Anthropocene Blues

Life Writing in the Anthropocene is a collection of timely and original approaches to the question of what constitutes a life, how that life is narrated, and what lives matter in autobiography studies in the Anthropocene. This era is characterised by the geoengineering impact of humans, which is shaping the planet’s biophysical systems through the combustion of fossil fuels, production of carbon, unprecedented population growth, and mass extinction. These developments threaten the rights of humans and other-than-humans to just and sustainable lives. In exploring ways of representing life in the Anthropocene, this work articulates innovative literary forms such as ecobiography (the representation of a human subject's entwinement with their environment), phytography (writing the lives of plants), and ethological poetics (the study of nonhuman poetic forms), providing scholars and writers with innovative tools to think and write about our strange new world. In particular, its recognition on plant life reminds us of how human lives are entwined with vegetal lives. The creative and critical essays in this book, shaped by a number of Antipodean authors, bear witness to a multitude of lives and deaths. The chapters in this book were originally published as a special issue of a/b: Auto/Biography Studies.

By drawing on oceanography (marine sciences) and limnology (freshwater sciences), social sciences, and the environmental humanities, the field of the blue humanities critically examines the planet's troubled seas and distressed freshwaters from various socio-cultural, literary, historical, aesthetic, ethical, and theoretical perspectives. Since all waterscapes in the Anthropocene are overexploited and endangered sites, the field calls for transdisciplinary cooperation and encourages thinking with water and thinking together beyond the conventions of tentacular anthropocentric thought. Working across many disciplines, the blue humanities, then, challenges the cultural primacy of standard sea and freshwater narratives and promotes disanthropocentric discourses about water ecologies. Engaging with the most pressing water problems, this Element contributes to those new discursive practices from a material ecocritical perspective. The authors' hypothesis is that fluid-storied matter and the new stories we tell can change the game by changing our mindset.

A wide-ranging and original introduction to the Anthropocene (the Age of Humanity) that offers fresh, theoretical insights bridging the sciences and the humanities From noted environmental historian Carolyn Merchant, this book focuses on the original concept of the Anthropocene first proposed by Paul Crutzen and Eugene Stoermer in their foundational 2000 paper. It undertakes a broad investigation into the ways in which science, technology, and the humanities can create a new and compelling awareness of human impacts on the environment. Using history, art, literature, religion, philosophy, ethics, and justice as the focal points, Merchant traces key figures and developments in the humanities throughout the Anthropocene era and explores how these disciplines might influence sustainability in the next century. Wide-ranging and accessible, this book from an eminent scholar in environmental history and philosophy argues for replacing the Age of the Anthropocene with a new Age of Sustainability.

Humanity operates like a force of nature capable of affecting the destiny of the Earth System. This epochal shift profoundly alters the relationship between humankind and the Earth, presenting the conscious, thinking human animal with an unprecedented dilemma: As human power has grown over the Earth, so has the power of nature to extinguish human life. The emergence of the Anthropocene has settled any question of the place of human beings in the world: we stand inescapably at its center. The outstanding question—which forms the impetus and focus for this book—remains: What kind of human being stands at the center of the world? And what is the nature of that world? Unlike the scientific fact of human-centeredness, this is a moral question, a question that brings theology within the scope of reflection on the critical failures of human irresponsibility. Much of Christian theology has so far flunked the test of engaging the reality of the Anthropocene. The authors of these original essays begin with the premise that it is time to push harder at the questions the Anthropocene poses for people of faith.

Anthropocene Poetry: Place, Environment and Planet argues that the idea of the Anthropocene is inspiring new possibilities for poetry. It can also change the way we read and interpret poems. If environmental poetry was once viewed as linked to place, this book shows how poets are now grappling with environmental issues from the local to the planetary: climate change and the extinction crisis, nuclear weapons and waste, plastic pollution and the petroleum industry. This book intervenes in debates about culture and science, traditional poetic form and experimental ecopoetics, to show how poets are collaborating with environmental scientists and joining environmental activist movements to respond to this time of crisis. From the canonical work of Ted Hughes and Seamus Heaney, to award-winning poets Alice Oswald, Pascale Petit, Kei Miller, and Karen McCarthy Woolf, this book explores major figures from the past alongside acclaimed contemporary voices. It reveals Seamus Heaney’s support for conservation causes and Ted Hughes’s astonishingly forward-thinking research on climate change; it discusses how Pascale Petit has given poetry to Extinction Rebellion and how Karen McCarthy Woolf set sail with scientists to write about plastic pollution. This book deploys research on five poetry archives in the UK, USA and Ireland, and the author’s insider insights into the commissioning processes and collaborative methods that shaped important contemporary poetry publications. Anthropocene Poetry finds that environmental poetry is flourishing in the face of ecological devastation. Such poetry speaks of the anxieties and dilemmas of our age, and searches for paths towards resilience and resistance.

