Ancient Naga Head Hunters Lives And Tales In Prose And Poetry

Conservationist has been contemptuous of Indigenous peoples and their knowledge. As such, all the modern polices, acts and laws in biodiversity conservation intends to follow a “top down” approach, where decisions to be enacted upon the local people, their land, biodiversity, forest etc are done at the top level without the local peoples consent, which ultimately leads to conflict. As such, the author through this book advocates for the implementation of two pronged policy i.e., “bottom up and top down” approach for a practical and effective biodiversity conservation. While the conservationist, environmentalist and policy makers view the forested lands as the last resort for biodiversity conservation, to the local people it is their only source of livelihood. The author draws attention on the Naga indigenous knowledge system in the light of United Nations Convention on Biological Diversity (UNCBD), through which they were able to sustainable manage and conserve their biodiversity while obtaining their livelihood from the same. This book will help discover a deeper measure and value of the Naga indigenous knowledge system and will act as a resourceful material to students, researchers, activist and local people in their quest to comprehend the important dynamics of biodiversity conservation and indigenous knowledge. It will also serve as a valuable reference for indigenous peoples and policy makers all around the world who seeks to understand and implement indigenous knowledge systems in broader emerging biodiversity conservation policies and strategies.

On social life and customs of Riang South Asian people; a study.

An illustrated guide to the folktales and real-life stories of the ghosts, monsters and demons of India, a culture famously rich in tradition and legends. Perfect for fans of Eli Roth's Urban Legends and Guillermo Del Toro's Cabinet of Curiosities. "I was not prepared for how deeply this book captivated me ... Ghosts, Monsters, and Demons of India is exemplary of what a book can be, how it can operate. It’s a bridge across space, time, and language" —Robin Sloan, author of Mr. Penumbra's 24-Hour Bookstore An encyclopedia of evil entities and folkloric fiends from across India, from Ladakh to Kerala, Lakshadweep to Nagaland, Naraka to Tuchenkwaka, complete with 60 spooky illustrations. Inside this book you will find ... Killer robots built with stolen Roman engineering technology that once guarded the relics of the Buddha The ghost of a 21-year-old motorcyclist whose Enfield Bullet is venerated at a highway temple in Rajasthan A Himalayan drum-playing spirit-teacher whose wife is a fearsome Yeti Diabolical entities conjured into existence by the simultaneous deaths of seven tigers Triple-rooted night-flying Vedic necromancers Call-centre employees from beyond the grave The dreaded Ngalei Ahmaw of Maraland, whose victims’ heads detach themselves from their bodies at night and go wandering in search of blood ... AND MORE

The head-hunting Naga tribes believed that a vital and creative energy resided in a human head, which when brought back to the village, granted fertility to life and agriculture. The elders in the Naga villages today are the sole repositories of this surprisingly rich tradition, and through their testimonies, this investigative compilation documents what is known about those ancient customs, which governed their former way of life. Assembled in this book is also an anthology of the tales and songs that carry the history of the Naga people, along with models of appropriate behavior expected within their community.

Today, Indian writing in English is a fi eld of study that cannot be overlooked. Whereas at the turn of the 20th century, writers from India who chose to write in English were either unheeded or underrated, with time the literary world has been forced to recognize and accept their contribution to the corpus of world literatures in English. Showcasing the burgeoning field of Indian English writing, this encyclopedia documents the poets, novelists, essayists, and dramatists of Indian origin since the pre-independence era and their dedicated works. Written by internationally recognized scholars, this comprehensive reference book explores the history and development of Indian writers, their major contributions, and the critical reception accorded to them. The Routledge Encyclopedia of Indian Writing in English will be a valuable resource to students, teachers, and academics navigating the vast area of contemporary world literature.

This volume maps the breadth and domain of genre literature in India across seven languages (Tamil, Urdu, Bangla, Hindi, Odia, Marathi and English) and nine genres for the first time. Over the last few decades, detective/crime fiction and especially science fiction/fantasy have slowly made their way into university curricula and consideration by literary critics in India and the West. However, there has been no substantial study of genre fiction in the Indian languages, least of all from a comparative perspective. This volume, with contributions from leading national and international scholars, addresses this lacuna in critical scholarship and provides an overview of diverse genre fictions. Using methods from literary analysis, book history and Indian aesthetic theories, the volume throws light on the variety of contexts in which genre literature is read, activated and used, from political debates surrounding national and regional identities to caste and class conflicts. It shows that Indian genre fiction (including pulp fiction, comics and graphic novels) transmutes across languages, time periods, in translation and through publication processes. While the book focuses on contemporary postcolonial genre literature production, it also draws connections to individual, centuries-long literary traditions of genre literature in the Indian subcontinent. Further, it traces contested hierarchies within these languages as well as current trends in genre fiction criticism. Lucid and comprehensive, this book will be of great interest to academics, students, practitioners, literary critics and historians in the fields of postcolonialism, genre studies, global genre fiction, media and popular culture, South Asian literature, Indian literature, detective fiction, science fiction, romance, crime fiction, horror, mythology, graphic novels, comparative literature and South Asian studies. It will also appeal to the informed general reader.