The Art Of Artificial Evolution

Art is the Queen of all sciences communicating knowledge to all the generations of the world. Leonardo da Vinci Artistic behavior is one of the most valued qualities of the human mind. Although artistic manifestations vary from culture to culture, dedication to artistic tasks is common to all. In other words, artistic behavior is a universal trait of the human species. The current, Western de?nition of art is relatively new. However, a d- ication to artistic endeavors — such as the embellishment of tools, body - namentation, or gathering of unusual, arguably aesthetic, objects — can be traced back to the origins of humanity. That is, art is ever-present in human history and prehistory. Artandsciencesharealongandenduringrelationship.Thebest-known- ample of the explorationof this relationship is probably the work of Leonardo da Vinci. Somewhere in the 19th century art and science grew apart, but the cross-transfer of concepts between the two domains continued to exist. Currently, albeit the need for specialization, there is a growing interest in the exploration of the connections between art and science. Focusingoncomputerscience,itisinterestingtonoticethatearlypioneers of this discipline such as Ada Byron and Alan Turing showed an interest in using computational devices for art-making purposes. Oddly, in spite of this early interest and the ubiquity of art, it has received relatively little attention fromthe computersciencecommunityingeneral,and,moresurprisingly,from the arti?cial intelligence community.

This comprehensive book gives an up-to-date survey of the relevant bioinspired computing research fields – such as evolutionary computation, artificial life, swarm intelligence and ant colony algorithms – and examines applications in art, music and design. The editors and contributors are researchers and artists with deep experience of the related science, tools and applications, and the book includes overviews of historical developments and future perspectives.

Evolutionary algorithms (EAs) is now a mature problem-solving family of heuristics that has found its way into many important real-life problems and into leading-edge scientific research. Spatially structured EAs have different properties than standard, mixing EAs. By virtue of the structured disposition of the population members they bring about new dynamical features that can be harnessed to solve difficult problems faster and more efficiently. This book describes the state of the art in spatially structured EAs by using graph concepts as a unifying theme. The models, their analysis, and their empirical behavior are presented in detail. Moreover, there is new material on non-standard networked population structures such as small-world networks. The book should be of interest to advanced undergraduate and graduate students working in evolutionary computation, machine learning, and optimization. It should also be useful to researchers and professionals working in fields where the topological structures of populations and their evolution plays a role.

The first detailed examination of a-life art, where new mediaartists adopt, and adapt, techniques from artificial life.

Evolution and complexity characterize both biological and artificial life – by direct modeling of biological processes and the creation of populations of interacting entities from which complex behaviors can emerge and evolve. This edited book includes invited chapters from leading scientists in the fields of artificial life, complex systems, and evolutionary computing. The contributions identify both fundamental theoretical issues and state-of-the-art real-world applications. The book is intended for researchers and graduate students in the related domains.

Written for computer scientists and students, and computer literate artists, designers and specialists in evolutionary computation, this text brings together the most advanced work in the use of evolutionary computation for creative results.

This book constitutes the refereed proceedings of the Third International Conference on Biologically Inspired Music, Sound, Art and Design, Evo MUSART 2014, held in Granada, Spain, in April 2014, co-located with the Evo* 2013 events Euro GP, Evo COP, Evo BIO and Evo Applications. The 11 revised full papers presented were carefully reviewed and selected from 30 submissions. They cover a wide range of topics and application areas.

The Arti?cial Evolution conference was originally conceived as a forum for the French-speaking Evolutionary Computation community, but has of late been acquiring an European audience, with several papers from Germany, Austria, Italy, Spain... However, AE remains as intended a small and friendly gathering, which will continue to be held every two years. Previous AE meets were held in Toulouse, Brest, and Nˆ ?mes. This year, the hosting was done by the LIL (Laboratoire d’Informatique du Littoral) in the not-so-cold city of Dunkerque. The invited talk on “Fitness Landscapes and Evolutionary Algorithms” was delivered by Colin Reeves of Coventry University This volume contains a selection of the papers presented at the conference. Twenty-seven papers were presented orally at the conference, selected from over 40 papers refereed by the program committee. After the conference, each p- sentation was reviewed and 20 papers were retained and revised for publication in this volume. The papers in this volume have been grouped into the following ?ve sections which more or less re?ect the organization of the oral presentations. 1. Invited Paper: C. Reeves brightly describes the state of the art in Fitness Landscapes.