Art And Its Institutions
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Art and Its Institutions
Author | : Nina Möntmann |
Publsiher | : Unknown |
Total Pages | : 204 |
Release | : 2006 |
Genre | : Art |
ISBN | : STANFORD:36105122971323 |
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A survey of art's complex and troubled relationship with institutions, this is a useful introduction to those involved with art appreciation, collecting, curation, the art market, art practice, as well as students and practitioners of art history, theory and politics.
Making Art History
Author | : Elizabeth Mansfield |
Publsiher | : Routledge |
Total Pages | : 322 |
Release | : 2014-05-01 |
Genre | : Art |
ISBN | : 9781134703296 |
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Making Art History is a collection of essays by contemporary scholars on the practice and theory of art history as it responds to institutions as diverse as art galleries and museums, publishing houses and universities, school boards and professional organizations, political parties and multinational corporations. The text is split into four thematic sections, each of which begins with a short introduction from the editor, the sections include: Border Patrols, addresses the artistic canon and its relationship to the ongoing 'war on terror', globalization, and the rise of the Belgian nationalist party. The Subjects of Art History, questions whether 'art' and 'history' are really what the discipline seeks to understand. Instituting Art History, concerns art history and its relation to the university and raises questions about the mission, habits, ethics and limits of university today. Old Master, New Institutions, shows how art history and the museum respond to nationalism, corporate management models and the 'culture wars'.
Art History and Its Institutions
Author | : Elizabeth Mansfield |
Publsiher | : Psychology Press |
Total Pages | : 352 |
Release | : 2002 |
Genre | : Art |
ISBN | : 0415228697 |
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"What is art history? The answer depends on who asks the question. Museum staff, academics, art critics, collectors, dealers and artists themselves all stake competing claims to the aims, methods, and history of art history. Dependent on and sustained by different - and often competing - institutions, art history remains a multi-faceted field of study. Art History and Its Institutions focuses on the professional and institutional formation of art history, showing how the discourses that shaped its creation continue to define the field today. Grouped into three sections, articles examine the sites where art history is taught and studied, the role of institutions in conferring legitimacy, the relationship between modernism and art history, and the systems that define and control it. From museums and universities to law courts and photography studios, the contributors explore a range of different institutions, revealing the complexity of their interaction and their impact on the discipline of art history." --BOOK JACKET.
Open 14
Author | : Jorinde Seijdel,Liesbeth Melis |
Publsiher | : Nai010 Publishers |
Total Pages | : 0 |
Release | : 2008 |
Genre | : Electronic Book |
ISBN | : 9056624350 |
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As the world is increasingly aware, the visual arts are no longer confined by the semi-public space of the museum or the privacy of the studio. In recent decades we have seen a marked pressure for artists to establish relations to the world beyond these walls, with all of the conflicts and transgressions that this might entail. This edition of Open examines the diverse stands currently adopted by the visual arts in the public domain, and assesses the impact of digitization and globalization on the public role of art. As such, it constitutes a sort of stock-taking or evaluation of positions regarding this broad trend. How does contemporary art respond to the public limelight? And what role do the visual arts fulfill in civic life? How does art enhance public space? These and related matters are addressed in Open 14.
The Institutions of Art
Author | : Peter B_rger,Christa B_rger |
Publsiher | : U of Nebraska Press |
Total Pages | : 216 |
Release | : 1992-01-01 |
Genre | : Literary Criticism |
ISBN | : 0803212232 |
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Art has been an umbrella term for poetry; music, dance, sculpture painting, and architecture since the end of the eighteenth century, when the bourgeoisie were establishing their hegemony over culture and politics in Germany, labor was becoming more clearly divided, and religion was losing its unifying force. Art became a broad and separate entity as the expectations and experience of it changed. The Institutions of Art concentrates on German and French literature in illustrating the formation of aesthetic autonomy and the divergence between high and popular culture. Peter B_rger builds on his earlier Theory of the Avant-Garde (1984), pushing further into key theoretical questions about art and society. Christa B_rger extends the critique to the history of the novel, focusing on Goethe and Kleist. Looking backward to feudalism and forward to our century, the authors show how the function of art has changed along with the criteria for its production and evaluation.
Art and Its Worlds Exhibitions Institutions and Art Becoming Public Exhibition Histories Vol 12
Author | : Anonim |
Publsiher | : Walther Konig Verlag |
Total Pages | : 288 |
Release | : 2021-06 |
Genre | : Electronic Book |
ISBN | : 3960989172 |
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An anthology of essays on art's relation to the public realm since 1989 This critical anthology explores the myriad histories and worlds through which art is produced and experienced. It is guided by the following questions: How are the "global" and the "located" shaped and understood in disparate contexts and times? How have artists experimented with modes of exhibition-making and public presentation? Key essays previously published by Afterall are included alongside new image-led presentations, translated material and commissioned texts. The anthology addresses the topic in both theoretical terms and through case studies. Contributors include: Silvia Rivera Cusicanqui, Miguel A. López, Eddie Chambers, Francesca Recchia, Pablo Lafuente, Philippe Pirotte, Ntone Edjabe, Clémentine Deliss, Khwezi Gule, Charles Gaines, David Teh, Ekaterina Degot, Ana Teixeira Pinto, María Berríos, Mujeres Creando, Comunitario del Valle de Xico, Tonika Sealy Thompson and Stefano Harney.
Art Criticism and Its Institutions in Nineteenth century France
Author | : Michael R. Orwicz |
Publsiher | : Manchester University Press |
Total Pages | : 212 |
Release | : 1994 |
Genre | : Art criticism |
ISBN | : 071903860X |
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This book explores a range of social, institutional and discursive conditions in and through which criticism emerged and functioned in 19th-century France, and goes on to develop broader theoretical questions drawn from historical case studies.
The Australian Art Field
Author | : Tony Bennett,Deborah Stevenson,Fred Myers,Tamara Winikoff |
Publsiher | : Routledge |
Total Pages | : 295 |
Release | : 2020-05-25 |
Genre | : Art |
ISBN | : 9780429590009 |
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This book brings together leading scholars and practitioners to take stock of the frictions generated by a tumultuous time in the Australian art field and to probe what the crises might mean for the future of the arts in Australia. Specific topics include national and international art markets; art practices in their broader social and political contexts; social relations and institutions and their role in contemporary Australian art; the policy regimes and funding programmes of Australian governments; and national and international art markets. In addition, the collection will pay detailed attention to the field of indigenous art and the work of Indigenous artists. This book will be of interest to scholars in contemporary art, art history, cultural studies, and Indigenous peoples.