Any Bitter Thing

Richard Russo has celebrated Monica Wood's fiction as "thoroughly captivating warm and wise and beautifully written," and Andre Dubus III praised it as "luminous and graceful—entertaining yet transcendent." Any Bitter Thing, Wood's brilliant new novel, is her breakout book, a timely, gripping, and compassionate tale of family, faith, and deeply hidden truths. One of its greatest strengths is its continuous ability to defy expectations. It's not what you think. It is worse. Lizzy Mitchell was raised from the age of two by her uncle, a Catholic priest. When she was nine, he was falsely accused of improprieties with her and dismissed from his church, and she was sent away to boarding school. Now thirty years old and in a failing marriage, she is nearly killed in a traffic accident. What she discovers when she sets out to find the truths surrounding the accidentand about the accusations that led to her uncle's deathdoes more than change her life. With deft insight into the snares of the human heart, Monica Wood has written an intimate and emotionally expansive novel full of understanding and hope.

"A gripping and compassionate tale of family and faith, whispers and accusations, and the deeply hidden truths we're compelled to uncover. After surviving a near-fatal accident, thirty-year-old Lizzy Mitchell faces a long road to recovery. She remembers little about the days she spent in and out of consciousness, save for one thing: She saw her beloved deceased uncle, Father Mike, the man who raised her in the rectory of his Maine church until she was nine and he was accused of improprieties, dismissed from his church, and Lizzy was sent away to boarding school. Was Father Mike an angel, a messenger from the beyond, or something more corporeal? Though her troubled marriage and her broken body need tending, Lizzy knows she must not only uncover the details of her accident, but also delve deep into events of twenty years earlier, when whispers and accusations forced a good man to give up the only family he had. With deft insight into the snares of the human heart, Monica Wood has written an intimate and emotionally expansive novel full of understanding and hope"--

Sara Hagerty masterfully draws from her own story of spiritual and physical barrenness to birth in readers a new longing for God. With exquisite storytelling and reflection, Hagerty guides readers to a tender place that God is holding just for them—a place where he shapes the bitterness of lost expectations into deep, new places of knowing Him. In the age of fingertip access to answers and a limitless supply of ambitions, where do we find the God who was birthed in dirt and straw? Sara Hagerty found him when life stopped working for her. She found him when she was a young adult mired in spiritual busyness and when she was a new bride with doubts about whether her fledgling marriage would survive. She found him alone in the night as she cradled her longing for babies who did not come. She found him as she kissed the faces of children on another continent who had lived years without a mommy’s touch. In Every Bitter Thing Is Sweet, Hagerty masterfully draws from the narrative of her life to craft a mosaic of a God who leans into broken stories. Here readers see a God who is present in every changing circumstance. Most significantly, they see a God who is present in every unchanging circumstance as well Whatever lost expectations readers are facing—in family, career, singleness, or marriage—Every Bitter Thing Is Sweet will bring them closer to a God who longs for them to know him more. What does it look like to know God’s nearness when life breaks? What does it mean to receive his life when earthly life remains barren? How can God turn the bitterness of unmet desire into new flavors of joy? With exquisite storytelling and reflection, Hagerty brings readers back to hope, back to healing, back to a place that God is holding for them alone—a place where the unseen is more real than what the eye can perceive. A place where every bitter thing is sweet.

Labor migration is worldwide creating new models of the transnational family, which despite geographical distances strives to maintain contact between the separated family members. But, how is the relationship between parents and children to be redefined whenever gifts and material support take the place of shared experience? When physical closeness has to take second place to communication programs like Skype and WhatsApp? How does this changing family landscape impact children and their parents? Bitter Things retraces very personal stories and accounts on this topic from the 1960s right up to present day perspectives. Contributions by Ay?e Akal?n, Liliana Corobca, Ok-Hee Jeong, Halyna Kruk, Georg Matzouranis, Maria Papoulias, Stefano Polis, Janka Vogel and Glcin Wilhelm

Fresh from rehab, Norwegian PI Varg Veum faces his most complex investigation yet, when a man is found drowned, a young woman disappears, and the case of a missing child is revived. The classic Nordic Noir series continues... ________________________ PI Varg Veum has returned to duty following a stint in rehab, but his new composure and resolution are soon threatened when a challenging assignment arrives on his desk. A man is found dead in an elite swimming pool and a young woman has gone missing. Most chillingly, Varg Veum is asked to investigate the 'Camilla Case': an eight-year-old cold case involving the disappearance of a little girl, who was never found. As the threads of these apparently unrelated crimes come together, against the backdrop of a series of shocking environmental crimes, Varg Veum faces the most challenging, traumatic investigation of his career. ________________________

