Architecture In Existing Fabric

This book provides a comprehensive introduction to architecture in existing fabric. Contradicting the conventional view that creative design work is the exclusive province of new building design, the authors offer a nuanced account of active and creative strategies for planning, design, and execution.

Architectural work on existing structures has become enormously important in recent years. For the majority of architects, this is where future market opportunities will lie. This book provides a comprehensive introduction to the field and is thus addressed to all practitioners, students, and building sponsors whose interest goes beyond an initial encounter with this wideranging field of activity. Contradicting the conventional view that creative design work is the exclusive province of new building design, the authors offer a nuanced account of active and creative strategies for planning, design, and execution. Subjects considered range from town planning issues through the overall project cycle and its individual phases all the way to building management. Special focuses are the "grammar of design" as well as the issues arising through collaboration of different experts. In order to illuminate this broad and complex spectrum of topics, the book incorporates thirty examples of projects from Europe and North America, in which buildings from a huge variety of periods – from the Middle Ages to the 1960s – are transferred into the present.

a disused power station is converted into a cultural centre, an old barn is made into a residential house. All around us we encounter buildings whose original purpose has rendered them obsolete, and which now offer space for new uses. The construction and building requirements confronting the architect are as varied and individual as the buildings themselves. This publication examines a wide range of realized examples, highlighting successful and innovative solutions, from the rehabilitation of preserved monuments to the renovation or renewal of existing buildings, from the reuse of a gothic monastery or the former industrial buildings of Fiat Lingotto to the renovation of structures made of pre-cast concrete panels. Introductory essays by specialist authors examine the economical, technical, historical aspects of the topic, and the projects presented are documented fully with illustrations, plans and details which have been specially produced by the editorial department of DETAIL.

Building in existing fabric requires more than practical solutions and stylistic skills. The adaptive reuse of buildings, where changes in the structure go along with new programs and functions, poses the fundamental question of how the past should be included in the design for the future. On the background of long years of teaching and publishing, and using vivid imagery from Frankenstein to Rem Koolhaas and beyond, the author provides a comprehensive introduction to architectural design for adaptive reuse projects. History and theory, building typology, questions of materials and construction, aspects of preservation, urban as well as interior design are dealt with in ways that allow to approach adaptive reuse as a design practice field of its own right.

Fabric Structures in Architecture covers the varying ways textiles and their properties are used in building construction, with particular focus given to tensile structures. The text begins with the fundamental principles of textiles, including the origins of fabric architecture, then progressing to a discussion of the modern textiles of today. It covers relevant textile materials and their properties, including coatings and membranes. In addition, a range of design considerations are discussed, with detailed information on installation and failure modes. A series of case studies from around the world accompany the discussion, illustrating the applications of textiles in architecture. Offers key coverage of the fundamental principles, from the origins of fabric architecture to modern textile Provides analysis of relevant textile materials and their properties, including coatings and membranes Contains expert insights in to the applications of textiles in architecture, presenting a series of relevant case-studies from around the world

This book is an introduction to landscape architecture for students. Landscape architecture is a visual subject so the book is be illustrated with the author's own drawings.

Glass is one of the most fascinating and versatile building materials in architectural history. The new insights into glass in architecture are the result of research at the intersection of glass production, construction technology and building culture. Coming from a variety of disciplines, the contributions bridge the divide between natural sciences, humanities and the preservation and restoration of cultural heritage. They explore the crucial role of flat glass in shaping architecture, particularly since the 18th century, and discuss the in-situ restoration of historic windows and glass façades and the importance of preserving this fragile heritage. The topics range from the manufacture of sheet glass in pre-industrial times to the possibilities of repair and reusability of insulating glazing. With contributions by Océane Bailleul, Peter Bellendorf, Stefan Bichlmair, Catherine Blaine, Anne-Laure Carré, Niels De Temmerman, Matthias Fischer, Susanne Fischer, Waldo Galle, Josef Ganka, Esther Geboes, Emma Groult, Melchior Fischli, Ueli Fritz, Florin Gstöhl, Isabel Haupt, Laura Hindelang, Hauke Horn, Peter Heinrich Jahn, Olivia Jorgji, Dunja Kielmann, Ralf Kilian, Katrin Lenz, Giulia Marino, Christine Milch, Angelika Reiff, Alexandra Schmölder, Logan Sisley, Helen Spencer, Ruth Tenschert, Vitaly Volkov and Sophie Wolf A multi-disciplinary survey of the history of the production and use of flat glass From the Roman times to the present day New insights on sheet glass as building material and cultural heritage

Exploring the ambiguities of how we define the word ‘culture’ in our global society, this book identifies its imprint on architectural ideas. It examines the historical role of the cultural in architectural production and expression, looking at meaning and communication, tracing the formations of cultural identities. Chapters written by international academics in history, theory and philosophy of architecture, examine how different modes of representation throughout history have drawn profound meanings from cultural practices and beliefs. These are as diverse as the designs they inspire and include religious, mythic, poetic, political, and philosophical references.