Apollo And Artemis

*Includes pictures *Includes ancient accounts *Includes online resources and a bibliography for further reading "Apollo's history is a confusing one," said the renowned poet and mythologist Robert Graves. This notion is also illustrated in the above quote from the 6th century BCE Homeric Hymn to Apollo, which gives the reader a brief glimpse into the confusion surrounding Apollo's multi-faceted nature. The quote comes from the end of an episode in which Apollo is traversing the known world, looking for a place to build a temple to himself. Once he lands upon a place of his liking, however, he realizes that he needs to populate it with priests who would 'guard' and care for its ceremonies. Rather than depend upon those 'glorious tribes' to supply his temple with sycophants, Apollo has no patience for chance, and flies down to a Cretan merchant ship, landing on it in the form of a timber-shaking dolphin. After terrifying the merchants, he tells them that their lives in the sea trade are over, and they are to be priests at his temple from then on. Cautioning the merchants to eschew piracy and 'keep righteousness' in their hearts, while simultaneously confronting and sequestering them captures the youthful god's capricious character quite well. Of course, the rest of the ancient Greek gods were certainly not above hypocrisy - the adultery of Zeus alone demonstrates that - but Apollo was a brash contrarian in the face of all divine order. Unlike many of the other Olympian gods, Apollo's nature changed dramatically at the closing of his adolescence. His twin sister Artemis, in direct comparison with Apollo, immediately leapt to her mother's aide as midwife to her brother after she was born. Artemis would continue to be a goddess of midwives, while Apollo's "role" would continue to evolve over centuries. Ultimately, any 21st century study of a mythological being must gather together as many strands of learning as possible in order to formulate a useful hypothesis. In the case of Apollo, these strands are expansive, permeative, and international, and at first blush, they can seem very confusing indeed. An important thing to bear in mind when approaching Apollo is that his role in the ancient Greek pantheon was eclectic, even by contemporary standards, and the expansion of Greek culture to other parts of the Mediterranean only served to compound his identity even further. The story of Apollo is an excellent example of how stories and characters can change when they're beloved across centuries, and it is for this reason that reading about the god is so enjoyable. Artemis had one of the most widespread cults in the Greek world, perhaps due to her connection to nature, which can be a ubiquitous antagonist or boon-giver. Her association with nature may also explain why she was one of the oldest deities in the Greek pantheon, although her appearance in the Mycenaean Linear B script (the earliest form of Greek that has been deciphered, dating to as early as 1450 BCE) is still contested. Etymology often gives modern readers a better idea of the earliest form of a deity, but Artemis's is confusing. Of course, that didn't stop many writers, both ancient and modern, from making attempts at it, either associating her with mythic qualities (such as "maidenhood" and "purity") and/or giving her non-Greek origins. The latter is as unsurprising as the former, since Artemis had a large following throughout Greece and across Asia Minor, where her most famous temple-one of the Seven Wonders of the World-resided. It was in the Near East that Artemis embraced some of the wilder and more formidable characteristics many of the later Greek mythographers only hinted at. To many modern readers, what is most surprising about Artemis is not her "foreignness," but that she was not the carefree maiden prancing through woods and glades to give succor to animals in need.

Mythological Creatures Are Real.They Live In The World Of Iphigenesis.A World Lucy Cole Just Discovered She's Destined To Protect.Before fourteen-year old Lucy Cole can process that insanity, her soon-to-be adopted mother Elodie is kidnapped. The only way to save her is to track down the Key of Apollo, a key that hasn't been seen in thousands of years. To succeed, Lucy must embrace her destiny and overcome the Primordial Trials, tests set up by the gods themselves.So armed with little to no knowledge of the world of Iphigenesis, one best friend who trips over his own feet, and another who could get blown over by a strong breeze, Lucy is about to take on the challenges of the gods.What could possibly go wrong?

You won't believe the story of how Leto gave birth to her twins! This story of motherly love and a woman's jealousy takes place on the the Greek island of Delos.

Ancient gods Artemis and Apollo get caught up in a game of love with a mortal woman in this Goddess Summoning novel from #1 New York Times bestselling author P. C. Cast... Tired of dating egomaniacs, interior designer Pamela Gray has nearly given up. She wants to be treated like a goddess—preferably by a god. As she whispers her wish, she unwittingly invokes the goddess Artemis, who has some tricks up her celestial sleeve… Twins Artemis and Apollo have been sent to the kingdom of Las Vegas to test their mettle. Their first assignment: make Pamela’s wish come true. So Artemis volunteers her golden brother. After all, who better than the handsome God of Light to bring love to this lonely woman? It might be a first, but here in Sin City, where life is a gamble, both god and mortal are about to bet on a high-stakes game of love...

