All We Knew Was To Farm

Winner of the Willie Lee Rose Prize from the Southern Association for Women Historians In the years after World War I, Southern farm women found their world changing. A postwar plunge in farm prices stretched into a twenty-year agricultural depression and New Deal programs eventually transformed the economy. Many families left their land to make way for larger commercial farms. New industries and the intervention of big government in once insular communities marked a turning point in the struggle of upcountry women—forcing new choices and the redefinition of traditional ways of life. Melissa Walker's All We Knew Was to Farm draws on interviews, archives, and family and government records to reconstruct the conflict between rural women and bewildering and unsettling change. Some women adapted by becoming partners in farm operations, adopting the roles of consumers and homemakers, taking off-farm jobs, or leaving the land. The material lives of rural upcountry women improved dramatically by midcentury—yet in becoming middle class, Walker concludes, the women found their experiences both broadened and circumscribed.

A WALL STREET JOURNAL FAVORITE FOOD BOOK OF THE EAR From the author of Queen Sugar—now a critically acclaimed series on OWN directed by Ava Duvernay—comes a beautiful exploration and celebration of black farming in America. In this impressive anthology, Natalie Baszile brings together essays, poems, photographs, quotes, conversations, and first-person stories to examine black people’s connection to the American land from Emancipation to today. In the 1920s, there were over one million black farmers; today there are just 45,000. Baszile explores this crisis, through the farmers’ personal experiences. In their own words, middle aged and elderly black farmers explain why they continue to farm despite systemic discrimination and land loss. The "Returning Generation"—young farmers, who are building upon the legacy of their ancestors, talk about the challenges they face as they seek to redress issues of food justice, food sovereignty, and reparations. These farmers are joined by other influential voices, including noted historians Analena Hope Hassberg and Pete Daniel, and award-winning author Clyde W. Ford, who considers the arrival of Africans to American shores; and James Beard Award-winning writers and Michael Twitty, reflects on black culinary tradition and its African roots. Poetry and inspirational quotes are woven into these diverse narratives, adding richness and texture, as well as stunning four-color photographs from photographers Alison Gootee and Malcom Williams, and Baszile’s personal collection. As Baszile reveals, black farming informs crucial aspects of American culture—the family, the way our national identity is bound up with the land, the pull of memory, the healing power of food, and race relations. She reminds us that the land, well-earned and fiercely protected, transcends history and signifies a home that can be tended, tilled, and passed to succeeding generations with pride. We Are Each Other’s Harvest elevates the voices and stories of black farmers and people of color, celebrating their perseverance and resilience, while spotlighting the challenges they continue to face. Luminous and eye-opening, this eclectic collection helps people and communities of color today reimagine what it means to be dedicated to the soil.

She was so sure she knew her family's story . . . Now she wonders if she was wrong about all of it. 1969. When Mattie Taylor's twin brother was killed in Vietnam, she lost her best friend and the only person who really understood her. Now, news that her mother is dying sends Mattie back home, despite blaming her father for Mark's death. Mama's last wish is that Mattie would read some old letters stored in a locked trunk, from people Mattie doesn't even know. Mama insists they hold the answers Mattie is looking for. 1942. Ava Delaney is picking up the pieces of her life following her husband's death at Pearl Harbor. Living with her mother-in-law on a secluded farm in Tennessee is far different than the life Ava imagined when she married only a few short months ago. Desperate to get out of the house, Ava seeks work at a nearby military base, where she soon discovers the American government is housing Germans who they have classified as enemy aliens. As Ava works to process legal documents for the military, she crosses paths with Gunther Schneider, a German who is helping care for wounded soldiers. Ava questions why a man as gentle and kind as Gunther should be forced to live in the internment camp, and as they become friends, her sense of the injustice grows . . . as do her feelings for him. Faced with the possibility of losing Gunther, Ava must choose whether loving someone deemed the enemy is a risk worth taking, even if it means being ostracized by all those around her. In the midst of pain and loss two women must come face-to-face with their own assumptions about what they thought they knew about themselves and others. What they discover will lead to a far greater appreciation of their own legacies and the love of those dearest to them. Includes discussion guide for book groups Standalone Southern, historical family drama about enduring hope amid personal tragedy Clean, suspenseful historical fiction, perfect for fans of Susan Meissner or Lisa Wingate Dual timeline set during the Vietnam War and WWII.

