An Extraordinarily Quirky Anthology Of The Uncanny And Rum

Who but "Penfold Dax" could write a collection of poetry titled An extraordinarily quirky anthology of the uncanny and rum: The random musings and observations from a schizophrenic mind? According to Penfold: "I started writing poetry a few years ago as a tool to help me manage the effects of schizophrenia. This method of utilizing occupational practices to aid my coping abilities is called occupational therapy and it is widely used in the field of mental health care. At first I started writing just for personal reasons, and I only saw it as a personal hobby to aid my own health. I found that writing or any form of artistic expression was extremely affective in doing so. Over a period of time I developed my own personal style, and after receiving very positive feedback from the people that I showed my work to, I decided to take writing poetry more seriously, resulting in the collection in this book." An extraordinarily quirky anthology presents a collection of poetry with both a serious and humorous take on a wide range of random subjects. You will discover many colorful characters in the book, including Fredrick Brumble, Col. Switherskew, Shadow man, Stan the waffling man, and many more in humorous, awkward, and bizarre situations and circumstances. You will also discover the serious side of life as well as mental illness issues and matters of the heart. Yes, the book is quirky! It will take you on a rollercoaster ride of emotions, but drop you off safely at the end. First-time author Penfold Dax lives in England.Publisher's website: http: //sbprabooks.com/PenfoldDax

IT’S DANGEROUS TO GO ALONE! TAKE THIS. You are standing in a room filled with books, faced with a difficult decision. Suddenly, one with a distinctive cover catches your eye. It is a groundbreaking anthology of short stories from award-winning writers and game-industry titans who have embarked on a quest to explore what happens when video games and science fiction collide. From text-based adventures to first-person shooters, dungeon crawlers to horror games, these twenty-six stories play with our notion of what video games can be—and what they can become—in smart and singular ways. With a foreword from Ernest Cline, bestselling author of Ready Player One, Press Start to Play includes work from: Daniel H. Wilson, Charles Yu, Hiroshi Sakurazaka, S.R. Mastrantone, Charlie Jane Anders, Holly Black, Seanan McGuire, Django Wexler, Nicole Feldringer, Chris Avellone, David Barr Kirtley,T.C. Boyle, Marc Laidlaw, Robin Wasserman, Micky Neilson, Cory Doctorow, Jessica Barber, Chris Kluwe, Marguerite K. Bennett, Rhianna Pratchett, Austin Grossman, Yoon Ha Lee, Ken Liu, Catherynne M. Valente, Andy Weir, and Hugh Howey. Your inventory includes keys, a cell phone, and a wallet. What would you like to do?

When his ability to speak with the lingering dead brings him to the attention of Detective Chief Inspector Thomas Nightingale, who investigates paranormal crimes, Probationary Constable Peter Grant is drawn into a world where an ancient evil is making a comeback on a rising tide of murder and dark magic. Original.

How to make a fairer, more just city From the grandiose histories of monumental state building projects to the minutiae of street signs and corner cafés, from the rebuilding of capital cities to the provision of the humble public toilet, Clean Living under Difficult Circumstances argues for the city as a socialist project. This essay collection spans a period from immediately before the 2008 financial crash to the year of the pandemic. Against the business-as-usual responses to both crises, Owen Hatherley outlines a vision of the city as both a venue for political debate and dispute as well as a space of everyday experience, one that we shape as much as it shapes us. Incorporated here are the genres of memoir, history, music and film criticism, as well as portraits of figures who have inspired new ways of looking at cities, such as the architect Zaha Hadid, the activist and urbanist Jane Jacobs, and thinkers such as Mark Fisher and Adam Curtis. Throughout these pieces, Hatherley argues that the only way out of our difficult circumstances is to imagine and try to construct a better modernity.

In Cory Doctorow's wildly successful Little Brother, young Marcus Yallow was arbitrarily detained and brutalized by the government in the wake of a terrorist attack on San Francisco—an experience that led him to become a leader of the whole movement of technologically clued-in teenagers, fighting back against the tyrannical security state. A few years later, California's economy collapses, but Marcus's hacktivist past lands him a job as webmaster for a crusading politician who promises reform. Soon his former nemesis Masha emerges from the political underground to gift him with a thumbdrive containing a Wikileaks-style cable-dump of hard evidence of corporate and governmental perfidy. It's incendiary stuff—and if Masha goes missing, Marcus is supposed to release it to the world. Then Marcus sees Masha being kidnapped by the same government agents who detained and tortured Marcus years earlier. Marcus can leak the archive Masha gave him—but he can't admit to being the leaker, because that will cost his employer the election. He's surrounded by friends who remember what he did a few years ago and regard him as a hacker hero. He can't even attend a demonstration without being dragged onstage and handed a mike. He's not at all sure that just dumping the archive onto the Internet, before he's gone through its millions of words, is the right thing to do. Meanwhile, people are beginning to shadow him, people who look like they're used to inflicting pain until they get the answers they want. Fast-moving, passionate, and as current as next week, Homeland is every bit the equal of Little Brother—a paean to activism, to courage, to the drive to make the world a better place. At the Publisher's request, this title is being sold without Digital Rights Management Software (DRM) applied.

A collection of the author's essays on the history and development of female identity from the 18th to the early 20th centuries. Throughout the book are woven themes which are constant in Castle's work: fantasy, hallucination, travesty, transgression and sexual ambiguity.

In 1916 Arthur Conan Doyle stated his belief in Spiritualism. "The Edge of the Unknown", first published in 1930, is a collection of articles covering various aspects of this subject.