Attack Of The Cupids

An uneasy truce is being held between Sally's devil, Muddlespot, and her angel, Windleberry. But then the cupids attack... For once, Muddle and Win are in agreement: cupids mean Trouble. They both know that when True Love is involved, things aren’t simply black or white – they’re horribly, confusingly pink! Sure enough, a heart-tipped golden arrow makes Sally’s sister Billie fall for Tony, the hottest, and most off-limits, boy in school. War breaks out at Darlington High, and as usual it's up to Sally to put things right. But can she undo the damage without getting caught in the crossfire?

The last place Lorena Weber wants to be on Valentine's Day is a singles party thrown by her newlywed best friend. But how can she say no? She'll give it an hour—two, tops—and then she's heading back to her normal life. But she didn't plan on seeing the one man who had turned her world on its side New Year's Eve with one kiss that opened doors she had firmly locked. Caleb Manning got coerced into attending this ridiculous party by a co-worker. He'll stay for an hour at most and then he'll head home. That was the plan until he recognized Lorena across the room and had to see if that kiss was only New Year's Eve magic or something more.

The reality beyond the myths and stories about pirates operating off the Canadian coast.

Will the Seven Kingdoms be the friendliest place in the world? Or the rudest? The eleven-year-old royal Saffron twins--Princess Saffy and Prince Magellan--have to save the Seven Kingdoms from the Blackfly Queen's dangerous new magical candies! The trouble starts when the Blackfly Queen introduces a brand-new holiday guaranteed to make her the most beloved queen in the Seven Kingdoms: Valentine's Day!?! This year, Valentine's Day falls on the same day as the Rose Monday Parade. Instead of delighting the crowds with traditional candies, the queen has a dastardly plan. She's making Consternation Hearts with magical powers, a.k.a. candy hearts with messages good for every day of the year. . .like "Go to the Water Dungeon!" __________________ Whether it's speaking up at a feast, reading a map, or taking a test in a strange kingdom, Seven Kingdoms Fairy Tales are all about finding more magic in your life. One lucky child gets the perfect leadership gift. If only the fairies would remember the training wheels! __________________ For ages 9 to 12. Read in any order. Perfect for fans of funny, fast-paced fairy tales like Jean Ferris' Once Upon a Marigold or E.G. Foley's The Gryphon Chronicles. Also for friends of entertaining adventure stories. . .with a side of handy life skills. (Jacqueline Davies' The Lemonade Wars, Shannon Hale's Princess Academy or Jessica Day George’s Tuesdays at the Castle series) Keywords: Valentine’s Day; cupids; bees; preteen; coming of age; magic; friendship; humorous school story; back to school gift; birthday gift; funny books for kids

Ricky Fallon had decided not to kill himself after all—moments before accidentally slipping off a bridge and plunging to his death. Now he’s a Cupid in the afterlife, helping high school students fall in love. The job would be cool if it weren’t for the dorky pink bodysuits, his jerky boss, and attacks from joy-sucking shadowy entities called Suicides. When Fallon discovers a dangerous new Suicide in human form, a terrific battle erupts. Before the Suicide can become too powerful, Fallon has to convince his fellow Cupids of the extraordinary threat, protect the girl he’s falling for . . . and foil the Suicides’ evil scheme to spread despair to all humanity. Timothy Carter’s Evil? was named to ALA’s 2010 Rainbow Project list for GLBTQ Books for Children and Teens Praise: “Full of funny scenes, humorous dialogue, an interesting cast of characters, and plenty of entertainment. Once again, Timothy Carter has penned a winner.”—CM: CANADIAN REVIEW OF MATERIALS

All’s fair in love and…whatever this is. This Valentine’s Day, when a cupid accidentally shoots himself with his own arrow, he falls for a siren whose only job is to lure men to their deaths. Charismatic and irresistibly fun, Chance Eroson is a cupid who gets a kick from pairing odd couples and being right about them. Used to getting his way, the only person who shuts him down is the siren who has ruined more than one of his pairings before they started. But his bigger problem is he wants her. He’s always wanted her. Elodie Sirenian uses her power for good, only hunting evil men. But after so long, and so many horrible people, her cynicism has settled deep inside. She can turn on the charm when she doesn’t mean it, and they fall for it. Every single one. Every single time. Except Chance. He’s the only person—man or god—who has ever challenged her. But a cupid’s magic is temporary. There’s no way a true love match is possible. Not this time.

"Ben Jonson was one of the most important writers of the English Renaissance, and this study both reflects and contributes to the growing focus on the concrete details of his art and career. By examining specific works, particular historical circumstances, and complex relations with various individuals, author Robert C. Evans tries to locate Jonson's writings in the contexts that helped shape their artistry." "This book presumes that the more one knows about Jonson's various contexts, the more richly one can appreciate the complicated significance of the texts he produced. In fact, a major purpose of the book is the presentation of new archival data. The individual chapters all assume that Jonson could not ignore his relations with other people and the effects that those relations might have had on his life and writings." "The first chapter raises explicitly many of the questions involved in the historical study of literature, contributing to recent dialogue about the meaning and value of the so-called New Historicism. This chapter also offers one of the few sustained examinations of one of Jonson's most typical and significant poems, the epistle to Edward Sackville." "Chapter 2 suggests why Jonson's relations with rivals and patrons were particularly significant. It discusses one of his most important rivalries - the "poetomachia" - and its significance for the early years of his life as a writer. The chapter then jumps to the end of Jonson's career and emphasizes works he addressed to the Earl of Newcastle, one of his most important later patrons. This initial emphasis on patronage and rivalry recurs in one way or another in all the subsequent chapters, which follow a roughly chronological scheme." "Chapter 3 looks at the earliest and perhaps still the best of Jonson's great plays, Volpone, and explores new evidence suggesting that Jonson may have used this comedy to mock a powerful and wellknown contemporary. Chapter 4 explores The Devil is an Ass (1616) and attempts to suggest the very complicated political and social circumstances in which it was enmeshed. Chapter 5 tries to show how the important masque entitled Pleasure Reconciled to Virtue offered a detailed response to another aristocratic entertainment written a few months earlier, and chapter 6 surveys the poet's apparently contentious relations with the highly talented Thomas Campion." "Chapters 7 and 8 focus on the closing years of Jonson's career. They explore his little-known friendship with Joseph Webbe, an important language theorist whose ideas were quite controversial at the time, and examine Jonson's relations with significant Caroline patrons in an attempt to show the complicated ways in which the patronage "system" - so often discussed in the abstract could operate in actuality. A brief afterword summarizes some of the general critical assumptions on which all the preceding chapters are based."--BOOK JACKET.Title Summary field provided by Blackwell North America, Inc. All Rights Reserved