcome back good friends Ell, the Wyverary, and the boy Saturday. But in Fairyland Below, even the best of friends aren't always what they seem. . . .

A bewitching and authoritative historical overview of magic in the British Isles, from the ancient peoples of Britain to the rich and cosmopolitan landscape of contemporary paganism. “An absolute must for anyone interested in the development of paganism in the modern world. I cannot recommend this book enough.”—Janet Farrar, coauthor of A Witches’ Bible “At last, we have a history of British Paganism written from the inside, by somebody who not only has a good knowledge of the sources, but explicitly understands how Pagans and magicians think.”—Ronald Hutton, author of The Triumph of the Moon and The Witch What do we mean by “paganism”—druids, witches, and occult rituals? Healing charms and forbidden knowledge? Miracles of Our Own Making is a historical overview of pagan magic in the British Isles, from the ancient peoples of Britain to the rich and cosmopolitan landscape of contemporary paganism. Exploring the beliefs of the druids, Anglo-Saxons, and Vikings, as well as Elizabethan Court alchemy and witch trials, we encounter grimoires, ceremonial magic, and the Romantic revival of arcane deities. The influential and well-known—the Golden Dawn, Wicca, and figures such as Aleister Crowley—are considered alongside the everyday “cunning folk” who formed the magical fabric of previous centuries. Ranging widely across literature, art, science, and beyond, Liz Williams debunks many of the prevailing myths surrounding magical practice, past and present, while offering a rigorously researched and highly accessible account of what it means to be a pagan today.