Anacaona Ayiti S Taino Queen Anacaona La Reine Taino D Ayiti

Anacaona was Queen or Cacikea of Ayiti during the so-called "Indian" time of our history. She was also a samba, i.e., a poetess, composer of epic songs and choreographer. She sought to preserve her people's independence and cultural identity.

Contributions by Jarrel De Matas, Summer Edward, Teófilo Espada-Brignoni, Pauline Franchini, Melissa García Vega, Dannabang Kuwabong, Amanda Eaton McMenamin, Betsy Nies, and Michael Reyes Caribbean Children's Literature, Volume 2: Critical Approaches offers analyses of the works of writers of the Anglophone Caribbean and its diaspora—or, except for one chapter on Francophone Caribbean children’s literature, those who write in English. The volume addresses the four language regions, early children’s literature of conquest—in particular, the US colonization of Puerto Rico—and the fine line between children’s and adult literature. It explores multiple young adult genres, probing the nuances and difficulties of historical fiction and the anticolonial impulses of contemporary speculative fiction. Additionally, the volume offers an overview of the literature of disaster and recovery, significant for readers living in a region besieged by earthquakes, hurricanes, and flooding. In this anthology and its companion anthology, international and regional scholars provide coverage of both areas, offering in-depth explorations of picture books, middle-grade, and young adult stories. The volumes examine the literary histories of both children’s and young adult literature according to language region, its use (or lack thereof) in schools, and its place in the field of publishing. Taken together, the essays expand our understanding of Caribbean literature for young people.

Blending the iconoclastic feminism of The Notorious RBG and the confident irreverence of Go the F**ck to Sleep, a brazen and empowering illustrated collection that celebrates inspirational badass women throughout history, based on the popular Tumblr blog. Well-behaved women seldom make history. Good thing these women are far from well behaved . . . Illustrated in a contemporary animation style, Rejected Princesses turns the ubiquitous "pretty pink princess" stereotype portrayed in movies, and on endless toys, books, and tutus on its head, paying homage instead to an awesome collection of strong, fierce, and yes, sometimes weird, women: warrior queens, soldiers, villains, spies, revolutionaries, and more who refused to behave and meekly accept their place. An entertaining mix of biography, imagery, and humor written in a fresh, young, and riotous voice, this thoroughly researched exploration salutes these awesome women drawn from both historical and fantastical realms, including real life, literature, mythology, and folklore. Each profile features an eye-catching image of both heroic and villainous women in command from across history and around the world, from a princess-cum-pirate in fifth century Denmark, to a rebel preacher in 1630s Boston, to a bloodthirsty Hungarian countess, and a former prostitute who commanded a fleet of more than 70,000 men on China’s seas.

"The setting is Saint-Domingue, the richest of all the European colonies in the Americas. The time embraces the earliest days of the colony and focuses sharply on the closing years of the 18th century. The protagonists are the masses of fugitive slaves, men and women maroons, and their unsung leaders such as Boukman, Macandal, Polydor, who by guile, determination and bloody sacrifice made it possible to create the Haitian republic. All told against the backdrop of daily slave life and the politics of the mainland and the colony."--Back cover.

Kreyon Bondye pa gen gom. ("God's pencil has no eraser.") -Haitian proverb When Maryse Noel Roumain decided to write about her childhood and adolescence in Haiti during the 1950s and 1960s, the term evocation guided her. She uses sensory details to create a vivid picture of life and culture of the Haiti of her youth. Beginning with her First Communion at age seven, the sights, smells, and sounds of her childhood are used to create a vivid picture of that day and those that followed. Within these pages, she explores her growing relationship to her family, her community, and her spirituality in rich detail and emotion. In Haiti, history, culture, religion, and politics are interwoven into the basic fabric of life, and that rich amalgamation of influences shaped her and inspired her. She lived through the terrors and privations of the Duvalier era, a period of history that left its mark on millions of Haitians. Of the middle-class Haitian Diaspora, she says, "We love and are attached to our country of birth and should remain in it to have our life and contribute." Later in life, she chose to leave her island home behind and venture out into the bigger world, in search of an education-and herself. Her journey took her to Paris, where she studied at the Sorbonne, and eventually to New York City, where she earned a doctorate in psychology. She immersed herself in the cultural diversity of New York City, never forgetting or denying her Haitian identity and heritage.

Hispaniola examines the early years of the contact period in the Caribbean and in narrative form reconstructs the social and political organization of the Ta&iactue;no.

Explores the relationship between rape and narratives of violence in francophone literature and culture.

This work has been selected by scholars as being culturally important and is part of the knowledge base of civilization as we know it. This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. To ensure a quality reading experience, this work has been proofread and republished using a format that seamlessly blends the original graphical elements with text in an easy-to-read typeface. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.