Architectural Tourism

Since the era of pre-industrial religious pilgrimages, architecture has beckoned travellers. This book charts the relationship, and even the entanglement, between architecture and tourism. It reveals how architecture is always tied to its physical site, yet is transportable in our imagination--and into the virtual spheres of social media and armchair travel. Illustrated with a range of studies of key buildings from history and the present-day, the book engagingly sheds light on topics such as the culture of ruins, the evolution of how tourists capture images of places, the rise of the designer museum, and architecture on television, film, and in other media. It asks why architectural monuments and buildings attract and compel us to visit, why we feel the need to understand cities through architectural sites such as museums, historic sites, and monuments, and how national identity is galvanised through its architecture and tourism. Sightseeing is, whether virtual or actual, site-seeing.

Since the early times of travelling architecture does constitute an important force of attraction and a vital element in marketing. Until today destinations try to increase their market positions by means of the development and restoration of the built environment. However, architecture is characterised by an enduring presence with impacts on visitors and residents alike. Hence, on a sustainable basis it needs to chime with place and situation. Where modesty might be suitable for one destination, spectacular architecture could be a transformation catalyst or unique selling proposition for another. Destination developers have to be aware of the local requirements as well as the reciprocal relationship between the modern practice of tourism and the built environment. To address the complexity of architectural tourism, throughout the book this topic is subject of a controversial discussion and approached with a contextual and interdisciplinary view.

To be a tourist in Libya during the period of Italian colonization was to experience a complex negotiation of cultures. Against a sturdy backdrop of indigenous culture and architecture, modern metropolitan culture brought its systems of transportation and accommodation, as well as new hierarchies of political and social control. Architecture and Tourism in Italian Colonial Libya shows how Italian authorities used the contradictory forces of tradition and modernity to both legitimize their colonial enterprise and construct a vital tourist industry. Although most tourists sought to escape the trappings of the metropole in favor of experiencing "difference," that difference was almost always framed, contained, and even defined by Western culture. McLaren argues that the "modern" and the "traditional" were entirely constructed by colonial authorities, who balanced their need to project an image of a modern and efficient network of travel and accommodation with the necessity of preserving the characteristic qualities of the indigenous culture. What made the tourist experience in Libya distinct from that of other tourist destinations was the constant oscillation between modernizing and preservation tendencies. The movement between these forces is reflected in the structure of the book, which proceeds from the broadest level of inquiry into the Fascist colonial project in Libya to the tourist organization itself, and finally into the architecture of the tourist environment, offering a way of viewing state-driven modernization projects and notions of modernity from a historical and geographic perspective. This is an important book for architectural historians and for those interested in colonial and postcolonial studies, as well as Italian studies, African history, literature, and cultural studies more generally.

University of Toronto: The Campus Guide, second edition, portrays the dramatic growth and development of Canada's largest university while it showcases some of the finest architecture and landscapes in eleven curated walking tours. Founded in 1850 and built in a pastoral setting outside the city limits, the renowned university now has more than 90,000 students at three distinguished campuses: the downtown Toronto St. George campus, the University of Toronto Mississauga, and the University of Toronto Scarborough. Extraordinary new photographs and beautifully illustrated maps bring to life the university's historical evolution, from the nineteenth century to the present. University of Toronto is the newest addition in the acclaimed Campus Guide series of leading colleges and universities in North America.

This book discusses the fundamentals and practical applications of heritage conservation as an important tool of a city's development. It presents case studies that demonstrate how to achieve a balance between the promotion of tourism industry and the generation of income while also seeking optimum sustainable methods for Conserving the City's Tradition and Identity. The book in hand offers useful insights to a wide array of audience aware of the need to preserve the architectural beauty of cities, such as architects, policymakers, investors and even the wide public who is interested in ways of conserving and protecting cultural sites.

Winner of The Ontario Historical Society’s Fred Landon Award for Best Regional History. With 300 photos and 11 maps. A work of unexpected delights and surprises: here is a one-of-a-kind guidebook that pinpoints the best of Ontario’s architectural heritage in its most charming towns, offers tantalizing and informative details of provincial history, indulges the near universal vice of real-estate voyeurism, and beckons even the most reluctant to physical exercise. Katherine Ashenburg is our knowledgeable and charmingly opinionated companion on walking tours of ten small (populations 1000 to 27,000) Ontario communities that provide a rewarding variety of domestic and public architecture in a walkable compass. Each tour begins with a brief historical sketch of the town, then, with the aid of a detailed map, guides the reader/walker to some 60 sites over a leisurely but carefully plotted two-and-a-half to three-and-a-half hour stroll. We visit churches and jails, libraries and town halls, theatres and factories, and all manner of houses - homes of startling grandiosity and humble integrity. We become conversant with belvederes and ogee arches, Flemish bond and board and batten, at ease with Regency and Queen Anne, Italianate and Romanesque. And along the way, Ashenburg reveals the town’s true personality, its distinctive architectural styles, forms and materials, and the genius, ambition, and vanities of its founders and builders. Every town - Perth, Picton, Cobourg, St. Mary’s, Niagara-on-the-Lake, Merrickville, Port Hope, Paris, Stratford and Goderich - is a day’s excursion from Toronto by a car or public transit; most are day-trips from either Ottawa or London. Over 300 black and white photographs capture the highlights; 11 maps show the way. For easy reference, there is a helpful, illustrated Guide to Historical Styles and an exhaustive Glossary of Architectural terms - everything from Apse to Voussoir.