An Archaeology Of Posing

An Archaeology of Posing compiles two decades of new and previously published writing on gay culture by one of the field's most provocative and outspoken critics. Diverging from the text-based premise of most queer theory, Meyer utilizes performance studies and interpretive anthropology to examine camp and drag performances in the spaces in which they appear. He explores a variety of topics--from transsexual striptease and Harlem drag balls to the death of camp--within the genre of queer drag and sexuality performance. This collection of essays, with Meyer's rejection of gender parity and his celebration of the effeminate gay male body, presents a fresh interpretation of established art forms. From the pre-Stonewall era to the present day, Meyer's cultural critique redefines how we understand the phenomena of camp and drag.

Although many believe that archaeological knowledge consists simply of empirical findings, this notion is false; data are generated with the guidance of theory, or some sense-making system acting in its place whether researchers recognize this or not. Failure to understand the relationship between theory and the empirical world has led to the many debates and frustrations of contemporary archaeology. Despite years of trying, the atheoretical, empiricist foundations of archaeology have left us little but a history of storytelling and unsatisfying generalizations about historical change and human diversity. The present work offers promising directions for building theoretically defensible results by providing well-designed case studies that can be used as guides or exemplars. Evolutionary theory, in at least some form, is the foundation for a scientific archaeology that will yield scientific explanations for historical change.

Teaching the basic principles of archaeology through an “excavation” and analysis of New Orleans Mardi Gras parades and the beads thrown there? A student’s dream book! Award-winning historical archaeologist Laurie Wilkie takes her two loves and merges them into a brief, lively introductory textbook that is sure to actively engage students. She shows how her analysis of trinkets tossed from parade floats can illustrate major themes taught in introductory archaeology classes—from methods to economy, social identity to political power—introduced in a concrete, entertaining way. The strength of Wilkie’s book is in showing how different theoretical models used by archaeologists lead to different research questions and different answers. The textbook covers all the major themes expected of brief introductory texts but is one that students will want to read.

A one-of-a-kind exploration of archaeological evidence from the Roman Empire between 44 BCE and 337 CE In A Companion to the Archaeology of the Roman Empire, distinguished scholar and archaeologist Professor Barbara Burrell delivers an illuminating and wide-ranging discussion of peoples, institutions, and their material remains across the Roman Empire. Divided into two parts, the book begins by focusing on the “unifying factors,” institutions and processes that affected the entire empire. This ends with a chapter by Professor Greg Woolf, Ronald J. Mellor Professor of Ancient History at UCLA, which summarizes and enlarges upon the themes and contributions of the volume. Meanwhile, the second part brings out local patterns and peculiarities within the archaeological remains of the City of Rome as well as almost every province of its empire. Each chapter is written by a noted scholar whose career has focused on the subject. Chronological coverage for each chapter is formally 44 BCE to 337 CE, but since material remains are not always so closely datable, most chapters center on the first three centuries of the Common Era, plus or minus 50 years. In addition, the book is amply illustrated and includes new and little-known finds from oft-ignored provinces. Readers will also find: A thorough introduction to the peoples and operations of the Roman Empire, including not just how the center affected the periphery ("Romanization") but how peripheral provinces operated on their own and among their neighbors Comprehensive explorations of local patterns within individual provinces Contributions from a diverse panel of leading scholars in the field A unique form of organization that brings out systems across the empire, such as transport across sea, rivers and roads; monetary systems; pottery and foodways; the military; construction and technology Perfect for graduate and advanced undergraduate students of archaeology and the history of the Roman Empire, A Companion to the Archaeology of the Roman Empire will also earn a place in the libraries of professional archaeologists in other fields, including Mayanists, medievalists, and Far Eastern scholars seeking comparanda and bibliography on other imperial structures.

This book provides a broad overview of the key concepts in public archaeology, a research field that examines the relationship between archaeology and the public, in both theoretical and practical terms. While based on the long-standing programme of undergraduate and graduate teaching in public archaeology at UCL’s renowned Institute of Archaeology, the book also takes into account the growth of scholarship from around the world and seeks to clarify what exactly ‘public archaeology’ is by promoting an inclusive, socially and politically engaged vision of the discipline. Written for students and practitioners, the individual chapters provide textbook-level introductions to the themes, theories and controversies that connect archaeology to wider society, from the trade in illicit antiquities to the use of digital media in public engagement, and point readers to the most relevant case studies and learning resources to aid their further study. This book was produced as part of JISC's Institution as e-Textbook Publisher project. Find out more at https://www.jisc.ac.uk/rd/projects/institution-as-e-textbook-publisher Praise for Key Concepts in Archaeology 'Littered throughout with concise and well-chosen case studies, Key Concepts in Public Archaeology could become essential reading for undergraduates and is a welcome reminder of where archaeology sits in UK society today.' British Archaeology

The first book to chart Scott Burton’s performance art and sculpture of the 1970s. Scott Burton (1939–89) created performance art and sculpture that drew on queer experience and the sexual cultures that flourished in New York City in the 1970s. David J. Getsy argues that Burton looked to body language and queer behavior in public space—most importantly, street cruising—as foundations for rethinking the audiences and possibilities of art. This first book on the artist examines Burton’s underacknowledged contributions to performance art and how he made queer life central in them. Extending his performances about cruising, sexual signaling, and power dynamics throughout the decade, Burton also came to create functional sculptures that covertly signaled queerness by hiding in plain sight as furniture waiting to be used. With research drawing from multiple archives and numerous interviews, Getsy charts Burton’s deep engagements with postminimalism, performance, feminism, behavioral psychology, design history, and queer culture. A restless and expansive artist, Burton transformed his commitment to gay liberation into a unique practice of performance, sculpture, and public art that aspired to be antielitist, embracing of differences, and open to all. Filled with stories of Burton’s life in New York’s art communities, Queer Behavior makes a case for Burton as one of the most significant out queer artists to emerge in the wake of the Stonewall uprising and offers rich accounts of queer art and performance art in the 1970s.

The Oxford Handbook of Dance and Theater collects a critical mass of border-crossing scholarship on the intersections of dance and theatre. Taking corporeality as an idea that unites the work of dance and theater scholars and artists, and embodiment as a negotiation of power dynamics with important stakes, these essays focus on the politics and poetics of the moving body in performance both on and off stage. Contemporary stage performances have sparked global interest in new experiments between dance and theater, and this volume situates this interest in its historical context by extensively investigating other such moments: from pagan mimes of late antiquity to early modern archives to Bolshevik Russia to post-Sandinista Nicaragua to Chinese opera on the international stage, to contemporary flash mobs and television dance contests. Ideologically, the essays investigate critical race theory, affect theory, cognitive science, historiography, dance dramaturgy, spatiality, gender, somatics, ritual, and biopolitics among other modes of inquiry. In terms of aesthetics, they examine many genres such as musical theater, contemporary dance, improvisation, experimental theater, television, African total theater, modern dance, new Indian dance theater aesthetics, philanthroproductions, Butoh, carnival, equestrian performance, tanztheater, Korean Talchum, Nazi Movement Choirs, Lindy Hop, Bomba, Caroline Masques, political demonstrations, and Hip Hop. The volume includes innovative essays from both young and seasoned scholars and scholar/practitioners who are working at the cutting edges of their fields. The handbook brings together essays that offer new insight into well-studied areas, challenge current knowledge, attend to neglected practices or moments in time, and that identify emergent themes. The overall result is a better understanding of the roles of dance and theater in the performative production of meaning.