This volume, which is rooted in biogeophysical studies, addresses conceptions of political action in the Anthropocene and the tension between a desire to accomplish the Promethean project of modernity and a post-Promethean approach. This work explores the idea of ​​an anthropological mutation of political consolidation from a “post-Promethean togetherness”, to creating the capacity to act together. The political thinking of the human condition developed by Hannah Arendt is important here as a resource for thinking about humanity in terms of human adventure. This has three dimensions: hubris, the world and coexistence referring respectively to the logic of profit of the homo oeconomicus, the logic of responsibility of the homo collectivus and the logic of the hospitality of the homo religatus. The intellectual and political attitude outlined in this book is an extension of critical theory: the work also puts forward a critique of what poses a problem in our relationship to the world and suggests how to overcome it, the ultimate goal being social transformation. The author propose an uprising and an anthropological consolidation of politics based on the revitalization that is brought about by the sharing of a conviviality both between humans and with what is non-human. The identification of conviviality as an educational paradigm to survive the Anthropocene gives us the much needed reason for hope despite this heritage of the Anthropocene. In addition to Arendtian thinking, this critical theory for the Anthropocene draws on the political thinking of several contemporary authors including Maurice Bellet, Hartmut Rosa, Andreas Weber, Dominique Bourg, and Christian Arnsperger. This volume is of interest to researchers in the Anthropocene.

In the story of the earth, geologists tell us that around 12,000 years ago the planet shifted from the Pleistocene to the Holocene. There probably were poets to sing about that change, but of what they sang, we have no records. Even earlier, paintings on cave walls point toward an artistic response from our upstart species. These early artists painted the Pleistocene's last great ice age herds thundering past. Now John Lane's traveling geologist sings a dawning epoch's blues. The Anthropocene is upon us, and his poems show how humans believe they have become "the planet's boss, the big chief, the emperor of air, diesel fuel,/bow thrusters, and tax shelters..." And if you don't believe the times are changing, consider these poems-full of dead-on-the-road groundhogs and radial tires, carbon-spewing adventure travel, masturbating parrots, and mounds and mounds of garbage-as twenty-first-century objective correlatives John Keats might recognize. But all is not collapse out there. The puny human voice William Faulkner praised in his Nobel acceptance speech sings amidst the 6th Great Extinction. These lyrics and narratives deposit the pleasures of contemporary poetry in the carbon record.

Explore this section of the Appalachians in these essays examining its history, its wilderness, and what change means for its future. In the eighteenth century, naturalist and artist William Bartram traveled in the Blue Ridge Mountains and spent time documenting both plant life and the customs of the Middle Town Cherokees. Since that time, men and women like Bartram have journeyed through Western North Carolina’s wildest and most remote places and written about their experiences. The essays in this volume compare the present day to those historical journeys and explore the idea of wilderness and what change means for the future of the people and the species who live in the mountains. Join local writer and guide Brent Martin on a journey through this incredible landscape. “With unflinching candor, Brent Martin celebrates the heartbreaking beauty of Appalachia. He wrings out every sensory and emotional detail in these passionate, probing essays that explore the wild within. These aren’t lyrical paeans to nature; they are gritty, gutsy journeys into the rugged, remote landscapes of the human heart. Immersed in mountain tradition, culture, and community, he wanders deep and alone into the wild to find what remains. Martin’s powerful, masterful writing shines with real, hard-earned hope.” —Will Harlan, author of the New York Times bestseller Untamed: The Wildest Woman in America “If you love the Southern Appalachians and Wendell Berry and Annie Dillard and Gary Snyder, read this beautifully written and deeply thought-provoking book.” —Charles Frazier, author of the New York Times bestseller Cold Mountain “A thoughtful and thought-provoking collection of essays from one of Appalachia’s staunchest proponents of wilderness and one of its most devoted writers. Brent Martin is a preeminent naturalist and a scholar of the history of his place. This book is deeply personal, highly instructive, far-reaching.” —Janisse Ray, author of Ecology of a Cracker Childhood “A loving a troubling portrait of the southern Appalachians—the rich history and complexity of ecosystems alongside the damage we’ve wrought on them.” —Catherine Reid, author of Falling into Place: An Intimate Geography of Home