Adeline S Dream

12-year-old Adeline Mueller struggles to make a place for herself when her family comes to Canada from Germany.

Adeline finds that life is difficult after her family immigrates to Saskatchewan from Germany, so much so that she is not sure she has the strength to pursue her only dream of being a great singer.

This edited collection deals with dream as a literary trope and as a source of creativity in women’s writings. It gathers essays spanning a time period from the end of the seventeenth century to the mid-nineteenth century, with a strong focus on the Romantic period and particularly on Mary Shelley’s Frankenstein, in which dreams are at the heart of the writing process but also constitute the diegetic substance of the narrative. The contributions re-examine the oneiric facets of the novel and develop fresh perspectives on dreams and dreaming in Mary Shelley’s fiction and on other female authors (Anne Finch, Ann Radcliffe, Emily and Charlotte Brontë and a few others), re-appraising the textuality of dreams and their link to women’s creativity and creation as a whole.

This book is the first full-length theoretical and historical study of the relation between early Gothic fiction and an emerging modern rule of law. The work identifies not only a political and cultural, but also an ontological relation between what critics have conceptualized as 'Gothic' and the nature and function of modern juridical power.

The Proposal: Adeline Rigby will live with Accountant Jack Foster and pretend to be his fake fiancée for one month in order for him to seal a promotion to partner. In return, Accountant Jack Foster will intimately tutor Adeline Rigby in French before she leaves for Paris where she will fulfill her dream of attending Le Cordon Bleu. The Terms: 1. Maintain distance. Three get-to-know-you dates before announcing their engagement will be tempting enough. 2. No kissing. Okay, fine. Three kisses. Maybe four. And neck kisses don’t count. 3. No touchy feely stuff. Or at least not too many public displays of touchy-feely stuff. 4. No sex. 5. All right, all right. One night of sex in order to be a believable engaged couple. 6. Two nights of mind-blowing sex to make sure first night wasn’t a fluke. 7. Absolutely, positively, no falling in love. Each book in the Off-the-Wall Proposal series is a standalone, full-length story that can be enjoyed out of order. Series Order: Book #1 The Seduction of Kinley Foster Book #2 The Attraction of Adeline

This book challenges our current critical understanding of the relations between gender, genre, and literary authority in this period.

As British women writers in the late eighteenth and early nineteenth centuries sought to define how they experienced their era's social and economic upheaval, they helped popularize a new style of bourgeois female sensibility. Building on her earlier work in Romantic Androgyny, Diane Long Hoeveler now examines the Gothic novels of Charlotte Smith, Ann Radcliffe, Jane Austen, Charlotte Dacre Byrne, Mary Shelley, and the Bront&ës to show how these writers helped define femininity for women of the British middle class. Hoeveler argues that a female-created literary ideology, now known as &"victim feminism,&" arose as the Gothic novel helped create a new social role of professional victim for women adjusting to the new bourgeois order. These novels were thinly disguised efforts at propagandizing a new form of conduct for women, teaching that &"professional femininity&"&—a cultivated pose of wise passiveness and controlled emotions&—best prepared them for social survival. She examines how representations of both men and women in these novels moved from the purely psychosexual into social and political representations, and how these writers constructed a series of ideologies that would allow their female characters&—and readers&—fictitious mastery over an oppressive social and political system. Gothic Feminism takes a neo-feminist approach to these women's writings, treating them not as sacred texts but as thesis-driven works that attempted to instruct women in a series of strategic poses. It offers both a new understanding of the genre and a wholly new interpretation of feminism as a literary ideology.

Dream Animal Wisdom comprises the experiences of 22 dreamers and their encounters with personal dream creatures ranging from the domestic and familiar to the wild and mysterious. An inviting entryway to the realm of instinct and embodied energy, this richly detailed book serves as a primer for the novice and encouragement for the experienced dreamworker. Part I focuses on the specific animals most commonly met in dreams, while Part II highlights the ways in which an intriguing variety of creatures appear in order to manifest significant themes. Throughout the book, readers will accompany courageously honest dreamers as they alternately resist, evade, welcome and embrace their animal visitors, ultimately integrating the practical and profound messages their special creatures have come to convey.