"Eloquent and detailed...It's hard to have hope, but the organized observations and plans of Hoffman and people like her give me some. Read her book -- and listen." -- Jane Smiley, The Washington Post In her late 40s, Beth Hoffman decided to upend her comfortable life as a professor and journalist to move to her husband's family ranch in Iowa--all for the dream of becoming a farmer. There was just one problem: money. Half of America's two million farms made less than $300 in 2019, and many struggle just to stay afloat. Bet the Farm chronicles this struggle through Beth's eyes. She must contend with her father-in-law, who is reluctant to hand over control of the land. Growing oats is good for the environment but ends up being very bad for the wallet. And finding somewhere, in the midst of COVID-19, to slaughter grass finished beef is a nightmare. If Beth can't make it, how can farmers who confront racism, lack access to land, or don't have other jobs to fall back on hack it? Bet the Farm is a first-hand account of the perils of farming today and a personal exploration of more just and sustainable ways of producing food.

A collector's edition, and the perfect gift for the stalwart Wendell Berry fan. First printed in 1995 by Gray Zeitz of the beloved Larkspur Press in Monterey, Kentucky, this gift edition is a beautiful reproduction of Wendell Berry’s book–length poem, illustrated with the original drawings by Carolyn Whitesel.

On Behalf of the Family Farm traces the development of women’s activism and agrarian feminisms in the Midwest after 1945, as farm women’s lives were being transformed by the realities of modern agriculture. Author Jenny Barker Devine demonstrates that in an era when technology, depopulation, and rapid economic change dramatically altered rural life, midwestern women met these challenges with their own feminine vision of farm life. Their “agrarian feminisms” offered an alternative to, but not necessarily a rejection of, second-wave feminism. Focusing on women in four national farm organizations in Iowa—the Farm Bureau, the Farmers Union, the National Farm Organization, and the Porkettes—Devine highlights specific moments in time when farm women had to reassess their roles and strategies for preserving and improving their way of life. Rather than retreat from the male-dominated world of agribusiness and mechanized production, postwar women increasingly asserted their identities as agricultural producers and demanded access to public spaces typically reserved for men. Over the course of several decades, they developed agrarian feminisms that combined cherished rural traditions with female empowerment, cooperation, and collaboration. Iowa farm women emphasized working partnerships between husbands and wives, women’s work in agricultural production, and women’s unique ways of understanding large-scale conventional farming.

Describes how an urban bookworm and children's book author, along with her partner, set out to fulfill a lifelong dream of owning a working farm in Minnesota, offering a heartwarming, frequently humorous take on their crash course in living off and living with the land. Original.

George Orwell set out ‘to make political writing into an art’, and to a wide extent this aim shaped the future of English literature – his descriptions of authoritarian regimes helped to form a new vocabulary that is fundamental to understanding totalitarianism. While 1984 and Animal Farm are amongst the most popular classic novels in the English language, this new series of Orwell’s essays seeks to bring a wider selection of his writing on politics and literature to a new readership. In Why I Write, the first in the Orwell’s Essays series, Orwell describes his journey to becoming a writer, and his movement from writing poems to short stories to the essays, fiction and non-fiction we remember him for. He also discusses what he sees as the ‘four great motives for writing’ – ‘sheer egoism’, ‘aesthetic enthusiasm’, ‘historical impulse’ and ‘political purpose’ – and considers the importance of keeping these in balance. Why I Write is a unique opportunity to look into Orwell’s mind, and it grants the reader an entirely different vantage point from which to consider the rest of the great writer’s oeuvre. 'A writer who can – and must – be rediscovered with every age.' — Irish Times