Art And Praise In Kierkegaard S Works Of Love

Since art is essential to the love of one’s neighbor as oneself and to love’s chief goal of building up one another, we cannot understand love without also understanding its art. Observing that praise is ubiquitous in Søren Kierkegaard’s writings, Richard McCombs interprets Kierkegaard’s Works of Love as a eulogy of love’s arts of forgiveness, peace-making, and building up one’s neighbor in maturity and charity. Kierkegaard stresses love's ability to achieve results, calling love irresistible and almost magical in overcoming obstacles to its purposes; living the life of faith and love involves skillful attention to the specificity of the episodes in an individual’s life, and the creative imagining of new ways of enacting these virtues. McCombs argues that Kierkegaard’s ideas about the art of love reveal limits or exceptions to his individualism and to his anti-consequentialism in ethics. Art and Praise in Kierkegaard’s Works of Love explores Kierkegaard’s distinct praises of love through texts like Works of Love, The Brothers Karamazov, and Middlemarch to illustrate, complement, and sometimes correct Kierkegaard’s profound account of love’s art and wisdom, suggesting ways that the art of praise bears on other questions in aesthetics, ethics, and religion.

With a focus on Works of Love, this book argues that for Kierkegaard the living of the life of faith and love is a kind of art, involving skillful attention to the specificity of the episodes in an individual's life, and the creative imagining of new ways of enacting these virtues.

The various kinds and conditions of love are a common theme for Kierkegaard, beginning with his early Either/Or, through "The Diary of the Seducer" and Judge William's eulogy on married love, to his last work, on the changelessness of God's love. Works of Love, the midpoint in the series, is also the monumental high point, because of its penetrating, illuminating analysis of the forms and sources of love. Love as feeling and mood is distinguished from works of love, love of the lovable from love of the unlovely, preferential love from love as the royal law, love as mutual egotism from triangular love, and erotic love from self-giving love. This work is marked by Kierkegaard's Socratic awareness of the reader, both as the center of awakened understanding and as the initiator of action. Written to be read aloud, the book conveys a keenness of thought and an insightful, poetic imagination that make such an attentive approach richly rewarding. Works of Love not only serves as an excellent place to begin exploring the writings of Kierkegaard, but also rewards many rereadings.

Soren Kierkegaard's Works of Love (1847), a series of deliberations on the commandment to love one's neighbor, has often been condemned by critics. Here, Ferreira seeks to rehabilitate Works of Love as one of Kierkegaard's most important works. He shows that Kierkegaard's deliberations on love are highly relevant to some important themes in contemporary ethics, including impartiality, duty, equality, mutuality, reciprocity, self-love, sympathy, and sacrifice. Ferreira also argues that Works of Love bears on issues peculiar to a religious ethic, such as the role of God as "middle term," and the possibility of preserving the aesthetic dimensions of love in a religious ethic of relation.

"To claim that Works of Love is an important philosophical essay is to assume hazardous burden of proof. The book's title is an allusion to the Bible's injunction that we should love our neighbor as we love ourselves, a far cry, far instance, from Diotoma's ladder of erotic desire up which we climb from the love of bodies until we catch a vision of that "single sea of beauty," beauty itself (Plato, Symposium). This contrast, given that some of some of our neighbors may not be particularly likable or one may even be a determined enemy, suggests immediately to some that a book with such an obviously religious title must be excessively moralistic and, at best, full of sermon helps for the harried clergy or, at worst, laden with rules for the unlearned laity. A casual perusal of a few paragraphs, however, shows these "put-down" views of the book to be unfounded"--

Kierkegaard's Concepts is a comprehensive, multi-volume survey of the key concepts and categories that inform Kierkegaard's writings. Each article is a substantial, original piece of scholarship, which discusses the etymology and lexical meaning of the relevant Danish term, traces the development of the concept over the course of the authorship, and explains how it functions in the wider context of Kierkegaard's thought. Concepts have been selected on the basis of their importance for Kierkegaard's contributions to philosophy, theology, the social sciences, literature and aesthetics, thereby making this volume an ideal reference work for students and scholars in a wide range of disciplines.

In an attempt to rehabilitate 'Works of Love' as one of Kierkegaard's most important works, this text shows that Kierkegaard's deliberations on love are relevant to many themes in contemporary ethics, including duty, equality and mutuality.

Kierkegaardian Phenomenologies, edited by J. Aaron Simmons, Jeffrey Hanson, and Wojciech Kaftanski, offers a substantive, diverse, and timely consideration of phenomenological engagements within the thought of Søren Kierkegaard. Featuring original essays from a distinguished collection of established and emerging global scholars representing different schools of thought, this volume explains how the interest in a phenomenological reading of Kierkegaard is not only vital, but continues to grow in importance by cultivating new readers and inviting old readers to revisit their views. Divided into four parts—"Phenomenological Explorations", "On Hearing and Seeing", "Rethinking Faith and Despair", and "Kierkegaard and New Phenomenology"—this collection not only reflects the current state of scholarly conversations in both Kierkegaardian studies and phenomenological research, but also envisions new directions in which they should go, exploring ways that a Kierkegaardian approach to phenomenology might help us to re-envision Kierkegaard scholarship and re-enliven phenomenological philosophy.