All The Stories Of Muriel Spark

Four brand new tales are now added to New Directions' original 1997 cloth edition of Open to the Public.

From the cruel irony of ‘A member of the Family’ to the fateful echoes of ‘The Go-Away Bird’ and the unexpectedly sinister ‘The Girl I Left Behind Me’, in settings that range from South Africa to the Portobello Road, Muriel Spark coolly probes the idiosyncrasies that lurk beneath the veneer of human respectability, displaying the acerbic wit and wisdom that are the hallmarks of her unique talent. The Complete Short Stories is a collection to be loved and cherished, from one of the finest short-story writers of the twentieth century.

Available at last are all the poems by one of the twentieth century's greatest British writers, Dame Muriel Spark: "a true literary artist, acerbic and exhilarating" (London Evening Standard). In the seventy-three poems collected here Muriel Spark works in open forms as well as villanelles, rondels, epigrams, and even the tour de force of a twenty-one page ballad. She also shows herself a master of unforgettable short poems. Before attaining fame as a novelist (Memento Mori, The Prime of Miss Jean Brodie), Muriel Spark was already an acclaimed poet. The "power and control" of her poetry, as Publishers Weekly remarked, "is almost startling." With the vitality and wit typical of all her work, Dame Muriel has never stopped writing poems, which frequently appear in The New Yorker. As with all her creations, the poems show Spark to be "astonishingly talented and truly inimitable" (The San Francisco Chronicle).

Eight spooky stories from the mistress of the unexpected. I aim to startle as well as please," Muriel Spark has said, and in these eight marvelous ghost stories she manages to do both to the highest degree. As with all matters in the hands of Dame Muriel her spooks are entirely original. A ghost in her pantheon can be plaintive or a bit vengeful, or perhaps may not even be aware of being a ghost at all. One in fact is the ghost of a man who isn't even dead yet. Another takes the bus home from work, believing she is still alive, though she is haunted by an odious tune stuck in her head (which her murderer had been relentlessly humming), and distressed by a "feeling of incompletion." And a reflective ghost recalls her mortal days of enjoying "the glory of the world, as if it would never pass. Spark has a flair for confiding ghosts: "I must explain that I departed this life nearly five years ago. But I did not altogether depart this world. There were those odd things still to be done which one's executors can never do properly." In her case the odd things include cheerily hailing her murderer, "Hallo George!" and driving him mad. The remarkably nonchalant stories here include some of her most wicked and famous"The Seraph and the Zambesi," "The Hanging Judge," and "The Portobello Road"and they all gleam with that special Spark sheen, the quality The Times Literary Supplement has hailed as "gloriously witty and polished."

Where does art start or reality end? Happily loitering about London, c. 1949, with the intent of gathering material for her writing, Fleur Talbot finds a job “on the grubby edge of the literary world” at the very peculiar Autobiographical Association. Mad egomaniacs writing their memoirs in advance — or poor fools ensnared by a blackmailer? When the association’s pompous director steals Fleur’s manuscript, fiction begins to appropriate life.

"Long ago in 1945 all the nice people in England were poor, allowing for exceptions," begins The Girls of Slender Means, Dame Muriel Spark's tragic and rapier-witted portrait of a London ladies' hostel just emerging from the shadow of World War II. Like the May of Teck Club itself—"three times window shattered since 1940 but never directly hit"—its lady inhabitants do their best to act as if the world were back to normal: practicing elocution, and jostling over suitors and a single Schiaparelli gown. The novel's harrowing ending reveals that the girls' giddy literary and amorous peregrinations are hiding some tragically painful war wounds. Chosen by Anthony Burgess as one of the Best Modern Novels in the Sunday Times of London, The Girls of Slender Means is a taut and eerily perfect novel by an author The New York Times has called "one of this century's finest creators of comic-metaphysical entertainment."

'Muriel Spark's most celebrated novel . . . This ruthlessly and destructively romantic school ma'am is one of the giants of post-war fiction' Independent 'A brilliantly psychological fugue' Observer The Prime of Miss Jean Brodie is Muriel Spark's most significant and celebrated novel, and remains as dazzling as when it was first published in 1961. Miss Jean Brodie is a teacher unlike any other, proud and cultured, enigmatic and freethinking; a romantic, with progressive, sometimes shocking ideas and aspirations for the girls in her charge. At the Marcia Blaine Academy she takes a select group of girls under her wing. Spellbound by Miss Brodie's unconventional teaching, these devoted pupils form the Brodie set. But as the girls enter their teenage years and they become increasingly drawn in by Miss Brodie's personal life, her ambitions for them take a startling and dark turn with devastating consequences.