Ancient And Modern Colours From The Earliest Periods To The Present Time

Excerpt from Ancient and Modern Colours, From the Earliest Periods to the Present Time: With Their Chemical and Artistical Properties This Digest professes to unite the Ancient Colours which are recorded in history, with those which have been revealed by the researches and investigations of Travellers and Men of Science. Among the contribu tors to our stock of knowledge on this subject, Sir Humphrey Davy stands preeminent, more especially in reference to the Colours of the Roman period; whilst the excavations prosecuted in Assyria and Egypt, by Layard, Rawlinson, Botta, Wilkinson, and other eminent antiquarians, assisted by chemical examinations, have extended our acquaintance with colouring matters to the remotest periods. Many deficiencies in the few ancient Chronicles which have come down to us have been supplied by the re searches alluded to; and in numerous instances those researches will be found to confirm the ancient records. About the Publisher Forgotten Books publishes hundreds of thousands of rare and classic books. Find more at www.forgottenbooks.com This book is a reproduction of an important historical work. Forgotten Books uses state-of-the-art technology to digitally reconstruct the work, preserving the original format whilst repairing imperfections present in the aged copy. In rare cases, an imperfection in the original, such as a blemish or missing page, may be replicated in our edition. We do, however, repair the vast majority of imperfections successfully; any imperfections that remain are intentionally left to preserve the state of such historical works.

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Bridging the fields of conservation, art history, and museum curating, this volume contains the principal papers from an international symposium titled "Historical Painting Techniques, Materials, and Studio Practice" at the University of Leiden in Amsterdam, Netherlands, from June 26 to 29, 1995. The symposium—designed for art historians, conservators, conservation scientists, and museum curators worldwide—was organized by the Department of Art History at the University of Leiden and the Art History Department of the Central Research Laboratory for Objects of Art and Science in Amsterdam. Twenty-five contributors representing museums and conservation institutions throughout the world provide recent research on historical painting techniques, including wall painting and polychrome sculpture. Topics cover the latest art historical research and scientific analyses of original techniques and materials, as well as historical sources, such as medieval treatises and descriptions of painting techniques in historical literature. Chapters include the painting methods of Rembrandt and Vermeer, Dutch 17th-century landscape painting, wall paintings in English churches, Chinese paintings on paper and canvas, and Tibetan thangkas. Color plates and black-and-white photographs illustrate works from the Middle Ages to the 20th century.