Arthur George

Brilliantly imagined and irresistibly readable, Arthur & George is a major new novel from Julian Barnes, a wonderful combination of playfulness, pathos and wisdom. Searching for clues, no one would ever guess that the lives of Arthur and George might intersect. Growing up in shabby-genteel nineteenth-century Edinburgh, Arthur is saddled with a dad who is a disgrace and a mum he wishes to protect, and is propelled into a life of action. To his astonishment, his career as a self-made man of letters brings him riches and fame and, in the world at large, he becomes the perfect picture of the honourable English gentlemen. George is irredeemably an outsider, and has no hope of becoming such a picture. Though he’s dogged and logical, a vicar’s son from rural Staffordshire, he is set apart, and he and his family are targeted in his boyhood by a poison-pen campaign. George finds safe harbour in the reliability of rules, and grows up to become a solicitor, putting his faith in the insulating value of British justice. Then crisis upsets the uneasy equilibrium of both men’s lives. Arthur is knocked for a loop by guilt and other dishonourable emotions. George is put to the sorest test, accused of a horrible crime. And from that point on their lives weave together in the most profound and surprising way, as each man becomes the other’s salvation. Arthur & George is a masterful novel about low crime and high spirituality, guilt and innocence, identity, nationality and race. Most of all, it’s a profound and witty meditation on the fateful differences between what we believe, what we know and what we can prove. George and his father pray together, kneeling side by side on the scrubbed boards. Then George climbs into bed while his father locks the door and turns out the light. As he falls asleep, George sometimes thinks of the floor, and how his soul must be scrubbed just as the boards are scrubbed. Father is not an easy sleeper, and has a tendency to groan and wheeze. Sometimes, in the early morning, when dawn is beginning to show at the edges of the curtains, Father will catechize him. "George, where do you live?" "The Vicarage, Great Wyrley." "And where is that?" "Staffordshire, Father." "And where is that?" "The centre of England." "And what is England, George?" "England is the beating heart of the Empire, Father." "Good. And what is the blood that flows through the arteries and veins of the Empire to reach even its farthest shore?" "The Church of England." "Good, George." And after a while Father will begin to groan and wheeze again. George watches the outline of the curtain harden. He lies there thinking of arteries and veins making red lines on the map of the world, linking Britain to all the places coloured pink: Australia and India and Canada and islands dotted everywhere. He thinks of blood bubbling though these tubes and emerging in Sydney, Bombay, the St. Lawrence Waterway. Bloodlines, that is a word he has heard somewhere. With the pulse of blood in his ears, he begins to fall asleep again. —excerpt from Arthur & George

The biblical story of Adam and Eve in the Garden of Eden is a cornerstone of Western civilization, yet there are still many mysteries concerning its origins and meaning. In The Mythology of Eden, Arthur and Elena George utilize new historical and archaeological discoveries to reveal how the story’s author uses veiled symbolism and mythological storytelling to convey his message about the most profound questions of human existence regarding the divine, life, death, and immortality. This innovative book offers an interdisciplinary interpretation of the Eden story that delves into incorrect assumptions and brings to light details that have previously gone unnoticed. The Mythology of Eden provides a new understanding of the story of Adam and Eve and illuminates the story’s role and meaning in our modern world.

Interviews and photographs of the world's greatest comedians show what it is like for these performers to live--as comedian Steve Martin describes it--"one inch away from disaster all the time".

Art as Adornment: The Life and Work of Arthur Smith is a splendid documentary writing about a prominent player in the Modernist Jewelry Movement. The trade name, “ArtSmith” came to resonate with fashion and theater types in New York and all over the country during the three decades following World War II. As a Black navigating the racial tensions of the period, Arthur Smith managed to rise above the fray and achieve extraordinary success in the development of designs for jewelry that were eminently wearable and for the wearer a decorative pizazz triumph. With over 150 illustrations, this book will take you on an awe inspiring journey starting with his parents’ migratory trek from Jamaica through Cuba and ultimately to New York City, Arthur’s education in the arts, and concluding with a detailed description of his jewelry styling and creativity.

In ancient times, wine, vineyards, and grapevines were thought to have supernatural qualities, enabling people to experience the divine. Naturally, wine, vines, and vineyards featured prominently in myths. This trailblazing book details the wine-related myths and legends in ancient Mesopotamia, Greece, Israel, Egypt, and early Christian Europe, showing how they have influenced our own wine culture, and filling an important gap in our knowledge about wine.

This is Volume IX of thirteen the Oriental series looking at Persia. The Sháhnáma of Firdausi Vol VI, includes the genealogical table of the Sasanians, the conclusion of the Kaianian dynasty, the Eaianian dynasty, the Ashkanian dynasty and the Sasanian dynasty, concluding iwth Yazdagird, son of Shapur.

First Published in 2000. This is Volume VI of thirteen the Oriental series looking at Persia. The Sháhnáma of Firdausi Vol III, includes the Kaianian Dynasty, The Story of Farud, of Kamus of Kashan, of Rustam, and finally Bizhan and Manizha.

First Published in 2000. Routledge is an imprint of Taylor & Francis, an informa company.