Antiquarian Literature In The Sixteenth Century

During the sixteenth century, antiquarian studies (the study of the material past, comprising modern archaeology, epigraphy, and numismatics) rose in Europe in parallel to the technical development of the printing press. Some humanists continued to prefer the manuscript form to disseminate their findings - as numerous fair copies of sylloges and treatises attest -, but slowly the printed medium grew in popularity, with its obvious advantages but also its many challenges. As antiquarian printed works appeared, the relationship between manuscript and printed sources also became less linear: printed copies of earlier works were annotated to serve as a means of research, and printed works could be copied by hand - partially or even completely. This book explores how antiquarian literature (collections of inscriptions, treatises, letters...) developed throughout the sixteenth century, both in manuscript and in print; how both media interacted with each other, and how these printed antiquarian works were received, as attested by the manuscript annotations left by their early modern owners and readers.

During the sixteenth century, antiquarian studies (the study of the material past, comprising modern archaeology, epigraphy, and numismatics) rose in Europe in parallel to the technical development of the printing press. Some humanists continued to prefer the manuscript form to disseminate their findings – as numerous fair copies of sylloges and treatises attest –, but slowly the printed medium grew in popularity, with its obvious advantages but also its many challenges. As antiquarian printed works appeared, the relationship between manuscript and printed sources also became less linear: printed copies of earlier works were annotated to serve as a means of research, and printed works could be copied by hand – partially or even completely. This book explores how antiquarian literature (collections of inscriptions, treatises, letters...) developed throughout the sixteenth century, both in manuscript and in print; how both media interacted with each other, and how these printed antiquarian works were received, as attested by the manuscript annotations left by their early modern owners and readers.

Between 1532 and 1602, the works of Geoffrey Chaucer were published in no less than six folio editions. These were, in fact, the largest books of poetry produced in sixteenth-century England, and they significantly shaped the perceptions of Chaucer that would hold sway for centuries to come. But it is the stories behind these editions that are the focus of Megan L. Cook's interest in The Poet and the Antiquaries. She explores how antiquarians—historians, lexicographers, religious polemicists, and other readers with a professional, but not necessarily literary, interest in the English past—played an indispensable role in making Chaucer a figure of lasting literary and cultural importance. After establishing the antiquarian involvement in the publication of the folio editions, Cook offers a series of case studies that discuss Chaucer and his works in relation to specific sixteenth-century discourses about the past. She turns to early accounts of Chaucer's biography to show how important they were in constructing the poet as a figure whose life and works could be known, understood, and valued by later readers. She considers the claims made about Chaucer's religious views, especially the assertions that he was a proto-Protestant, and the effects they had on shaping his canon. Looking at early modern views on Chaucerian language, she illustrates how complicated the relations between past and present forms of English were thought to be. Finally, she demonstrates the ways in which antiquarian readers applied knowledge from other areas of scholarship to their reading of Middle English texts. Linking Chaucer's exceptional standing in the poetic canon with his role as a symbol of linguistic and national identity, The Poet and the Antiquaries demonstrates how and why Chaucer became not only the first English author to become a subject of historical inquiry but also a crucial figure for conceptualizing the medieval in early modern England.

Since antiquity the city of Rome has been revered both for its prestige as a center of secular and spiritual power, as well as for its sheer longevity. Philip Jacks examines how the creation of the Eternal City was viewed from antiquity through the sixteenth century. Emphasising the myths and discoveries offered by Renaissance humanists from the fourteenth to sixteenth centuries, he shows how their interpretations evolved over time. With Petrarch, Boccacio, and Vergerio came the earliest efforts to confirm the historical basis of legends through studying the archaeological remains of the city. Such activity accelerated through the fifteenth century and reached a peak in the sixteenth with the discovery, in 1546, of the Fasti, and even more sensationally, the Severan plan of Rome in 1562. These fragments were to have a powerful impact on the development of modern archaeology. The antiquarians of the Renaissance not only discovered the vestiges of ancient Rome, but also actively reinterpreted the meaning of classical antiquity in the light of their own culture.

In Defiance of Time explores the emergence of antiquarianism in early modern England, from its first flourishing in the mid-Tudor period through to its seventeenth-century heyday. A vibrant antiquarian culture emerged, which reached beyond scholarly and historical circles, and had a profound influence on the literature and thought of the period. Examining the influences on that development of that culture, this book argues that the origins of English antiquarianism need to be found in the methods and practices of continental (and especially Italian) humanism. It shows that, like the humanists, the early antiquaries had the essentially imaginative aim of resurrecting and recomposing the past and past societies 'in defiance of time'. The antiquaries conceived of themselves and their activities as bridging the gap between past and present, affording 'olden time' presence in this way so that it might speak to and inform present circumstances. At the heart of this book is the argument that the antiquarian project depended on the antiquaries' capacity to restore-in their imagination at least-the fragments of the past, to imagine those remnants of history 'which have casually escaped the shipwrack of time' made whole once again. In Defiance of Time traces these arguments through a range of authors and material, both printed and in manuscript. Chapters advance original readings of important authors such as Leland, Stow, Spenser, Camden, Drayton, and Selden, as well as shedding light on institutions such as the Elizabethan Society of Antiquaries and reviewing the wide range of activities, interests, and concerns that came under the antiquarian purview. Antiquarianism is thereby shown to be integral to early modern literary and intellectual culture.

This scarce antiquarian book is a facsimile reprint of the original. Due to its age, it may contain imperfections such as marks, notations, marginalia and flawed pages. Because we believe this work is culturally important, we have made it available as part of our commitment for protecting, preserving, and promoting the world's literature in affordable, high quality, modern editions that are true to the original work.

This scarce antiquarian book is a facsimile reprint of the original. Due to its age, it may contain imperfections such as marks, notations, marginalia and flawed pages. Because we believe this work is culturally important, we have made it available as part of our commitment for protecting, preserving, and promoting the world's literature in affordable, high quality, modern editions that are true to the original work.