An Almost English Life

A sparklingly witty memoir, which takes us on a seductive journey from wartime Jerusalem to the heart of Fleet Street, providing a riveting outsider's view of English cultural life.

A sparklingly witty memoir, which takes us on a seductive journey from wartime Jerusalem to the heart of Fleet Street, providing a riveting outsider's view of English cultural life.

Shortlisted for the Booker Prize 2013 Home is a foreign country: they do things differently there. In a tiny flat in West London, sixteen-year-old Marina lives with her emotionally delicate mother, Laura, and three ancient Hungarian relatives. Imprisoned by her family's crushing expectations and their fierce unEnglish pride, by their strange traditions and stranger foods, she knows she must escape. But the place she runs to makes her feel even more of an outsider. At Combe Abbey, a traditional English public school for which her family have sacrificed everything, she realises she has made a terrible mistake. She is the awkward half-foreign girl who doesn't know how to fit in, flirt or even be. And as a semi-Hungarian Londoner, who is she? In the meantime, her mother Laura, an alien in this strange universe, has her own painful secrets to deal with, especially the return of the last man she'd expect back in her life. She isn't noticing that, at Combe Abbey, things are starting to go terribly wrong.

Revised edition of the best-selling memoir that has been read by over a million people worldwide with translations in 29 languages. After too many years of unfulfilling work, Bronnie Ware began searching for a job with heart. Despite having no formal qualifications or previous experience in the field, she found herself working in palliative care. During the time she spent tending to those who were dying, Bronnie's life was transformed. Later, she wrote an Internet blog post, outlining the most common regrets that the people she had cared for had expressed. The post gained so much momentum that it was viewed by more than three million readers worldwide in its first year. At the request of many, Bronnie subsequently wrote a book, The Top Five Regrets of the Dying, to share her story. Bronnie has had a colourful and diverse life. By applying the lessons of those nearing their death to her own life, she developed an understanding that it is possible for everyone, if we make the right choices, to die with peace of mind. In this revised edition of the best-selling memoir that has been read by over a million people worldwide, with translations in 29 languages, Bronnie expresses how significant these regrets are and how we can positively address these issues while we still have the time. The Top Five Regrets of the Dying gives hope for a better world. It is a courageous, life-changing book that will leave you feeling more compassionate and inspired to live the life you are truly here to live.

Few newspaper editors are remembered beyond their lifetimes, but David Astor of the Observer is a great exception to the rule. He converted a staid, Conservative-supporting Sunday paper into essential reading, admired and envied for the quality of its writers and for its trenchant but fair-minded views. Astor grew up at Cliveden, the country house on the Thames which his grandfather had bought when he turned his back on New York, the source of the family fortune. His liberal-minded father was a constant support, but his relations with his mother, Nancy, were always embattled. At Oxford he suffered the first of the bouts of depression that were to blight his life; a lost soul for much of the Thirties, he became involved in attempts to put the British Government in touch with the German opposition in the months leading up to the war. George Orwell had urged Astor to champion the decolonisation of Africa, and Nelson Mandela always acknowledged how much he owed to the Observer’s long-standing support. A generous benefactor to good causes, he helped to set up Amnesty International and Index on Censorship. A good man and a great editor, he deserves to be better remembered.

‘An entertaining history of literary life’ Nicholas Shakespeare, Daily Telegraph Spanning a century of literary history, from the pitched battles fought between Eliot-era modernists and Georgian traditionalists to the impact of creative writing degrees and the media don of today and taking in ‘star reviewers’, sniping critics, caballing editors and megalomaniac professors along the way, The Prose Factory explores the myriad influences on English literary life in the past century and the way in which they have shaped our preferences. ‘An amazing achievement’ David Lodge ‘A pleasingly gossipy history of literary life in England since 1918...very enjoyable’ Observer ‘Elegantly written, defiantly intelligent, scrupulously researched and richly enjoyable’ Mail on Sunday

A compelling biography of the Polish painter and writer Józef Czapski that takes readers to Paris in the Roaring Twenties, to the front lines during WWII, and into the late 20th-century art world. Józef Czapski (1896–1993) lived many lives during his ninety-six years. He was a student in Saint Petersburg during the Russian Revolution and a painter in Paris in the roaring twenties. As a Polish reserve officer fighting against the invading Nazis in the opening weeks of the Second World War, he was taken prisoner by the Soviets. For reasons unknown to this day, he was one of the very few excluded from Stalin’s sanctioned massacres of Polish officers. He never returned to Poland after the war, but worked tirelessly in Paris to keep alive awareness of the plight of his homeland, overrun by totalitarian powers. Czapski was a towering public figure, but painting gave meaning to his life. Eric Karpeles, also a painter, reveals Czapski’s full complexity, pulling together all the threads of this remarkable life.

** The Sunday Times Best Literary Book of 2023** ** A Waterstones Best Book of 2023** 'All Sorts of Lives is a beautiful, fastidiously researched and fascinating exploration of Mansfield's life and work' A.L. KENNEDY Restless outsider, masher-up of form and convention, Katherine Mansfield’s career was short but dazzling. She was the only writer Virginia Woolf admitted being jealous of, yet by the 1950s was so undervalued that Elizabeth Bowen was moved to ask, 'Where is she – our missing contemporary?' In this inventive and intimate study, Claire Harman takes a fresh look at Mansfield’s life and achievements, through the form she did so much to revolutionise: the short story. Exploring ten pivotal works, we watch how Mansfield’s desire to grow as a writer pushed her art into unknown territory, and how illness sharpened her extraordinary vitality: ‘Would you not like to try all sorts of lives – one is so very small.’ ‘What a gift to the biographer, this life of adventure and sickness and sex and celebrity... Brilliant’ Sunday Times ‘A searching, incisive and compulsive book. A lesson in how to read and connect and understand’ Sunjeev Sahota