Art Of The Korean Empire

"Art of the Korean Empire: the Emergence of Modern Art reexamines the legacy of King Gojong, the last king of the Joseon Dynasty, who founded the Korean empire in 1897. Despite its relatively brief duration, the Korean EMpire was a formative time when the foundations for twentieth-century Korean art were laid. Deviating from the prevalent trend of the day, which was to reject foreign influences and preserve the national heritage, the field of Korean art actively cultivated change by selectively embracing new cultural stimuli and using them to revise traditional practices for the modern era. Today, this compelling struggle for adaptation is embodied by a wide range of artworks from this dynamic period... this exhibition comprehensively deals with the imperial court art of the Korean Empire, including painting, photography, and crafts"--page 6-7.

This book examines the development of national emblems, photographic portraiture, oil painting, world expositions, modern spaces for art exhibitions, university programs of visual arts, and other agencies of modern art in Korea. With few books on modern art in Korea available in English, this book is an authoritative volume on the topic and provides a comparative perspective on Asian modernism including Japan, China, and India. In turn, these essays also shed a light on Asian reception of and response to the Orientalism and exoticism popular in Europe and North America in the early twentieth century. The book will be of interest to scholars working in art history, the history of Asia, Asian studies, colonialism, nationalism, and cultural identity.

In celebrating the 25th anniversary of the Arts of Korea Gallery, this issue of the Bulletin invites us to reflect on the past while embracing the future. Featuring objects from the Bronze Age to the present, Lineages: Korean Art at The Met illustrates both the continuities and ruptures of style, form, and medium that have defined the dynamic terrain of Korean art. The 47 works included—from lacquer and ceramics to paintings and collage—express Korean tradition, history, and socio-cultural change over more than three centuries of creativity. This volume honors one of the first museum galleries in the United States dedicated to Korean art by offering readers a greater understanding of the nation's aesthetic past and future.

This Korean art book is an exploration of the Joseon Dynasty. In Korea, life milestones have traditionally been celebrated with festivals and feasts. Such celebrations helped to define and honor an individual's identity. In Grand Style presents rare and exquisite objects drawn from some ten museums in Korea. Highlights include a ten-panel folding screen of Celebrations on the Crown Prince's Birth from 1874, a portrait of Emperor Gojong from 1897, a Royal Procession to the Royal Tomb at Hwaseong from 1795, and kings' thrones and palanquins. The book documents Korea's taste for splendor and grandeur. It explores the meaning and obligations of kingship, the elite culture of the court and the upper class during the Joseon dynasty (1392-1910), and the complex roles of women in organizing and presenting elaborate celebrations, in the grandest of styles.

In recent years the increase in interest in Asian art has led to a number of books being published about Japanese and Chinese artists. However, the exciting Korean scene is still largely undocumented. Now Kim YoungNa reveals Korean modern and contemporary artists to the West. Twentieth-Century Korean Art provides a comprehensive, engaging survey that places emphasis on art historical narratives. It draws on primary sources and historical artefacts as well as on new interpretations of issues such as the identity of Korean art and the cultural ramifications of Japanese colonialism. Covering over one hundred year from the late 19th century through to the 1990s, the essays in this book examine how both external influences and wills-to-change within Korean society itself generated an artistic vitality against a shifting political, social, and cultural backdrop and how this necessarily involved East Asia at large and the West.

The only college-level publication on Korean art history written in English Korean pop culture has become an international phenomenon in the past few years. The popularity of the nation’s exports—movies, K-pop, fashion, television shows, lifestyle and cosmetics products, to name a few—has never been greater in Western society. Despite this heightened interest in contemporary Korean culture, scholarly Western publications on Korean visual arts are scarce and often outdated. A Companion to Korean Art is the first academically-researched anthology on the history of Korean art written in English. This unique anthology brings together essays by renowned scholars from Korea, the US, and Europe, presenting expert insights and exploring the most recent research in the field. Insightful chapters discuss Korean art and visual culture from early historical periods to the present. Subjects include the early paintings of Korea, Buddhist architecture, visual art of the late Chosŏn period, postwar Korean Art, South Korean cinema, and more. Several chapters explore the cultural exchange between the Korean peninsula, the Chinese mainland, and the Japanese archipelago, offering new perspectives on Chinese and Japanese art. The most comprehensive survey of the history of Korean art available, this book: Offers a comprehensive account of Korean visual culture through history, including contemporary developments and trends Presents two dozen articles and numerous high quality illustrations Discusses visual and material artifacts of Korean art kept in various archives and collections worldwide Provides theoretical and interpretive balance on the subject of Korean art Helps instructors and scholars of Asian art history incorporate Korean visual arts in their research and teaching The definitive and authoritative reference on the subject, A Companion to Korean Art is indispensable for scholars and academics working in areas of Asian visual arts, university students in Asian and Korean art courses, and general readers interested in the art, culture, and history of Korea.

The history of Korean museums goes back more than 100 years, to the opening of the Jesil Bangmulgwan in 1909. There are now 11 national museums in provincial cities throughout Korea, unified by the hub that is Seoul's iconic National Museum of Korea, completed in 2005, while the large number of regional, university, art, specialized and other museums continues to rise. Korea's galleries emerged one by one with the advent of "modernity," the flourishing of modern art and the development of the economy, introducing many Korean and international artists and playing an important role in developing popular culture. Korea's museums and galleries, displaying everything from Paleolithic relics to the latest experimental works by contemporary artists, offer windows onto the country's past, present and future.