Giving Western literature and art many of its most enduring themes and archetypes, Greek mythology and the gods and goddesses at its core are a fundamental part of the popular imagination. At the heart of Greek mythology are exciting stories of drama, action, and adventure featuring gods and goddesses, who, while physically superior to humans, share many of their weaknesses. Readers will be introduced to the many figures once believed to populate Mount Olympus as well as related concepts and facts about the Greek mythological tradition.

Athletic Artemis rails against the all-boys' Olympic Games at Mount Olympus Academy, which leaves her at odds with her twin brother, Apollo, while a mortal boy named Actaeon catches her eye.

*Includes pictures *Includes ancient descriptions of Apollo *Includes online resources and a bibliography for further reading "Foolish mortals and poor drudges are you, that you seek cares and hard toils and straits! Easily will I tell you a word and set it in your hearts. Though each one of you with knife in hand should slaughter sheep continually, yet would you always have abundant store, even all that the glorious tribes of men bring here for me. But guard you my temple and receive the tribes of men that gather to this place, and especially show mortal men my will, and do you keep righteousness in your heart." "Apollo's history is a confusing one," said the renowned poet and mythologist Robert Graves. This notion is also illustrated in the above quote from the 6th century BCE Homeric Hymn to Apollo, which gives the reader a brief glimpse into the confusion surrounding Apollo's multi-faceted nature. The quote comes from the end of an episode in which Apollo is traversing the known world, looking for a place to build a temple to himself. Once he lands upon a place of his liking, however, he realizes that he needs to populate it with priests who would 'guard' and care for its ceremonies. Rather than depend upon those 'glorious tribes' to supply his temple with sycophants, Apollo has no patience for chance, and flies down to a Cretan merchant ship, landing on it in the form of a timber-shaking dolphin. After terrifying the merchants, he tells them that their lives in the sea trade are over, and they are to be priests at his temple from then on. Cautioning the merchants to eschew piracy and 'keep righteousness' in their hearts, while simultaneously confronting and sequestering them captures the youthful god's capricious character quite well. Of course, the rest of the ancient Greek gods were certainly not above hypocrisy - the adultery of Zeus alone demonstrates that - but Apollo was a brash contrarian in the face of all divine order. Unlike many of the other Olympian gods, Apollo's nature changed dramatically at the closing of his adolescence. His twin sister Artemis, in direct comparison with Apollo, immediately leapt to her mother's aide as midwife to her brother after she was born. Artemis would continue to be a goddess of midwives, while Apollo's "role" would continue to evolve over centuries. Naturally, there are many approaches to Greek myth and many variant opinions and strategies for unearthing "truths" in the mythological canon. For the purpose of unveiling the origins, development, and contemporary views of Apollo, it is necessary to see his myths firstly as remnants of the movements and actions of ancient peoples. This "Memory of Myth" can provide the modern reader with an analogous view of the history of a place and of a character. Much of Greek mythology is politico-religious history , and exploring how the episodes in these myths tie in with episodes in the historical record can reveal certain fascinating aspects of an often frustratingly murky past. Ultimately, any 21st century study of a mythological being must gather together as many strands of learning as possible in order to formulate a useful hypothesis. In the case of Apollo, these strands are expansive, permeative, and international, and at first blush, they can seem very confusing indeed. An important thing to bear in mind when approaching Apollo is that his role in the ancient Greek pantheon was eclectic, even by contemporary standards, and the expansion of Greek culture to other parts of the Mediterranean only served to compound his identity even further. The story of Apollo is an excellent example of how stories and characters can change when they're beloved across centuries, and it is for this reason that reading about the god is so enjoyable.

This text is presented in English and German. This book contains 19 articles dealing with various aspects of the Greek goddess Artemis and the Roman goddess Diana. The themes presented in the volume deal with the Near Eastern equivalents of Artemis, the Bronze Age Linear B testimonies, and Artemis in Homer and in the Greek tragedies. Sanctuaries and cult, and regional aspects are also dealt with - encompassing Cyprus, the Black Sea region, Greece and Italy. Pedimental sculpture, mosaics and sculpture form the basis of investigations of the iconography of the Roman Diana; the role of the cult of Diana in a dynastic setting is also examined. There is a single section that deals with the reception of the iconography of the Ephesian Artemis during the Renaissance and later periods.