Almost English

‘The multi award-winning Charlotte Mendelson is famous for whipping up the hottest, messiest family dramas a writer of literary fiction can . . . This is late Shakespeare meets Modern Family and it’s irresistible’ – The Times In a tiny flat in West London, sixteen-year-old Marina lives with her emotionally delicate mother and three ancient Hungarian relatives. Imprisoned by her family’s crushing expectations and their traditions, she knows she must escape. At Combe Abbey, a traditional English private boarding school in the Dorset countryside, Marina realizes she’s made a terrible mistake. Here, among the boathouses, chapel services and unspoken social hierarchy, she is the awkward half-foreign girl who doesn’t know how to fit in, flirt, or even exist. Meanwhile, her mother has her own painful secrets to deal with – especially the surprising return of the very last man she’d expect to see. And Marina’s disastrous spiral at Combe Abbey is going unnoticed . . . ‘A deliciously funny tale of dysfunctional families. . . Reading Mendelson’s easy, assured prose is like sinking into something soft and velvety’ – Telegraph ‘I read and adored Almost English . . . and now I will read everything she’s ever written. Charlotte Mendelson is a fiendishly gifted writer’ – Marian Keyes

A sparklingly witty memoir, which takes us on a seductive journey from wartime Jerusalem to the heart of Fleet Street, providing a riveting outsider's view of English cultural life.

An international award-winning novel of World War II, the Holocaust, and first love, set in the snowy streets of Oslo. It's October 1942, in Oslo, Norway. Fifteen-year-old Ilse Stern is waiting to meet boy-next-door Hermann Rod for their first date. She was beginning to think he'd never ask her; she's had a crush on him for as long as she can remember. But Hermann won't be able to make it tonight. What Ilse doesn't know is that Hermann is secretly working in the Resistance, helping Norwegian Jews flee the country to escape the Nazis. The work is exhausting and unpredictable, full of late nights and code words and lies to Hermann's parents, to his boss... to Ilse. And as life under German occupation becomes even more difficult, particularly for Jewish families like the Sterns, the choices made become more important by the hour: To speak up or to look away? To stay or to flee? To act now or wait one more day?In this internationally acclaimed debut, Marianne Kaurin recreates the atmosphere of secrecy and uncertainty in World War II Norway in a moving story of sorrow, chance, and first love.

In a period of ongoing debate about faith, identity, migration and culture, this timely study explores the often politicised nature of constructions of one of Britain’s longest standing minority communities. Representations in children’s literature influenced by the impact of the Enlightenment, the Empire, the Holocaust and 9/11 reveal an ongoing concern with establishing, maintaining or problematising the boundaries between Jews and Gentiles. Chapters on gender, refugees, multiculturalism and historical fiction argue that literature for young people demonstrates that the position of Jews in Britain has been ambivalent, and that this ambivalence has persisted to a surprising degree in view of the dramatic socio-cultural changes that have taken place over two centuries. Wide-ranging in scope and interdisciplinary in approach, Jews and Jewishness in British Children’s Literature discusses over one hundred texts ranging from picture books to young adult fiction and realism to fantasy. Madelyn Travis examines rare eighteenth- and nineteenth-century material plus works by authors including Maria Edgeworth, E. Nesbit, Rudyard Kipling, Richmal Crompton, Lynne Reid Banks, Michael Rosen and others. The study also draws on Travis’s previously unpublished interviews with authors including Adele Geras, Eva Ibbotson, Ann Jungman and Judith Kerr.