Annie Joins The Circus

Annie and Sandy are given a chance to be circus performers, but a series of mysterious accidents threatens to close the circus forever.

A biography of America's greatest female sharpshooter delves beneath her popular image to reveal a conservative but competitive woman who wanted to succeed.

Annie is a landmark play that has made many contributions to musical theater, including the song "Tomorrow." The original play was staged more than two thousand times on Broadway, and it has been presented continuously around the world by touring companies and local theater groups. It has been made into big-screen and television movies and has gone through several revivals. Its greatest achievement was to restore the musical to prominence, opening the way for the staging of the greatest blockbusters ever performed. This book describes the path the play took from concept to the stage, its Broadway run, its influence, and the people who made the show a success.

You want girl power? Meet Annie Oakley! Born in 1860, she became one of the best-loved and most famous women of her generation. She amazed audiences all over the world with her sharpshooting, horse-riding, action-packed performances. In an age when most women stayed home, she traveled the world and forged a new image for American women.

“Nothing more simple, I assure you. . . . But I’ll tell you what. You must have your mind, your nerve, and everything in harmony. Don’t look at your gun, simply follow the object with the end of it, as if the tip of the barrel was the point of your finger.”—Annie Oakley Annie Oakley is a legend: America’s greatest female sharpshooter, a woman who triumphed in the masculine world of road shows and firearms. Despite her great fame, the popular image of Annie Oakley is far from true. She was neither a swaggering western gal nor a sweet little girl. Annie Oakley was a competitive woman resolved to be the best, and she succeeded. In this comprehensive biography Shirl Kasper sets the record straight, giving us an accurate, honest, and compelling portrait of the woman known as “Little Sure Shot.” Now updated with a new afterword, this account illuminates the life and legend of Annie Oakley, including her start as a comedienne, her later life with Frank Butler, and her final years and struggles.

Comics and childhood have had a richly intertwined history for nearly a century. From Richard Outcault’s Yellow Kid, Winsor McCay’s Little Nemo, and Harold Gray’s Little Orphan Annie to Hergé’s Tintin (Belgium), José Escobar’s Zipi and Zape (Spain), and Wilhelm Busch’s Max and Moritz (Germany), iconic child characters have given both kids and adults not only hours of entertainment but also an important vehicle for exploring children’s lives and the sometimes challenging realities that surround them. Bringing together comic studies and childhood studies, this pioneering collection of essays provides the first wide-ranging account of how children and childhood, as well as the larger cultural forces behind their representations, have been depicted in comics from the 1930s to the present. The authors address issues such as how comics reflect a spectrum of cultural values concerning children, sometimes even resisting dominant cultural constructions of childhood; how sensitive social issues, such as racial discrimination or the construction and enforcement of gender roles, can be explored in comics through the use of child characters; and the ways in which comics use children as metaphors for other issues or concerns. Specific topics discussed in the book include diversity and inclusiveness in Little Audrey comics of the 1950s and 1960s, the fetishization of adolescent girls in Japanese manga, the use of children to build national unity in Finnish wartime comics, and how the animal/child hybrids in Sweet Tooth act as a metaphor for commodification.

While the past decade proved to be some of the most tumultuous times in modern US history, the Black community has been resilient, opening up dialogues and sustaining advocacy. Nowhere has this been more apparent than at the Obie Award-winning The Fire This Time Festival in New York City. Since being founded in 2009, this theater festival has become the destination for emerging and early career playwrights from the African diaspora. Inequality in education and healthcare, skewed and negative images of Black people in mainstream media, racism in policing, widespread gentrification and its effects on multi-generational Black neighbourhoods, and the growth of Black love; these conversations have been happening in the US, and The Fire This Time Festival has borne witness. 25 Plays from The Fire This Time Festival: A Decade of Recognition, Resistance, Resilience, Rebirth, and Black Theater reflects this fantastic legacy, containing 25 ten-minute plays originally produced by the eponymous festival. Together, these pieces bookend the Black experience in the US from 2009 to the present day: from the hope for further progress and equity under the Obama administration, to the existential threat faced by Black people under the Trump presidency. Edited and curated by Kelley Nicole Girod, the anthology divides the plays into seven thematic sections concerning multi-faceted aspects of the Black experience, featuring work by seminal writers such as Katori Hall, Antoinette Nwandu, Dominique Morisseau, C.A. Johnson, and Marcus Gardley. Both timely and timeless, 25 Plays from The Fire This Time Festival presents an exciting, eclectic mix of 21st century theater that is perfect for study, performance, and reflection.