Ars Interpres An International Journal Of Poetry Translation And Art No 1

Diane di Prima: Visionary Poetics and the Hidden Religions reveals how central di Prima was in the discovery, articulation and dissemination of the major themes of the Beat and hippie countercultures from the fifties to the present. Di Prima (1934--) was at the center of literary, artistic, and musical culture in New York City. She also was at the energetic fulcrum of the Beat movement and, with Leroi Jones (Amiri Baraka), edited The Floating Bear (1961-69), a central publication of the period to which William S. Burroughs, Jack Kerouac, Allen Ginsberg, Charles Olson, and Frank O'Hara contributed. Di Prima was also a pioneer in her challenges to conventional assumptions regarding love, sexuality, marriage, and the role of women. David Stephen Calonne charts the life work of di Prima through close readings of her poetry, prose, and autobiographical writings, exploring her thorough immersion in world spiritual traditions and how these studies informed both the form and content of her oeuvre. Di Prima's engagement in what she would call “the hidden religions” can be divided into several phases: her years at Swarthmore College and in New York; her move to San Francisco and immersion in Zen; her researches into the I Ching, Paracelsus, John Dee, Heinrich Cornelius Agrippa, alchemy, Tarot, and Kabbalah of the mid-sixties; and her later interest in Tibetan Buddhism. Diane di Prima: Visionary Poetics and the Hidden Religions is the first monograph devoted to a writer of genius whose prolific work is notable for its stylistic variety, wit and humor, struggle for social justice, and philosophical depth.

Poetry. Translated from the Swedish by Hildred Crill. Per Wästberg's poems move through landscape and memory recreating neighborhoods, houses and docks in sharp detail while at the same time contemplating invisible forces: Time's bones are brittle and the cold bath house in a deplorable state. Insurance for longhorn beetle not paid. The cuckoo calls from a large saucepan. Under a thinned sky we dip into sweetness of overripe fruit. The self-analytical shadows pass over the spirit level's blind eye. The poems track the interior of the self as well as imagined lives of others through time, through childhood, youth, love and death. Yet they give no easy determination of place, no simplistic discovery of direction. Even the process of dying is closely and slowly observed in advance, both the physicality ("Like when you let go of a load of wood and pull off an icy glove") and the ineffable ("But the alphabet still glows, like asteroids over the expanses of snow"). COMPASS BEARING presents twenty of Wästberg's poems in translation selected from his 2004 collection, Tillbaka i tid (Back in Time), poems that span more than five decades.