"Sentimental, heartfelt….the exploration of Henry’s changing relationship with his family and with Keiko will keep most readers turning pages...A timely debut that not only reminds readers of a shameful episode in American history, but cautions us to examine the present and take heed we don’t repeat those injustices."-- Kirkus Reviews “A tender and satisfying novel set in a time and a place lost forever, Hotel on the Corner of Bitter and Sweet gives us a glimpse of the damage that is caused by war--not the sweeping damage of the battlefield, but the cold, cruel damage to the hearts and humanity of individual people. Especially relevant in today's world, this is a beautifully written book that will make you think. And, more importantly, it will make you feel." -- Garth Stein, New York Times bestselling author of The Art of Racing in the Rain “Jamie Ford's first novel explores the age-old conflicts between father and son, the beauty and sadness of what happened to Japanese Americans in the Seattle area during World War II, and the depths and longing of deep-heart love. An impressive, bitter, and sweet debut.” -- Lisa See, bestselling author of Snow Flower and the Secret Fan In the opening pages of Jamie Ford’s stunning debut novel, Hotel on the Corner of Bitter and Sweet, Henry Lee comes upon a crowd gathered outside the Panama Hotel, once the gateway to Seattle’s Japantown. It has been boarded up for decades, but now the new owner has made an incredible discovery: the belongings of Japanese families, left when they were rounded up and sent to internment camps during World War II. As Henry looks on, the owner opens a Japanese parasol. This simple act takes old Henry Lee back to the 1940s, at the height of the war, when young Henry’s world is a jumble of confusion and excitement, and to his father, who is obsessed with the war in China and having Henry grow up American. While “scholarshipping” at the exclusive Rainier Elementary, where the white kids ignore him, Henry meets Keiko Okabe, a young Japanese American student. Amid the chaos of blackouts, curfews, and FBI raids, Henry and Keiko forge a bond of friendship–and innocent love–that transcends the long-standing prejudices of their Old World ancestors. And after Keiko and her family are swept up in the evacuations to the internment camps, she and Henry are left only with the hope that the war will end, and that their promise to each other will be kept. Forty years later, Henry Lee is certain that the parasol belonged to Keiko. In the hotel’s dark dusty basement he begins looking for signs of the Okabe family’s belongings and for a long-lost object whose value he cannot begin to measure. Now a widower, Henry is still trying to find his voice–words that might explain the actions of his nationalistic father; words that might bridge the gap between him and his modern, Chinese American son; words that might help him confront the choices he made many years ago. Set during one of the most conflicted and volatile times in American history, Hotel on the Corner of Bitter and Sweet is an extraordinary story of commitment and enduring hope. In Henry and Keiko, Jamie Ford has created an unforgettable duo whose story teaches us of the power of forgiveness and the human heart. BONUS: This edition contains a Hotel on the Corner of Bitter and Sweet discussion guide and an excerpt from Jamie Ford's Love and Other Consolation Prizes.

A Man Booker Prize finalist. “[A] deeply unsettling novel about the new South Africa . . . The people and their stories are unforgettable” (Booklist, starred review). With the publication of Kafka’s Curse, Achmat Dangor established himself as an utterly singular voice in South African fiction. His new novel, a finalist for the Man Booker Prize and the IMPAC-Dublin Literary Award, is a clear-eyed, witty, yet deeply serious look at South Africa’s political history and its damaging legacy in the lives of those who live there. The last time Silas Ali encountered Lt. Du Boise, Silas was locked in the back of a police van and the lieutenant was conducting a vicious assault on Silas’s wife, Lydia, in revenge for her husband’s participation in Nelson Mandela’s African National Congress. When Silas sees Du Boise by chance twenty years later, as the Truth and Reconciliation Commission is about to deliver its report, crimes from the past erupt into the present, splintering the Alis’ fragile peace. Meanwhile Silas and Lydia’s son, Mikey, a thoroughly contemporary young hip-hop lothario, contends in unforeseen ways with his parents’ pasts. “In the vein of J.M. Coetzee’s novels, but from the perspective of black South Africans,” Bitter Fruit is a harrowing story of a brittle family on the crossroads of history and a fearless skewering of the pieties of revolutionary movements (Publishers Weekly). “A haunting story of a family disintegrating, wonderfully authentic . . . its progress like slow dancing.” —The Independent “Bitter Fruit has a shocking ability to surprise the reader with the persistence of racial feeling in South Africa.” —The Guardian

One of the best ways to understand history is through eye-witness accounts. Ting-Xing Ye’s riveting first book, A Leaf in the Bitter Wind, is a memoir of growing up in Maoist China. It was an astonishing coming of age through the turbulent years of the Cultural Revolution (1966 - 1974). In the wave of revolutionary fervour, peasants neglected their crops, exacerbating the widespread hunger. While Ting-Xing was a young girl in Shanghai, her father’s rubber factory was expropriated by the state, and he was demoted to a labourer. A botched operation left him paralyzed from the waist down, and his health deteriorated rapidly since a capitalist’s well-being was not a priority. He died soon after, and then Ting-Xing watched her mother’s struggle with poverty end in stomach cancer. By the time she was thirteen, Ting-Xing Ye was an orphan, entrusted with her brothers and sisters to her Great-Aunt, and on welfare. Still, the Red Guards punished the children for being born into the capitalist class. Schools were being closed; suicide was rampant; factories were abandoned for ideology; distrust of friends and neighbours flourished. Ting-Xing was sent to work on a distant northern prison farm at sixteen, and survived six years of backbreaking labour and severe conditions. She was mentally tortured for weeks until she agreed to sign a false statement accusing friends of anti-state activities. Somehow finding the time to teach herself English, often by listening to the radio, she finally made it to Beijing University in 1974 as the Revolution was on the wane — though the acquisition of knowledge was still frowned upon as a bourgeois desire and study was discouraged. Readers have been stunned and moved by this simply narrated personal account of a 1984-style ideology-gone-mad, where any behaviour deemed to be bourgeois was persecuted with the ferocity and illogic of a witch trial, and where a change in politics could switch right to wrong in a moment. The story of both a nation and an individual, the book spans a heady 35 years of Ye’s life in China, until her eventual defection to Canada in 1987 — and the wonderful beginning of a romance with Canadian author William Bell. The book was published in 1997. The 1990s saw the publication of several memoirs by Chinese now settled in North America. Ye’s was not the first, yet earned a distinguished place as one of the most powerful, and the only such memoir written from Canada. It is the inspiring story of a woman refusing to “drift with the stream” and fighting her way through an impossible, unjust system. This compelling, heart-wrenching story has been published in Germany, Japan, the US, UK and Australia, where it went straight to #1 on the bestseller list and has been reprinted several times; Dutch, French and Turkish editions will appear in 2001.