Australian Houses Of The Forties And Fifties

Covers the architecture, furniture and History of the baby-boom era. Colour illustrations throughout.

Reissue of a detailed study of domestic architecture in Australia during the 1920s and 1930s including plans, photographs and diagrams. Includes descriptions of international influences of the time, colours, soft-furnishings, furniture, household utensils, gardens and fences popular at the time as well as a study of all aspects of Australian cultural history and domestic life. With bibliography and index. First published in 1989. The author was curator of history at Sovereign Hill in Ballarat, Victoria, and currently works as a consultant on period restoration and design. He is author of several other books including 'Cottage Gardens in Australia', 'Australian Houses of the Forties & Fifties', 'Chandeliers and Billy Tea' and 'Buggies and Horse-drawn Vehicles in Australia'.

The Architecture of Landscape, 1940-1960 provides a groundbreaking collection of worldwide perspectives on a vital and underappreciated era of landscape architecture. It is also the first critical assessment of this period, with information and insight previously unavailable to English-language readers.

Architect-designed houses of the period 1950-65 proposed an innovative response to the social, economic, and climatic conditions of post-war Australia. At the same time they embraced the aesthetic, technological, and egalitarian aspirations of modern architecture. An Unfinished Experiment in Living traces the emergence of this architectural phenomenon in Australia, documenting the full range of its expression: from the postwar optimism of the early 1950s through to the affluence of the 1960s. It is a catalogue of the most significant houses of the period. It includes comprehensive plans and period photographs of 150 houses from around Australia, dating from a time when the great Australian dream was the single family house. This book puts forward new research founded on the premise that the most significant houses of the 1950s and 60s represent an unfinished and undervalued experiment in modern living. Issues such as the open plan, the changing nature of the family, the embrace of advances in technology, the use of the courtyard, and the orientation of the house to capture sun and privacy, were valuable and critical lessons. This is a compelling reminder of their continuing relevance. [Subject: Architecture, Design, Australian History, Sociology]

This collection of essays, first published in 2000, was the first systematic attempt to explain the social, administrative, technical and cultural history of 'European' housing in Australia. Written by a collaborative team of scholars from a wide range of disciplines, it explains how Australian housing has evolved from the ideas brought by the first settlers, and what makes Australian housing distinctive in social terms. This book covers a broad range of topics including the ways in which houses reflect social values and aspirations, the relationship between houses and gardens, the home as a site of domestic production and consumption, and an exploration of how housing provides the basis for developing a sense of community. The book will be invaluable for students of urban affairs and those engaged in housing and the design professions, as well as policy-makers and analysts in the public and private sectors.

Tim Burstall, the celebrated director of Stork, Alvin Purple and numerous other definitive 'ocker' comedies, is credited with shaking the moribund Australian film industry out of its torpor. But long before that, in the early 1950s, he began keeping a diary to record the world of the group of 'arties' and 'intellectuals' he was living among in Eltham, then a rural area outside Melbourne, where cheap land was available for mudbrick houses and studios, and where suburban rigidities could be mercilessly flouted. Burstall was in his mid-twenties, with two young sons and an open marriage with his wife, Betty. Eager to become a writer, to go against the grain, he kept a record almost daily-of the parties and the talk in pubs and studios, about art and politics and sex, of Communist Party branch meetings and film societies, of political rallies and the first Herald Outdoor Art Show. Somehow, while holding down a public relations job in the Antarctic Division and juggling his love affairs and obsession with the beautiful, brainy Fay, he wrote 500 words almost every day. Betty, according to the diaries, kept the show on the road, feeding friends after the pub, milking goats and working in her pottery making bowls and mugs, which Tim sometimes decorated at weekends. These Memoirs of a Young Bastard, as Burstall dubbed himself and them, are among the most evocative Australian diaries of modern times. Burstall can write. He has an eye for the telling detail, an unerring ear for cant and pomposity and, most endearingly, an ability to mock himself-always from the perspective of a bloke of his generation.

This book addresses the work of architect John Dalton (1927-2007), an important voice in mid-century modernism in Australia whose work, despite his being exhibited and published internationally and also winning several awards for his designs, is woefully little known. Published as part of the Bloomsbury Studies in Modern Architecture series, which brings to light the work of significant yet overlooked modernist architects, the book draws on previously unpublished archival documents, including Dalton's drawings and paintings, transcripts of lectures, letters and articles, plans and photographic images of built works, to characterize the architect not only as a very talented designer, but also as a pioneer of environmentalist thinking in Australia. The book reveals how Dalton's architectural preoccupations parallel a transition in mid-century modern architecture globally from functional efficiency and material rationalism, to a concern with being in dialogue with the environment, confirming a wider 'environmental turn' that involved the integration of environmental with cultural considerations through relational thinking, and which preceded and transcends the discipline's fascination with theoretical paradigms such as Critical Regionalism. John Dalton: Subtropical Modernism and the Turn to Environment in Australian Architecture is thus not only an important contribution to the existing scholarship on 20th century modernism, but also to the current renewed interest in environmental design across the globe.

In this landmark book, Stuart Macintyre explains how a country traumatised by World War I, hammered by the Depression and overstretched by World War II became a prosperous, successful and growing society by the 1950s. An extraordinary group of individuals, notably John Curtin, Ben Chifley, Nugget Coombs, John Dedman and Robert Menzies, re-made the country, planning its reconstruction against a background of wartime sacrifice and austerity. The other part of this triumphant story shows Australia on the world stage, seeking to fashion a new world order that would bring peace and prosperity. This book shows the 1940s to be a pivotal decade in Australia. At the height of his powers, Macintyre reminds us that key components of the society we take for granted – work, welfare, health, education, immigration, housing – are not the result of military endeavour but policy, planning, politics and popular resolve.