Arc And Hue

A comprehensive introduction to colorimetry from a conceptual perspective. Color for the Sciences is the first book on colorimetry to offer an account that emphasizes conceptual and formal issues rather than applications. Jan Koenderink's introductory text treats colorimetry—literally, “color measurement”—as a science, freeing the topic from the usual fixation on conventional praxis and how to get the “right” result. Readers of Color for the Sciences will learn to rethink concepts from the roots in order to reach a broader, conceptual understanding. After a brief account of the history of the discipline (beginning with Isaac Newton) and a chapter titled “Colorimetry for Dummies,” the heart of the book covers the main topics in colorimetry, including the space of beams, achromatic beams, edge colors, optimum colors, color atlases, and spectra. Other chapters cover more specialized topics, including implementations, metrics pioneered by Schrödinger and Helmholtz, and extended color space. Color for the Sciences can be used as a reference for professionals or in a formal introductory course on colorimetry. It will be especially useful both for those working with color in a scientific or engineering context who find the standard texts lacking and for professionals and students in image engineering, computer graphics, and computer science. Each chapter ends with exercises, many of which are open-ended, suggesting ways to explore the topic further, and can be developed into research projects. The text and notes contain numerous suggestions for demonstration experiments and individual explorations. The book is self-contained, with formal methods explained in appendixes when necessary.

The 13th biennial Symposium of the International Research Group on Colour Vision Deficiencies was held from 27 July to 30 July, 1995, in the splendidjin de siecle Theatre Saint Louis, in Pau, France. A total of 80 papers and posters were presented during the four days, of which 56 have been selected for inclusion in this volume. Each has been reviewed by two of the Editors. Additionally, in numerous cases in which specialized knowledge was called for the Editors asked for external help; their assistance is acknowledged below. While Pau now exists largely on agriculture and, more recently, oil extraction and refining, a century ago it was a winter resort that rivalled Cannes and Nice; indeed, Baedeker judged the air of Pau to be preferable for those of a nervous disposition. Pau and the surrounding Beam district are rich in history and have close ties to the Basque region, both of which were exploited brilliantly by the local organizers, Doctors Jean and Veronique Lied, to introduce the partici pants to the gastronomy and traditions of the region. The Committee of the IRGCVD owe a great debt of gratitude to the external reviewers, Oscar Estevez, Karl Gegenfurtner, Gunilla Haegerstrom-Portnoy, RL. Hilz, John Krauskopf, Anne Kurtenbach, Barry B. Lee, Adam Reeves, Marilyn Schneck, L.T. Sharpe, Eugene Switkes, Wayne Verdon, and B.A.

Fiber artists will welcome this opportunity to learn how to use and control color with this monumental and exquisitely beautiful book. Whether they stitch, quilt, weave, work in macrame, hook rugs, knit, crochet, or experiment in mixed media, the artists will benefit from the authors' techniques for solving color problems. Color and Fiber is divided into three sections. The first section presents essential terminology, ideas, and definitions about light and color as preparation for the problems, projects and ideas which follow. The second section describes how light, dye and pigment work with fibers because individual fibers, yarns and fabrics differ in their responses to light and color. The ability to solve color problems depends on the artists' understanding of the fiber's light and color relationships. The third section presents the practical applications for the information gained in the first two sections. Besides color mixing and special effects such as iridescence and opalescence, this section examines projects that artists or classes can do to understand color's part in determining spatial effects, emotional impact and color systems.

For all interested in the use or manufacture of colours, and in calico printing, bleaching, etc.