Art And Crusade In The Age Of Saint Louis

The reign of Louis IX of France is widely recognized as one of the most important in the history of medieval France. Art and the Crusade in the Age of Saint Louis examines the art patronage of the French king during the formative period of his reign, with special focus on the interaction between the art of Gothic Paris and that of the Crusader Holy Land.

Publisher description

Publisher Description

M. Cecilia Gaposchkin reconstructs and analyzes the process that led to King Louis IX of France's canonization in 1297 and the consolidation and spread of his cult.

This volume offers unparalleled coverage of all aspects of art and architecture from medieval Western Europe, from the 6th century to the early 16th century. Drawing upon the expansive scholarship in the celebrated 'Grove Dictionary of Art' and adding hundreds of new entries, it offers students, researchers and the general public a reliable, up-to-date, and convenient resource covering this field of major importance in the development of Western history and international art and architecture.

Louis IX of France reigned as king from 1226 to 1270 and was widely considered an exemplary Christian ruler, renowned for his piety, justice, and charity toward the poor. After his death on crusade, he was proclaimed a saint in 1297, and today Saint Louis is regarded as one of the central figures of early French history and the High Middle Ages. In The Sanctity of Louis IX, Larry F. Field offers the first English-language translations of two of the earliest and most important accounts of the king’s life: one composed by Geoffrey of Beaulieu, the king’s long-time Dominican confessor, and the other by William of Chartres, a secular clerk in Louis’s household who eventually joined the Dominican Order himself. Written shortly after Louis’s death, these accounts are rich with details and firsthand observations absent from other works, most notably Jean of Joinville’s well-known narrative. The introduction by M. Cecilia Gaposchkin and Sean L. Field provides background information on Louis IX and his two biographers, analysis of the historical context of the 1270s, and a thematic introduction to the texts. An appendix traces their manuscript and early printing histories. The Sanctity of Louis IX also features translations of Boniface VIII’s bull canonizing Louis and of three shorter letters associated with the earliest push for his canonization. It also contains the most detailed analysis of these texts, their authors, and their manuscript traditions currently available.

This volume offers a literary and cultural history of the idea of crusading over the last millennium.

The crusades, whether realized or merely planned, had a profound impact on medieval and early modern societies. Numerous scholars in the fields of history and literature have explored the influence of crusading ideas, values, aspirations and anxieties in both the Latin States and Europe. However, there have been few studies dedicated to investigating how the crusading movement influenced and was reflected in medieval visual cultures. Written by scholars from around the world working in the domains of art history and history, the essays in this volume examine the ways in which ideas of crusading were realized in a broad variety of media (including manuscripts, cartography, sculpture, mural paintings, and metalwork). Arguing implicitly for recognition of the conceptual frameworks of crusades that transcend traditional disciplinary boundaries, the volume explores the pervasive influence and diverse expression of the crusading movement from the twelfth through the fifteenth centuries.