All The Poems Of Muriel Spark

Available at last are all the poems by one of the twentieth century's greatest British writers, Dame Muriel Spark: "a true literary artist, acerbic and exhilarating" (London Evening Standard). In the seventy-three poems collected here Muriel Spark works in open forms as well as villanelles, rondels, epigrams, and even the tour de force of a twenty-one page ballad. She also shows herself a master of unforgettable short poems. Before attaining fame as a novelist (Memento Mori, The Prime of Miss Jean Brodie), Muriel Spark was already an acclaimed poet. The "power and control" of her poetry, as Publishers Weekly remarked, "is almost startling." With the vitality and wit typical of all her work, Dame Muriel has never stopped writing poems, which frequently appear in The New Yorker. As with all her creations, the poems show Spark to be "astonishingly talented and truly inimitable" (The San Francisco Chronicle).

In her foreword to All The Poems(2003) Muriel Spark wrote, 'Although most of my life has been devoted to fiction, I have always thought of myself as a poet. I do not write "poetic" prose, but feel that my outlook on life and my perceptions of events are those of a poet.' Including previously uncollected work, this new edition demonstrates her ear for the rightness of a line and her eye for the telling detail, her command of poetic forms and her ability to rise to the different challenges of freer verse. Spark's poems are witty, idiosyncratic and haunting, transforming the familiar into glittering moments of strangeness, revealing the dark - and light - music beneath the mundane.

In her foreword to All The Poems (2003) Muriel Spark wrote, 'Although most of my life has been devoted to fiction, I have always thought of myself as a poet. I do not write "poetic" prose, but feel that my outlook on life and my perceptions of events are those of a poet.' Including previously uncollected work, this new edition demonstrates her ear for the rightness of a line and her eye for the telling detail, her command of poetic forms and her ability to rise to the different challenges of freer verse. Spark's poems are witty, idiosyncratic and haunting, transforming the familiar into glittering moments of strangeness, revealing the dark - and light - music beneath the mundane.

Muriel Spark was a poet before she was a novelist: All the Poems presents the full range of the poetry of one of the most acclaimed modern British writers. Here are villanelles, ballads and epigrams, as well as freer forms, all marked by brilliantly precise observation and command of her medium. Her poems are witty, idiosyncratic and haunting, transforming the familiar into glittering moments of strangeness, revealing the dark music beneath the mundane. The edge of danger and wry insights in Muriel Spark's poems are equally unforgettable. 'Although most of my life has been devoted to fiction, I have always thought of myself as a poet. I do not write poetic prose, but feel that my outlook on life and my perceptions of events are those of a poet, Whether in prose or verse, all creative writing is mysteriously connected with music and I always hope this factor is apparent throughout my work.' Muriel Spark

A slender satirical gem from the “master of malice and mayhem” (The New York Times) The Ballad of Peckham Rye is a wickedly farcical tale of an English factory town turned upside-down by a Scot who may or may not be in league with the Devil. Dougal Douglas is hired to do “human research” into the lives of the workers, Douglas stirs up mutiny and murder.

"Long ago in 1945 all the nice people in England were poor, allowing for exceptions," begins The Girls of Slender Means, Dame Muriel Spark's tragic and rapier-witted portrait of a London ladies' hostel just emerging from the shadow of World War II. Like the May of Teck Club itself—"three times window shattered since 1940 but never directly hit"—its lady inhabitants do their best to act as if the world were back to normal: practicing elocution, and jostling over suitors and a single Schiaparelli gown. The novel's harrowing ending reveals that the girls' giddy literary and amorous peregrinations are hiding some tragically painful war wounds. Chosen by Anthony Burgess as one of the Best Modern Novels in the Sunday Times of London, The Girls of Slender Means is a taut and eerily perfect novel by an author The New York Times has called "one of this century's finest creators of comic-metaphysical entertainment."

Where does art start or reality end? Happily loitering about London, c. 1949, with the intent of gathering material for her writing, Fleur Talbot finds a job “on the grubby edge of the literary world” at the very peculiar Autobiographical Association. Mad egomaniacs writing their memoirs in advance — or poor fools ensnared by a blackmailer? When the association’s pompous director steals Fleur’s manuscript, fiction begins to appropriate life.