Armand Ptolemy And The Golden Aleph

Synchronicity machines. Difference engines melded with the iChing. Geomancy: the art of making stone float with sound. The hacker collective 'Anonymous'. Secret societies … This is the world of ARMAND PTOLEMY, a new action-adventure hero. Facing an enemy armed with the Golden Aleph -- a mystical device that allows its wielder to see holographically into every point in time and space, Ptolemy must use every trick of his Oxford-educated mind and circus-trained body to succeed. But how do you fight an enemy that knows your every move … even before you do? When Armand Ptolemy is called to investigate strange tremors plaguing an old wing of the New York public library, he finds himself enmeshed in a series of events that began in 1912. Yet Ptolemy himself is rumored to be from the past himself -- and the world's Elite lust after the secret of how he seemingly jumped forward over one hundred years in time. Most keenly interested in this secret is Octavio Veerspike, head of the Veerspike banking dynasty. When the Commission -- a secret society of the world's most powerful people -- suddenly call a conclave in the tropics, Ptolemy has to figure out what they're up to, and fast. But the Elites have other ideas. Putting into a motion the capstone of a hundred-years old plan, the Commission wants Ptolemy out of the way. And with the Golden Aleph giving them very potent powers of prediction, they just may succeed ...

Why is the number seven lucky--even holy--in almost every culture? Why do we speak of the four corners of the earth? Why do cats have nine lives (except in Iran, where they have seven)? From literature to folklore to private superstitions, numbers play a conspicuous role in our daily lives. But in this fascinating book, Annemarie Schimmel shows that numbers have been filled with mystery and meaning since the earliest times, and across every society. In The Mystery of Numbers Annemarie Schimmel conducts an illuminating tour of the mysteries attributed to numbers over the centuries. She begins with an informative and often surprising introduction to the origins of number systems: pre-Roman Europeans, for example, may have had one based on twenty, not ten (as suggested by the English word "score" and the French word for 80, quatrevingt --four times twenty), while the Mayans had a system more sophisticated than our own. Schimmel also reveals how our fascination with numbers has led to a rich cross-fertilization of mathematical knowledge: "Arabic" numerals, for instance, were picked up by Europe from the Arabs, who had earlier adopted them from Indian sources ("Algorithm" and "algebra" are corruptions of the Arabic author and title names of a mathematical text prized in medieval Europe). But the heart of the book is an engrossing guide to the symbolism of numbers. Number symbolism, she shows, has deep roots in Western culture, from the philosophy of the Pythagoreans and Platonists, to the religious mysticism of the Cabala and the Islamic Brethren of Purity, to Kepler's belief that the laws of planetary motion should be mathematically elegant, to the unlucky thirteen. After exploring the sources of number symbolism, Schimmel examines individual numbers ranging from one to ten thousand, discussing the meanings they have had for Judaic, Christian, and Islamic traditions, with examples from Indian, Chinese, and Native American cultures as well. Two, for instance, has widely been seen as a number of contradiction and polarity, a number of discord and antithesis. And six, according to ancient and neo-platonic thinking, is the most perfect number because it is both the sum and the product of its parts (1+2+3=6 and 1x2x3=6). Using examples ranging from the Bible to the Mayans to Shakespeare, she shows how numbers have been considered feminine and masculine, holy and evil, lucky and unlucky. A highly respected scholar of Islamic culture, Annemarie Schimmel draws on her vast knowledge to paint a rich, cross-cultural portrait of the many meanings of numbers. Engaging and accessible, her account uncovers the roots of a phenomenon we all feel every Friday the thirteenth.

"Global anthology of twentieth-century poetry"--Back cover.

Five quiet years have passed in Starland, California since the the time of the Pocket. But when a crazed old man shows up with a warning, Max, Casey, Ian and Sasha suddenly find themselves on the run. Max and Ian go through an Arch back to 1912, where a mysterious Machine is under construction that seems connected to Max's unremembered secret. Meanwhile, Casey and Sasha follow the old man to the strange town of Arturo Gyp. But there is more afoot than meets the eye: the enemies of Mr. E - the nefarious Archons - are abroad. And when Max is at last eye-to-eye with his secret, he realizes nothing will ever be the same again... This is the second book in the Max Quick Series.

What shape is the universe? Is it curved and closed in on itself? Is it expanding? Where is it headed? Could space be wrapped around itself, such that it produces ghost images of faraway galaxies? Such are the questions posed by Jean-Pierre Luminet in The Wraparound Universe, which he then addresses in clear and accessible language. An expert in black holes and the big bang, he leads us on a voyage through the surprising byways of space-time, where possible topologies of the universe, explorations of the infinite, and cosmic mirages combine their mysterious traits and unlock the imagination. The Wraparound Universe is a general-audience book about the overall topology or shape of the universe. The central question addressed is whether it is possible that the universe is wrapped around in an interesting way, and what impact this would have on astronomical observations and our understanding of cosmology. Along the way many of the general features and much of the history of the modern picture of cosmology are discussed.

"Traces the development of numerical systems in Sumerian, Egyptian, Greek, Roman, Chinese, Babylonian, and Mayan cultures, and examines the origins of the Hindu-Arabic numerals we use today"--Back cover.

The enigmatic and richly illustrative tarot deck reveals a host of strange and iconic mages, such as The Tower, The Wheel of Fortune, The Hanged Man and The Fool: over which loom the terrifying figures of Death and The Devil. The 21 numbered playing cards of tarot have always exerted strong fascination, way beyond their original purpose, and the multiple resonances of the deck are ubiquitous. From T S Eliot and his 'wicked pack of cards' in "The Waste Land" to the psychic divination of Solitaire in Ian Fleming's "Live and Let Die"; and from the satanic novels of Dennis Wheatley to the deck's adoption by New Age practitioners, the cards have in modern times become inseparably connected to the occult. They are now viewed as arguably the foremost medium of prophesying and foretelling. Yet, as the author shows, originally the tarot were used as recreational playing cards by the Italian nobility in the Renaissance. It was only much later, in the 18th and 19th centuries, that the deck became associated with esotericism before evolving finally into a diagnostic tool for mind, body and spirit. This is the first book to explore the remarkably varied ways in which tarot has influenced culture. Tracing the changing patterns of the deck's use, from game to mysterious oracular device, Helen Farley examines tarot's emergence in 15th century Milan and discusses its later associations with astrology, kabbalah and the Age of Aquarius.