Absolute Monarch In Heaven

On the Divine Martial Continent, the strong were respected. Ye Feng, who had transmigrated to a different world, had occasionally come across a mysterious stone monument. He practiced a supreme cultivation technique that could swallow everything, using everything for himself, reaching the pinnacle of martial arts! Book Level Setting: Warrior: Spirit Apostle, Spirit Scholar, Spirit Master, Small Innate, Large Innate, Qi Condensation, Condensation, Condensation, Heavenly Completion Stage Nine, Human Sovereign, Earth Elder, Sky Sovereign, Supreme God! Symbol Master: Symbol Master, Symbol Master, Symbol Master, little symbol spirit, great symbol spirit, Symbol Emperor, Symbol Soul Master, Symbol Saint realm, Soul Immortal, True Immortal, Golden Immortal, Immortal King! Different books, different wonderful books, all in one hand breaking the heavens [kept]

The Tyranny of Heaven argues for a new way of reading the figure of Milton's God, contending that Milton rejects kings on earth and in heaven. Though Milton portrays God as a king in Paradise Lost, he does this neither to endorse kingship nor to recommend a monarchical model of deity. Instead, he recommends the Son, who in Paradise Regained rejects external rule as the model of politics and theology for Milton's fit audience though few. The portrait of God in Paradise Lost serves as a scathing critique of the English people and its slow but steady backsliding into the political habits of a nation long used to living under the yoke of kingship, a nation that maintained throughout its brief period of liberty the image of God as a heavenly king, and finally welcomed with open arms the return of a human king. Michael Bryson is a Visiting Assistant Professor of English at Northwestern University.

NEW YORK TIMES BESTSELLER In a chronicle that captures nearly two thousand years of inspiration and intrigue, John Julius Norwich recounts in riveting detail the histories of the most significant popes and what they meant politically, culturally, and socially to Rome and to the world. Norwich presents such popes as Innocent I, who in the fifth century successfully negotiated with Alaric the Goth, an invader civil authorities could not defeat; Leo I, who two decades later tamed (and perhaps paid off) Attila the Hun; the infamous “pornocracy”—the five libertines who were descendants or lovers of Marozia, debauched daughter of one of Rome’s most powerful families; Pope Paul III, “the greatest pontiff of the sixteenth century,” who reinterpreted the Church’s teaching and discipline; John XXIII, who in five short years starting in 1958 instituted reforms that led to Vatican II; and Benedict XVI, who is coping with today’s global priest sex scandal. Epic and compelling, Absolute Monarchs is an enthralling history from “an enchanting and satisfying raconteur” (The Washington Post).

The protagonist was a lazy person, and he was determined to be a popinjay. The main character could only cry out in frustration, "When will my path as a popinjay be opened?" [Previous Chapter] [Table of Contents] [Next Chapter] But when he looked back, he laughed shamelessly, because he discovered that he could become a popinjay at any time, because his backer was "tall!" Faced with the "God's dimension" and "God's game" from another universe, the main character shouted, "I'm a kind playboy, how could I fight with you? Wouldn't that damage my prestige?" He then shouted, "Violet Feather!" [Close]

Schulman argues that an important, overlooked key to uncovering the social and political subtext of Milton's (1608-1674) epic is its popularity and use in the early American republic. At the same time, she demonstrates that an examination of the American reception of Paradise lost contributes to an understanding of the ideological origins of the American Revolution. Annotation copyrighted by Book News, Inc., Portland, OR

Michael C. Schoenfeldt here offers the first major exploration of the connections between George Herbert's devotional poetry and the social practices and political discourse of his day. Viewing The Temple and The Country Parson as part of the larger "civilizing process" of Western Europe, Schoenfeldt shows how Herbert discovers in the discourses of courtesy and theology a common vocabulary of authority, selfhood, petition, and discipline. Before entering the priesthood, Herbert nourished contacts in court, was elected University Orator at Cambridge, and served in Parliament. In turning to God, Schoenfeldt argues, Herbert did not simply turn away from the secular world but also turned its language, particularly the language of courtesy, into the medium for his lyric worship of God. The confluence of courtesy and spirituality in Herbert's poetry provides a fascinating insight into a society searching for an appropriate discourse of reverence in a time of baffling change. The first five chapters investigate the manifold ways in which Herbert's life and works exemplify the interdependence of social and religious behavior in the English Renaissance. The sixth and final chapter extends this investigation into the nervous eroticism of Herbert's poems. Considering The Temple as well as Herbert's letters, speeches, Latin poems, collections of foreign proverbs, translations, The Country Parson, and less familiar lyrics, Schoenfeldt offers a thorough and detailed reading of Herbert's rich and conflicted corpus. Prayer and Power is not only a bold redefinition of the accomplishment of one of the finest poets of the English Renaissance but also the first sustained study to advance a cultural poetics of the religious lyric.

Paradise Lost remains as challenging and relevant today as it was in the turbulent intellectual and political environment in which it was written. This edition aims to bring the poem as fully alive to a modern reader as it would have been to Milton's contemporaries. It provides a newly edited text of the 1674 edition of the poem--the last of Milton's lifetime--with carefully modernized spelling and punctuation. Marginal glosses define unfamiliar words, and extensive annotations at the foot of the page clarify Milton's syntax and poetics, and explore the range of literary, biblical, and political allusions that point to his major concerns. David Kastan's lively Introduction considers the central interpretative issues raised by the poem, demonstrating how thoroughly it engaged the most vital--and contested--issues of Milton's time, and which reveal themselves as no less vital, and perhaps no less contested, today. The edition also includes an essay on the text, a chronology of major events in Milton's life, and a selected bibliography, as well as the first known biography of Milton, written by Edward Phillips in 1694.

His father was killed, his family was annihilated, endless humiliation struck his soul, heaven and earth were unable to accept this hatred. The iron-blooded youth went against the will of the heavens, his status was poor, and he descended to the underworld, where he roamed the world of the undead, where he turned into the god of slaughter and massacred the heavens.