A Year In The Life Of The Universe

Full-color photographs by renowned astrophotographer Robert Gendler that identifies over 120 objects in the galaxy throughout the four seasons.

The story of a year in the life of a boy named Stephen Clarke, inspire by the real life of the author. Our journey follows Stephen from attempted suicides to his search for love to his struggle to fit in. Get to know Stephen as get to know his inner most thoughts and feelings on life and the universe and everything in between.

After nearly a decade of dutifully climbing the corporate ladder to become a partner in a headhunting firm, Lucy Leonelli was feeling restless in a life that was seemingly mapped out for her, and she could not shake the sense that she was missing out on something... something out there. Realising that the answer was right in front of her – in a country so full of clandestine communities and colourful, eccentric characters – Lucy made the daring decision to hit the pause button on her career and hang up her suit in favour of a year exploring twenty-six wildly different subcultures. Over the next twelve months, she lived with battle re-enactors, circus performers, hill baggers, Morris dancers, naturists, trainspotters, yogis, zeitgeist political activists and more, experiencing first-hand their social rituals and customs in the hope that, somewhere along the way, she might just uncover the most authentic version of herself. A Year in the Life charts Lucy’s adventure as she sang naked karaoke with naturists, jumped from one very high place to another with parkour daredevils, partied in tight latex with self-proclaimed vampires and fought the undead in an epic LARP battle. It tells of the importance of community in an increasingly isolating society; of the unquenchable human thirst for a sense of belonging; of how misguided our own prejudices can be; and of how when we open the door to others, we might just learn something about ourselves.

"Perhaps I should have realized that cancer runs in my family. After all, three grandparents and my father and brother perished from this disease. Yet, when I received my colorectal cancer diagnosis, I was surprised. I never expected to be primarily identified as a cancer patient. Following a typical combination of chemotherapy, radiation, surgery, and more chemo, I was presumably cancer-free when my post-treatment scans looked clean. Nonetheless, within a year I received a terminal diagnosis; cancer had metastasized in my lungs. Thus began my year as a dead woman--a time of chaotic emotions, new priorities, and rapid-fire plans and changes. Expecting the unexpected became a theme in my life, but the things that turned out to be most shocking are social, familial, and even my expectations about what is realistic for a dead woman to be or do." Preconceptions about a terminal cancer diagnosis frequently are based on popular culture depictions of cancer and dying, which can be misleading as a guide for knowing what to expect when you're expecting to die. This memoir provides one woman's often-irreverent, pop culture-illustrated guide to life that deconstructs some common preconceptions about living with a terminal diagnosis.

The acclaimed author of Einstein’s Dreams tackles "big questions like the origin of the universe and the nature of consciousness ... in an entertaining and easily digestible way” (Wall Street Journal) with a collection of meditative essays on the possibilities—and impossibilities—of nothingness and infinity, and how our place in the cosmos falls somewhere in between. Can space be divided into smaller and smaller units, ad infinitum? Does space extend to larger and larger regions, on and on to infinity? Is consciousness reducible to the material brain and its neurons? What was the origin of life, and can biologists create life from scratch in the lab? Physicist and novelist Alan Lightman, whom The Washington Post has called “the poet laureate of science writers,” explores these questions and more—from the anatomy of a smile to the capriciousness of memory to the specialness of life in the universe to what came before the Big Bang. Probable Impossibilities is a deeply engaged consideration of what we know of the universe, of life and the mind, and of things vastly larger and smaller than ourselves.

Another in-depth report on whatís happening in Ernieís World How does humor writing happen? Spend a year with columnist Ernie Witham as he finds the humorous side of family, travel, work avoidance and, sometimes, work while always following his funny bone. The second published collection from Ernie Withamí’s syndicated humor column “Ernieís World” this book tells what a year in the life of the”ìworkingî writer”is like. From searching for that last-possible-moment anniversary gift at the Santa Barbara Farmer’s Market, to “appearing” in the movie “Sideways,”to observing dolphin sex in the Florida Keys, and then trying to make a living out of it all, this book reveals why Ernieís World is a fun and funny place to visit.

An overview of daily life in ancient Egypt, its society, and culture. Based on years of prestigious academic work, Professor Rosalie David cleverly presents every aspect of life in ancient Egypt through the lives of various characters, all based on mummies from the Manchester Museum whom Professor Rosalie David has led the study of. Characters hail from all walks of life, including royalty, nobles, officials, craftsmen and peasants, allowing us an insight into absolutely every aspect of everyday, ritual and religious life in ancient Egypt. The book provides an overview of the many dynasties and kingdoms of ancient Egypt before beginning to tell the story of the lives of one family. All three seasons of inundation, planting and growing, and harvesting are covered as well as all ritual and religious events, including birth and death. The book is extremely easy to read and digest, however, the attention to detail and the vivid picture of life which we are able to build makes it clear that this book has been written by one of the leading authorities in Egyptology and mummy research.

In making her selection for Pharos Editions, Dana Spiotta tells us how drawn she was by the work of Raymond Mungo. "[He] writes . . . about his own joy and his own pain, he is particularly good when he describes the land around him and how it feels on his body." Indeed, if Henry David Thoreau had downed a handful of liberty caps before penning Walden it would have read much like Mungo's Total Loss Farm, a rollicking memoir of the late 1960's back–to–the–earth movement. Written in a limber prose style formed by the tempo of the times, Mungo takes us into the cultural tsunami of a failed radical politics as it broke on the shoals of a drug–fueled personal freedom and washed inland across the farmlands of Vermont, leaving a trail of damage and redemption in its wake. Total Loss Farm attracted widespread critical and commercial attention in 1970, when the "back–to–the–land" hippie commune movement first emerged. The book's first section, "Another Week on the Concord and Merrimack Rivers," appeared as the cover article in the May 1970 issue of Atlantic Monthly. The hardcover first edition from Dutton was quickly followed by paperback editions from Bantam, Avon, and Madrona Publishers, keeping the book in print for several decades. Very recently, Dwight Garner in the New York Times Book Review cited Total Loss Farm as "the best and also the loopiest of the commune books."