Annunciations

Our contemporary culture is communicating ever-increasingly through the visual, through film, and through music. This makes it ever more urgent for theologians to explore the resources of art for enriching our understanding and experience of the Judeo-Christian tradition. Annunciations: Sacred Music for the twenty-First Century, edited by George Corbett, answers this need, evaluating the relationship between the sacred and the composition, performance, and appreciation of music. Through the theme of ‘annunciations’, this volume interrogates how, when, why, through and to whom God communicates in the Old and New Testaments. In doing so, it tackles the intimate relationship between Scriptural reflection and musical practice in the past, its present condition, and what the future might hold. Annunciations comprises three parts. Part I sets out flexible theological and compositional frameworks for a constructive relationship between the sacred and music. Part II presents the reflections of theologians and composers involved in collaborating on new pieces of sacred choral music, alongside the six new scores and links to the recordings. Part III considers the reality of programming and performing sacred works today. This volume provides an indispensable resource for scholars and artists working at the interface between theology and the arts, and for those involved in sacred music. However, it will also be of interest to anyone concerned with the ways in which the Divine communicates through word and artistry to humanity.

An overlooked aspect of the iconography of the Annunciation investigated - Mary's book.

The role that Mary plays in God's plan of salvation is an issue that over the centuies has divided Christians and their churches. In part, these differences stem from disagreements about what the New Testament says about the mother of Jesus. This book should go a long way toward solving the disputes. It is not a collection of essays but rather a collaborative statement prepared by a team of Protestant, Anglican, and Roman Catholic scholars who have reached substantial agreement on how Mary was pictured by Christians of the first two centuries. This book follows the same methodology as an earlier volume, Peter in the New Testament, produced by the same research group. The status of that first book as an ecumenical achievement of American biblical scholarship is attested to by the welcome it received and by its translation into five foreign languages. In light of the difficulty of the subject matter, Mary in the New Testament may be an even greater achievement. If Roman Catholic and Protestant scholars can agree on what the oldest Christian sources said, is the way open for the churches to agree on a fundamental Christian attitude toward Mary? This book is written by scholars, but it is not meant only for scholars. The authors have taken pains to make the work intelligible to students, clergy, and the knowledgeable laity of their churches. It combines scientific research with a respect for Christian sensiblities.

This book presents a thorough and enjoyable examination of the Annunciation to Mary in salvation history. Eugene LaVerdiere, SSS, noted scripture scholar, enters into Luke's story of the Annunciation to Mary as an ardent connoisseur of art might enter into a painting to view it from the inside. Noting the tradition that Luke was an artist, LaVerdiere explores Luke's account of the Annunciation in ways that reveal the Evangelist's artistry as a storyteller, his theology, and his faith. Each of the six chapters at the heart of the book examines a particular phase of the Annunciation story from linguistic and theological points of view. LaVerdiere's scholarship and deep faith lead the reader to a deeper and fuller appreciation of the Evangelist's artistry as well as to a consideration of the depth of the mystery revealed in the scriptural account. Readers will find LaVerdiere's analysis not only thorough and professional, but also enlightening and evocative. Book jacket.

A new collection of lyrical, affectionate, and gently humorous work that sweeps from American desert and city to Canadian seaboard, via gardens as far apart as Mexico and Gloucestershire.

ThisvolumecontainstheproceedingsofFM2003,the12thInternationalFormal Methods Europe Symposium which was held in Pisa, Italy on September 8–14, 2003. Formal Methods Europe (FME, www. fmeurope. org) is an independent - sociation which aims to stimulate the use of and research on formal methods for system development. FME conferences began with a VDM Europe symposium in 1987. Since then, the meetings have grown and have been held about once - ery 18 months. Throughout the years the symposia have been notably successful in bringing together researchers, tool developers, vendors, and users, both from academia and from industry. Unlike previous symposia in the series, FM 2003 was not given a speci?c theme. Rather, its main goal could be synthesized as “widening the scope. ” Indeed, the organizers aimed at enlarging the audience and impact of the symposium along several directions. Dropping the su?x ‘E’ from the title of the conference re?ects the wish to welcome participation and contribution from every country; also,contributionsfromoutsidethetraditionalFormalMethodscommunitywere solicited. The recent innovation of including an Industrial Day as an important part of the symposium shows the strong commitment to involve industrial p- ple more and more within the Formal Methods community. Even the traditional and rather fuzzy borderline between “software engineering formal methods” and methods and formalisms exploited in di?erent ?elds of engineering was so- what challenged.

This book returns to the question at the center of our existence, a question that the narcissistic culture in which we are immersed systematically tends to remove: “Why?” The underlying thesis is that the answer must not be sought in success or social recognition, but in a “fragment of truth”, hidden somewhere inside each of us, which reveals itself only if we detach ourselves from our ego and its certainties. It is not, therefore, a matter of finding yet another philosophical theory of the meaning of existence, but rather of shedding light on the conditions under which such meaning can emerge. The author shows us that the ultimate source of our existential orientation lies in the affective sphere, and that the current crisis of orientation is derived from the atrophy of the process of affective maturation on a large scale, and from a lack of knowledge and experience about which techniques are best to reactivate it. We are like glowworms that had once unlearned how to illuminate and have since begun to hover around the magic lantern of the ascetic ideal, already criticized by Nietzsche, and then around neon advertising signs. We are glowworms that have forgotten that we have within our own affective structure a precious source of orientation. The basic thesis is that this source of orientation can be reactivated through the care of desire and practices of emotional sharing.