Atomic Comics

The advent of the Atomic Age challenged purveyors of popular culture to explain to the general public the complex scientific and social issues of atomic power. Atomic Comics examines how comic books, comic strips, and other cartoon media represented the Atomic Age from the early 1920s to the present. Through the exploits of superhero figures such as Atomic Man and Spiderman, as well as an array of nuclear adversaries and atomic-themed adventures, the public acquired a new scientific vocabulary and discovered the major controversies surrounding nuclear science. Ferenc Morton Szasz’s thoughtful analysis of the themes, content, and imagery of scores of comics that appeared largely in the United States and Japan offers a fascinating perspective on the way popular culture shaped American comprehension of the fissioned atom for more than three generations.

"In 1923, Nikola Tesla's career is in its twilight until he unveils a robot with automatic intelligence--Atomic Robo! Granted full American citizenship in return for his participation in a top secret military operation in 1938, Atomic Robo goes on to found Tesladyne, a think tank dedicated to exploring the fringes of scientific inquiry. After decades of dealing with all manner of weirdness, Atomic Robo and the so-called Action Scientists of Tesladyne became the go-to defense force against the unexplained"--V. 1, cover p. [4].

FRAZETTA! KIRBY! TOTH! MOEBIUS! KUBERT! MILLER! STEVENS! The BIG one! Literally: This gigantic 11 x 17 hardcover is the coffee table book of the Millennium! Nearly every great artist to ever work in comics is in this book which includes new stories from Peter Bagge, Kyle Baker, Philip Bond, Peter Milligan, Darwyn Cooke, Dave Cooper, Dean Haspiel, Los Bros Hernandez, Erik Larsen, David Mack, Pat McKeown, Bernie Mireault, Michael Avon Oeming, Paul Pope, Eric Powell, Frank Quitely, Steven T. Seagle, Teddy Kristiansen, Jeff Smith, Jay Stephens, Craig Thompson, Matt Wagner, Joe Quinones, and Maris Wicks. Also, Michael Allred's latest -- and most epic ever -- Madman story! PLUS, almost every Madman illustration collected over the past 20 years from all the greats. Surprises galore!

Comics are a pervasive art form and an intrinsic part of the cultural fabric of most countries. And yet, relatively little has been written on the translation of comics. Comics in Translation attempts to address this gap in the literature and to offer the first and most comprehensive account of various aspects of a diverse range of social practices subsumed under the label 'comics'. Focusing on the role played by translation in shaping graphic narratives that appear in various formats, different contributors examine various aspects of this popular phenomenon. Topics covered include the impact of globalization and localization processes on the ways in which translated comics are embedded in cultures; the import of editorial and publishing practices; textual strategies adopted in translating comics, including the translation of culture- and language-specific features; and the interplay between visual and verbal messages. Comics in translation examines comics that originate in different cultures, belong to quite different genres, and are aimed at readers of different age groups and cultural backgrounds, from Disney comics to Art Spiegelman's Maus, from Katsuhiro Ōtomo's Akira to Goscinny and Uderzo's Astérix. The contributions are based on first-hand research and exemplify a wide range of approaches. Languages covered include English, Italian, Spanish, Arabic, French, German, Japanese and Inuit. The volume features illustrations from the works discussed and an extensive annotated bibliography. Contributors include: Raffaella Baccolini, Nadine Celotti, Adele D'Arcangelo, Catherine Delesse, Elena Di Giovanni, Heike Elisabeth Jüngst, Valerio Rota, Carmen Valero-Garcés, Federico Zanettin and Jehan Zitawi.