Art Escapes

Escaping the conventional settings of the museum or gallery, a fascinating variety of art pieces exist everywhere from Ghanaian patios to the Las Vegas desert, from the forest in Scandinavia to the buzzing streets of Mexico City.

Inspire your creative spirit--everyday! Whether you're a beginner or an experienced artist, Art Escapes provides the ideas and encouragement you need to discover greater creativity and artistic confidence, even when you're short on time. Professional artist and instructor Dory Kanter shows you how to: • Experience more fun and greater confidence drawing and painting. • Express yourself and experiment everyday with an art journal. • Reinterpret daily life with simple, beautiful sketches. • Find painting inspiration in unexpected places. • Paint freely, intuitively and passionately with a simple four-step approach. • Create new forms of art, including watercolor mosaics, paper weavings and found object collages. You'll also find 13 drawing, watercolor, mixed media, and assemblage projects, plus several "page-a-day" ideas. With Art Escapes, you'll learn how to build an art "habit," one that brings joy with every stroke of your brush.

Inspired by Art Nouveau posters, Japanese prints, vintage seed packets, and other sources, these 55 illustrations are rendered in a collage style that ranges from dramatic to playful. Meditative and inspiring, each stunning design is printed horizontally and on one side of ivory-colored pages, which are perforated for easy removal and display.

In 1938, Lily Ren e Wilheim is a 14-year-old Jewish girl living in Vienna. Her days are filled with art and ballet. Then the Nazis march into Austria, and Lily's life is shattered overnight. Suddenly, her own country is no longer safe for her or her family. To survive, Lily leaves her parents behind and travels alone to England. Escaping the Nazis is only the start of Lily's journey. She must escape many more times-from servitude, hardship, and danger. Will she find a way to have her own sort of revenge on the Nazis? Follow the story of a brave girl who becomes an artist of heroes and a true pioneer in comic books.

Winner of the National Jewish Book Award · New York Times Bestseller "A brilliant and heart-wrenching book, with universal and timely lessons about the power of information—and misinformation. Is it possible to stop mass murder by telling the truth?" — Yuval Noah Harari, bestselling author of Sapiens: A Brief History of Humankind and Homo Deus: A Brief History of Tomorrow A complex hero. A forgotten story. The first witness to reveal the full truth of the Holocaust . . . Award-winning journalist and bestselling novelist Jonathan Freedland tells the astonishing true story of Rudolf Vrba, the man who broke out of Auschwitz to warn the world of a truth too few were willing to hear. In April 1944, Rudolf Vrba became one of the very first Jews to escape from Auschwitz and make his way to freedom—among only a tiny handful who ever pulled off that near-impossible feat. He did it to reveal the truth of the death camp to the world—and to warn the last Jews of Europe what fate awaited them. Against all odds, Vrba and his fellow escapee, Fred Wetzler, climbed mountains, crossed rivers, and narrowly missed German bullets until they had smuggled out the first full account of Auschwitz the world had ever seen—a forensically detailed report that eventually reached Franklin Roosevelt, Winston Churchill, and the Pope. And yet too few heeded the warning that Vrba had risked everything to deliver. Though Vrba helped save two hundred thousand Jewish lives, he never stopped believing it could have been so many more. This is the story of a brilliant yet troubled man—a gifted “escape artist” who, even as a teenager, understood that the difference between truth and lies can be the difference between life and death. Rudolf Vrba deserves to take his place alongside Anne Frank, Oskar Schindler, and Primo Levi as one of the handful of individuals whose stories define our understanding of the Holocaust.

Stephen Zepke shows how the idea of sublime art waxes and wanes in the work of Jean-François Lyotard, Gilles Deleuze and Felix Guattari, Jacques Derrida, Jacques Rancière and the recent Speculative Realism movement.

In Deleuze and Art Anne Sauvagnargues, one of the world's most renowned Deleuze scholars, offers a unique insight into the constitutive role played by art in the formation of Deleuze's thought. By reproducing Deleuze's social and intellectual references, Sauvagnargues is able to construct a precise map of the totality of Deleuze's work, pinpointing where key Deleuzian concepts first emerge and eventually disappear. This innovative methodology, which Sauvagnargues calls "periodization", provides a systematic historiography of Deleuze's philosophy that remains faithful to his affirmation of the principle of exteriority. By analyzing the external relations between Deleuze's self-proclaimed three philosophical periods, Sauvagnargues gives the reader an inside look into the conceptual and artistic landscape that surrounded Deleuze and the creation of his philosophy. With extreme clarity and precision, Sauvagnargues provides an important glimpse into Deleuze's philosophy by reconstructing the social and intellectual contexts that contributed to the trajectory of his thought. This book is the product of insightful and careful research, which has not been made available to English readers of Deleuze before now.

George Orwell set out ‘to make political writing into an art’, and to a wide extent this aim shaped the future of English literature – his descriptions of authoritarian regimes helped to form a new vocabulary that is fundamental to understanding totalitarianism. While 1984 and Animal Farm are amongst the most popular classic novels in the English language, this new series of Orwell’s essays seeks to bring a wider selection of his writing on politics and literature to a new readership. In Why I Write, the first in the Orwell’s Essays series, Orwell describes his journey to becoming a writer, and his movement from writing poems to short stories to the essays, fiction and non-fiction we remember him for. He also discusses what he sees as the ‘four great motives for writing’ – ‘sheer egoism’, ‘aesthetic enthusiasm’, ‘historical impulse’ and ‘political purpose’ – and considers the importance of keeping these in balance. Why I Write is a unique opportunity to look into Orwell’s mind, and it grants the reader an entirely different vantage point from which to consider the rest of the great writer’s oeuvre. 'A writer who can – and must – be rediscovered with every age.' — Irish Times