Alfred Hitchcock S Frenzy

After an unparalleled string of artistic and commercial triumphs in the 1950s and 1960s, Alfred Hitchcock hit a career lull with the disappointing Torn Curtain and the disastrous Topaz. In 1971, the depressed director traveled to London, the city he had left in 1939 to make his reputation in Hollywood. The film he came to shoot there would mark a return to the style for which he had become known and would restore him to international acclaim. Like The 39 Steps, Saboteur, and North by Northwest before, Frenzy repeated the classic Hitchcock trope of a man on the run from the police while chasing down the real criminal. But unlike those previous works, Frenzy also featured some elements that were new to the master of suspense’s films, including explicit nudity, depraved behavior, and a brutal act that would challenge Psycho’s shower scene for the most disturbing depiction of violence in a Hitchcock film. In Alfred Hitchcock’s Frenzy: The Last Masterpiece, Raymond Foery recounts the history—writing, preprod

'Frenzy' was Alfred Hitchcock's penultimate film, & arguably one of his most misunderstood and neglected. Whereas even 'Psycho' did eventually become respectable - indeed, it is a good contender for the most admired of the Master's films - 'Frenzy' still remains problematic for many. While Raymond De Foery makes his feelings clear in the title of his book, 'Alfred Hitchcock's Frenzy: The Last Masterpiece', Hitchcock's controversial biographer Donald Spoto calls the film 'repulsive' & 'a closed & coldly negative vision of human possibility'. 'Frenzy' is perhaps Hitchcock's most nakedly autobiographical film, representing both a comeback & farewell to the city of his birth. But it started out as a very different kind of project. This book discusses the evolution of the film, its production, reception, & place in Hitchcock's oeuvre, as well as its status as a key film of 'seventies' British cinema.

Frenzy is perhaps Hitchcock's most nakedly autobiographical film, representing both a comeback and farewell to the city of his birth. Ian Cooper discusses the evolution of the film, its production, reception, and place in Hitchcock's oeuvre, as well as its status as a key film of "sleazy Seventies" British cinema.

This definitive illustrated survey of all of Alfred Hitchcock's films is a book no movie buff or Hitchcock fan can afford to be without. The monumental scope of Alfred Hitchcock's work remains unsurpassed by any other movie director, past or present. So many of his movies have achieved classic status that even a partial list—Psycho, The Birds, Rear Window, Vertigo, Spellbound—brings a flood of memories. In this essential text, reissued on the occasion of Hitchcock's centennial, internationally renowned Hitchcock authority Donald Spoto describes and analyzes every movie made by this master filmmaker. Illustrated throughout with shots from each film, The Art of Alfred Hitchcock also includes a storyboard section, a complete filmography, and “A Hitchcock Album” (sixteen pages of photos) as an added celebration of his life.

This deluxe gift book is a must-have tribute to the master of suspense and film noir, Alfred Hitchcock. It includes a three-dimensional treatment of key icons/scenes from stills of each of the following Hitchcock classics: "Saboteur, Psycho, Marnie, The Birds, Frenzy, Torn Curtain," and "Vertigo."

Alfred Hitchcock's films have had an impact on scholars of all critical persuasions to the extent that the study of his works is synonymous with the study of 20th century cinema itself. These essays reflect the length and breadth of this scholarship.

Looks at Hitchcock's early life as well as his legendary career, which spanned five decades and produced some of the most famous and critically acclaimed movies made.