Art Of The 20th Century Sculpture

Explores the styles and movements of twentieth-century art, discussing sculpture, new media, and photography; features a lexicon of artists; and includes color and black-and-white illustrations, as well as a comprehensive index.

The original edition of this ambitious reference was published in hardcover in 1998, in two oversize volumes (10x13"). This edition combines the two volumes into one; it's paperbound ("flexi-cover"--the paper has a plastic coating), smaller (8x10", and affordable for art book buyers with shallower pockets--none of whom should pass it by. The scope is encyclopedic: half the work (originally the first volume) is devoted to painting; the other half to sculpture, new media, and photography. Chapters are arranged thematically, and each page displays several examples (in color) of work under discussion. The final section, a lexicon of artists, includes a small bandw photo of each artist, as well as biographical information and details of work, writings, and exhibitions. Ruhrberg and the three other authors are veteran art historians, curators, and writers, as is editor Walther. c. Book News Inc.

This title was first published 2003. In the twentieth century, Britain was rich in artistic achievement, especially in sculpture. Just some of those working in this field were Jacob Epstein, Henri Gaudier-Brzeska, Henry Moore, Barbara Hepworth, Anthony Caro, Richard Long, Mona Hatoum and Anish Kapoor. The work of these and other known and less well-known artists has an astonishing variety and expressive power, a range and strength that has placed Britain at the hub of the artistic world. Alan Windsor has compiled a concise biographical dictionary of sculpture in Britain in book form. Richly informative and easy-to-use, this guide is an art-lover's and expert's essential reference. Written by scholars, the entries are cross-referenced and each concise biographical outline provides the relevant facts about the artist's life, a brief characterization of the artist's work, and, where appropriate, major bibliographical references.

Henry Moore (1898-1986) is arguably one of the most famous and beloved sculptors of the twentieth century, yet in recent decades his work has fallen out of favor in the world of contemporary art criticism. This handsome book examines this intriguing contradiction and seeks to reassess Moore's crucial contribution to art of the last century. Looking at Moore's early engagements with primitivism, his 1930s dialogue with abstraction and surrealism, and his postwar interest in large-scale public sculpture, the authors show how the sculptor helped to define some of the most significant aspects of modernism. The authors also contextualize within the polemics of early modernism Moore's emphasis on direct carving instead of modeling and the necessary balance between abstraction and what he called the "psychological human element". Moore's early sculpture -- largely unfamiliar to the general public -- is given particular attention, enabling the reader to explore the evolution of thematic and formal elements in his work and his ongoing response to different materials. Photographs, some by Moore himself, of over 120 works, including plasters, maquettes, carvings, bronzes, and drawings, are featured, many of which are previously unpublished.

PAINTING - SCULPTURE - ARCHITECTURE.

Welded sculpture evolved as an art-form in the 1930s as artists began to adapt an industrial method for aesthetic purposes.This historical survey explores the plentiful and varied approaches to sculpture possible through welding and its companion processes. Many twentieth-century artists have produced a prestigious body of welded sculpture, often contributing to the development of this method by experimentation.With its strong European artistic roots, welded sculpture has transcended several 'isms' and trends, by-passing ephemeral styles and marketing mechanisms. This book presents a detailed examination of a technique, its artist exponents, and its associated social and political milieux over the last three quarters of the twentieth century. It records and comments on the history of welded art as it has occurred in our time, contributing to and expanding artistic parameters.Artists featured in this book include Pablo Picasso, László Moholy-Nagy, Harry Bertoia, Phillip King, Anthony Caro, Lynn Chadwick and Eduardo Paolozzi, to name but a few.

Third volume to appear in conjunction with series of exhibitions of twentieth century art organised by the Royal Academy of Arts, London.