Always Song In The Water

Beginning in Northland and heading into the blue beyond, Always Song in the Water is a book of encounters and epiphanies, a dinghy ride through New Zealand’s oceanic imagination.Every spring on Gregory O’Brien’s front lawn, on a ridgetop in Hataitai, an upside-down dinghy blooms with flowering clematis. In this book, O’Brien takes his metaphorical dinghy to the edges of New Zealand – starting with a road trip through Northland and then voyaging out into the Pacific, to lead us into some under-explored territories of the South Pacific imagination.With creative spirits such as Janet Frame, Ralph Hotere, Robin White, John Pule and Epeli Hau‘ofa as touchstones, O’Brien suggests how we New Zealanders might be re-imagining ourselves as an oceanic people on a small island in a big piece of water.Always Song in the Water is a book of encounters, sightings and unexpected epiphanies. It is a high-spirited, personal and inventive account of being alive at the outer extremities of Aotearoa New Zealand. ‘This is my field notebook, my voyaging logbook,’ Gregory O’Brien writes, ‘this is my Schubert played on a barrel organ, my whale survey, my songbook.’Among the many artists whose work is featured are John Pule, Robin White, Phil Dadson, Fiona Hall, Euan Macleod, Laurence Aberhart and the Sydney-based painter Noel McKenna, who produced numerous works specifically for this book.

This vibrant, provocative début novel explores the dreams and struggles of three generations of Dominican women. Graciela, born on the outskirts of Santo Domingo at the turn of the century, is a headstrong adventuress who comes of age during the U.S. occupation. Too poor to travel beyond her imagination, she is frustrated by the monotony of her life, which erodes her love affairs and her relationship with Mercedes, her daughter. Mercedes, abandoned by Graciela at thirteen, turns to religion for solace and, after managing to keep a shop alive during the Trujillo dictatorship, emigrates to New York with her husband and granddaughter, Leila. Leila inherits her great-grandmother Graciela’s passion-driven recklessness. But, caught as she is between cultures, her freedom arrives with its own set of obligations and dangers.

Bethany C. Morrow's A Song Below Water is the story for today’s readers — a captivating modern fantasy about Black sirens, friendship, and self-discovery set against the challenges of today's racism and sexism. In a society determined to keep her under lock and key, Tavia must hide her siren powers. Meanwhile, Effie is fighting her own family struggles, pitted against literal demons from her past. Together, these best friends must navigate through the perils of high school’s junior year. But everything changes in the aftermath of a siren murder trial that rocks the nation, and Tavia accidentally lets out her magical voice at the worst possible moment. Soon, nothing in Portland, Oregon, seems safe. To save themselves from drowning, it’s only Tavia and Effie’s unbreakable sisterhood that proves to be the strongest magic of all. "It's beautiful and it's brilliant.”--Jason Reynolds, #1 New York Times bestselling author and National Ambassador for Young People’s Literature “An enthralling tale of Black girl magic and searing social commentary ready to rattle the bones.” — Dhonielle Clayton, New York Times bestselling author of The Belles At the Publisher's request, this title is being sold without Digital Rights Management Software (DRM) applied.

Moving from the Great Lakes to the jazz bars of Detroit and Chicago, Of Song and Water is a tale of singlehanded sailors and jazz musicians, of working-class dreams blighted by family duty, personal betrayals, and the untold violence between fathers and sons. The novel follows the life of Coleman Moore, a jazz guitarist of early fame who finds himself adrift and in the company of ghosts: his mentor, a black jazz legend trying to live peacefully on the edge of a white town; his grandfather, a Prohibition rumrunner turned ruthless entrepreneur; and his first love, a clear-headed woman who refuses to live in the dark tunnels of the past. As he abandons music and turns his mind to a damaged sailboat, Coleman begins a hazardous course, risking the love of his daughter and the trust of Brian James, his longtime collaborator and friend. Driven by mid-life doubts, Coleman revisits his early ambitions and desires, returning through a maze of time and memory to the central crisis of his life, a moment of tremendous cruelty that calls into question much of what he hopes for and believes. In language that evokes the riffs and rhythms of jazz and the sound and movement of the Great Lakes, Joseph Coulson’s second novel is a profound Orphic journey, a story of hidden truths, unfulfilled dreams, and possible redemption.

This book draws from a rich history of scholarship about the relations between music and cities, and the global flows between music and urban experience. The contributions in this collection comment on the global city as a nexus of moving people, changing places, and shifting social relations, asking what popular music can tell us about cities, and vice versa. Since the publication of the first Sounds and the City volume, various movements, changes and shifts have amplified debates about globalization. From the waves of people migrating to Europe from the Syrian civil war and other conflict zones, to the 2016 “Brexit” vote to leave the European Union and American presidential election of Donald Trump. These, and other events, appear to have exposed an anti-globalist retreat toward isolationism and a backlash against multiculturalism that has been termed “post-globalization.” Amidst this, what of popular music? Does music offer renewed spaces and avenues for public protest, for collective action and resistance? What can the diverse​​ histories, hybridities, and legacies of popular music tell us about the ever-changing relations of people and cities?

Drip. Sip. Pour me a cup. Water is water unless...it heats up. Whirl. Swirl. Watch it curl by. Steam is steam unless...it cools high. This spare, poetic picture book follows a group of kids as they move through all the different phases of the water cycle. From rain to fog to snow to mist, talented author Miranda Paul and the always remarkable Jason Chin (Redwoods, Coral Reefs, Island, Gravity) combine to create a beautiful and informative journey in this innovative nonfiction picture book that will leave you thirsty for more.

A meditation on movement of both society and nature, based on the author’s experiences as an activist. In short, aphoristic chapters, Marquis explores the power of force and collectivity through the metaphor of water. As an activist, David Marquis founded the Oak Cliff Nature Preserve in Dallas, and has consulted with the Texas Conservation Alliance since 2011. He brings an unerring belief in the connective and healing power of nature to The Water Always Wins.

A musical message of hope for anyone who is dealing with illness or loss.