Artificial Evolution

Art is the Queen of all sciences communicating knowledge to all the generations of the world. Leonardo da Vinci Artistic behavior is one of the most valued qualities of the human mind. Although artistic manifestations vary from culture to culture, dedication to artistic tasks is common to all. In other words, artistic behavior is a universal trait of the human species. The current, Western de?nition of art is relatively new. However, a d- ication to artistic endeavors — such as the embellishment of tools, body - namentation, or gathering of unusual, arguably aesthetic, objects — can be traced back to the origins of humanity. That is, art is ever-present in human history and prehistory. Artandsciencesharealongandenduringrelationship.Thebest-known- ample of the explorationof this relationship is probably the work of Leonardo da Vinci. Somewhere in the 19th century art and science grew apart, but the cross-transfer of concepts between the two domains continued to exist. Currently, albeit the need for specialization, there is a growing interest in the exploration of the connections between art and science. Focusingoncomputerscience,itisinterestingtonoticethatearlypioneers of this discipline such as Ada Byron and Alan Turing showed an interest in using computational devices for art-making purposes. Oddly, in spite of this early interest and the ubiquity of art, it has received relatively little attention fromthe computersciencecommunityingeneral,and,moresurprisingly,from the arti?cial intelligence community.

This book constitutes selected best papers from the 10th International Conference on Artificial Evolution, EA 2011, held in Angers, France, in October 2011. Initially, 33 full papers and 10 post papers were carefully reviewed and selected from 64 submissions. This book presents the 19 best papers selected from these contributions. The papers are organized in topical sections on ant colony optimization; multi-objective optimization; analysis; implementation and robotics; combinatorial optimization; learning and parameter tuning; new nature inspired models; probabilistic algorithms; theory and evolutionary search; and applications.

The Evolution Arti?cielle cycle of conferences was originally initiated as a forum for the French-speaking evolutionary computation community. Previous EA m- tings were held in Toulouse (EA’94), Brest (EA’95, LNCS 1063), Nˆ?mes (EA’97, LNCS 1363), Dunkerque (EA’99, LNCS 1829), and ?nally, EA 2001 was hosted by the Universit ́e de Bourgogne in the small town of Le Creusot, in an area of France renowned for its excellent wines. However, the EA conferences have been receiving more and more papers from the international community: this conference can be considered fully internat- nal, with 39submissions from non-francophonic countries on all ?ve continents, out of a total of 68. Out of these 68 papers, only 28 were presented orally (41%) due to the formula of the conference (single session with presentations of 30 minutes) that all participants seem to appreciate a lot. The Organizing Committee wishes to thank the members of the International Program Committee for their hard work (mainly due to the large number of submissions) and for the service they rendered to the community by ensuring the high scienti?c content of the papers presented. Actually, the overall quality of the papers presented was very high and all 28 presentations are included in this volume, grouped in 8 sections which more or less re?ect the organization of the oral session: 1. Invited Paper: P. Bentley gave a great talk on his classi?cation of int- disciplinary collaborations, and showed us some of his work with musicians and biologists.

This book constitutes the refereed post-conference proceedings of the 15th International Conference, Évolution Artificielle, EA 2022, held in Exeter, UK, during October 31–November 2, 2022. The 15 full papers were carefully reviewed and selected from 18 submissions. The papers cover a wide range of topics in the field of artificial evolution, including, but not limited to: evolutionary computation, evolutionary optimization, coevolution, artificial life, population dynamics, theory, algorithmic and modeling, implementations.

This comprehensive book gives an up-to-date survey of the relevant bioinspired computing research fields – such as evolutionary computation, artificial life, swarm intelligence and ant colony algorithms – and examines applications in art, music and design. The editors and contributors are researchers and artists with deep experience of the related science, tools and applications, and the book includes overviews of historical developments and future perspectives.

This book presents recent research on the evolution of artificial neural development, and searches for learning genes. It is fascinating to see how all biological cells share virtually the same traits, but humans have a decided edge over other species when it comes to intelligence. Although DNA decides the form each particular species takes, does it also account for intelligent behaviour in living beings? The authors explore the factors that are perceived as intelligent behaviour in living beings and the incorporation of these factors in machines using genetic programming, which ultimately provides a platform for exploring the possibility of machines that can learn by themselves, i.e. that can “learn how to learn”. The book will be of interest not only to the specialized scientific community pursuing machine intelligence, but also general readers who would like to know more about the incorporation of intelligent behaviour in machines, inspired by the human brain.

This book constitutes the thoroughly refereed post-proceedings of the 6th International Conference on Artificial Evolution, EA 2003, held in Marseilles, France in October 2003. The 32 revised full papers presented were carefully selected and improved during two rounds of reviewing and revision. The papers are organized in topical sections on theoretical issues, algorithmic issues, applications, implementation issues, genetic programming, coevolution and agent systems, artificial life, and cellular automata.

A breakthrough theory that tools and technology are the real drivers of human evolution Although humans are one of the great apes, along with chimpanzees, gorillas, and orangutans, we are remarkably different from them. Unlike our cousins who subsist on raw food, spend their days and nights outdoors, and wear a thick coat of hair, humans are entirely dependent on artificial things, such as clothing, shelter, and the use of tools, and would die in nature without them. Yet, despite our status as the weakest ape, we are the masters of this planet. Given these inherent deficits, how did humans come out on top? In this fascinating new account of our origins, leading archaeologist Timothy Taylor proposes a new way of thinking about human evolution through our relationship with objects. Drawing on the latest fossil evidence, Taylor argues that at each step of our species' development, humans made choices that caused us to assume greater control of our evolution. Our appropriation of objects allowed us to walk upright, lose our body hair, and grow significantly larger brains. As we push the frontiers of scientific technology, creating prosthetics, intelligent implants, and artificially modified genes, we continue a process that started in the prehistoric past, when we first began to extend our powers through objects. Weaving together lively discussions of major discoveries of human skeletons and artifacts with a reexamination of Darwin's theory of evolution, Taylor takes us on an exciting and challenging journey that begins to answer the fundamental question about our existence: what makes humans unique, and what does that mean for our future?