Building In Existing Fabric

a disused power station is converted into a cultural centre, an old barn is made into a residential house. All around us we encounter buildings whose original purpose has rendered them obsolete, and which now offer space for new uses. The construction and building requirements confronting the architect are as varied and individual as the buildings themselves. This publication examines a wide range of realized examples, highlighting successful and innovative solutions, from the rehabilitation of preserved monuments to the renovation or renewal of existing buildings, from the reuse of a gothic monastery or the former industrial buildings of Fiat Lingotto to the renovation of structures made of pre-cast concrete panels. Introductory essays by specialist authors examine the economical, technical, historical aspects of the topic, and the projects presented are documented fully with illustrations, plans and details which have been specially produced by the editorial department of DETAIL.

This book provides a comprehensive introduction to architecture in existing fabric. Contradicting the conventional view that creative design work is the exclusive province of new building design, the authors offer a nuanced account of active and creative strategies for planning, design, and execution.

Architectural work on existing structures has become enormously important in recent years. For the majority of architects, this is where future market opportunities will lie. This book provides a comprehensive introduction to the field and is thus addressed to all practitioners, students, and building sponsors whose interest goes beyond an initial encounter with this wideranging field of activity. Contradicting the conventional view that creative design work is the exclusive province of new building design, the authors offer a nuanced account of active and creative strategies for planning, design, and execution. Subjects considered range from town planning issues through the overall project cycle and its individual phases all the way to building management. Special focuses are the "grammar of design" as well as the issues arising through collaboration of different experts. In order to illuminate this broad and complex spectrum of topics, the book incorporates thirty examples of projects from Europe and North America, in which buildings from a huge variety of periods – from the Middle Ages to the 1960s – are transferred into the present.

Building in existing fabric requires more than practical solutions and stylistic skills. The adaptive reuse of buildings, where changes in the structure go along with new programs and functions, poses the fundamental question of how the past should be included in the design for the future.0On the background of long years of teaching and publishing, and using vivid imagery from Frankenstein to Rem Koolhaas and beyond, the author provides a comprehensive introduction to architectural design for adaptive reuse projects. History and theory, building typology, questions of materials and construction, aspects of preservation, urban as well as interior design are dealt with in ways that allow to approach adaptive reuse as a design practice field of its own right.

Building in existing fabric requires more than practical solutions and stylistic skills. The adaptive reuse of buildings, where changes in the structure go along with new programs and functions, poses the fundamental question of how the past should be included in the design for the future. On the background of long years of teaching and publishing, and using vivid imagery from Frankenstein to Rem Koolhaas and beyond, the author provides a comprehensive introduction to architectural design for adaptive reuse projects. History and theory, building typology, questions of materials and construction, aspects of preservation, urban as well as interior design are dealt with in ways that allow to approach adaptive reuse as a design practice field of its own right.

This essential book unravels the link between regional cultures, adaptive reuse of existing buildings and sustainability. It concentrates on the social dimensions relating to Brazilian architect Lina Bo Bardi’s late adaptive reuse projects and works from the 1960s to the early 1990s, interpreting her themes, technical sources and design strategies of the creation of luxury as sustainability.The edited book charts how Lina Bo Bardi “invented” her own version of sustainability, introduced this concept through her landscape and adaptive reuse designs and through ideas about cross-cultures in Brazil. The book offers a critical reflection, exploration and demonstration of the importance of adaptive reuse in the landscape and related themes for researchers and provides researchers and students new material on sustainability for further study. In the context of the plurality of revisions of Lina Bo Bardi’s work, this book brings about a refreshed interpretation of her integrative approach to adaptive reuse of buildings and landscapes as a significant contribution to the sustainability debate. It offers new insights into the construction of discourses about sustainability from the perspective of one of the key architects in the period to operate in the interface between modernity and tradition. – Dr Fabiano Lemes de Oliveira, Senior Lecturer, University of Portsmouth (UK) Adaptability is one of the most important words in sustainable architecture today. From this perspective, this book looks at the work of a master of Brazilian modernism with lessons to be learnt on how to qualify indoor and outdoor spaces in social, environmental and architectural terms. Adaptive strategies as those seen throughout the work of Bo Bardi are key instrument/tools/concept to sustainable buildings and cities. − Professor Joana Carla Soares Goncalves, FAU, University of Sao Paulo (Brazil) The year 2015 marked the centenary of Lina Bo Bardi. This book is looking at Bardi's work through the perspective of adaptive reuse. Bringing together specialists on sustainability with specialists of Lina's work, the book generates an interesting new layer of discussion on the work of an architect that was never shy of controversy. − Associate Professor Fernando Luiz Lara, University of Texas at Austin (USA) This collection of essays makes a very important and engaging contribution to suggest that to take Lina as an inspiration is to deal with her contradictions and to evaluate the stakes of what she struggled with in a 21st century world. What the authors gathered here and have laid out is a very timely invitation to discern “Lessons from Lina” in relationship to today’s pressing issues of architecture and environment, sustainability, recycling, and developing an ethical design position in a world of diminishing resources and escalating challenges. -Prof Barry Bergdoll, Columbia University and MoMA, New York (USA) The book features a Foreword by Barry Bergdoll. Winner of the Curtin University Humanities Research Award 2017 for Best Book of the Year (Oct. 2017). Here the judges’ appraisal: “An elegantly conceptualised and carefully crafted volume that represents the work of the twentieth century Brazilian architect Lina Bo Bardi through the lens of urgent contemporary questions of sustainability, adaptive re-use and ethical design. The book brings together a multidisciplinary and international collection of authors and addresses a global readership. It is beautifully presented and intelligently edited.” (Jury, Book Award 2017) Winner of the Curtin University Humanities Research Award 2017 for Best Chapter of the Year (Sept. 2017): Annette Condello. Chapter 3 “Salvaging the Site’s Luxuriance: Lina Bo Bardi – Landscape Architect.” Here the judges appraisal: “A richly textured investigation of Lina Bo Bardi, a complex, fascinating and important Italian-born Brazilian architect, designer and co-founder of the magazine Habitat. [...] This chapter is a thoughtful and respectful but also critical piece, combining thorough research with deft analysis and carefully selected images, and the publication has been highly recommended by leading academics and curators.” (Jury, Book Award 2017)

Few parts of a building work harder than its envelope (also known as its facade). The envelope is the part of the building most visible from the outside--so it should be visually appealing--but it can also have the biggest effect on the well-being and safety of its occupants--so the envelope should be help heat and cool the building, allow light into it, and provide necessary structure. Too often, a building's envelope is more aesthetically striking than functional, or vice versa. A great building envelope, though, architecturally integrates all of its elements.

Bringing together theory with current conservation technology, this book explores possibilities in architectural expression alongside the technical requirements of structures. International case studies are used throughout to provide the reader with examples of how real structural conservation design solutions were arrived at. The inclusion of full technical details of these projects, and over 150 illustrations, make this a valuable resource for architects, structural engineers, conservation officers, as well as students of these disciplines.