Autumn Of Our Discontent

In the Fall of 1949, a series of international events shattered the notion that the United States would return to its traditional small peacetime military posture following World War II. Autumn of our Discontent chronicles the events that triggered the wholesale review of United States national security policies. The review led to the adoption of recommendations advanced in NSC-68, which laid the foundation for America’s Cold War activities, expanded conventional forces, sparked a thermonuclear arms race, and, equally important to the modern age, established the national security state—all clear breaks from America’s martial past and cornerstone ideologies. In keeping with the American military tradition, the United States dismantled most of its military power following World War II while Americans, in general, enjoyed unprecedented post-war and peacetime prosperity. In the autumn of 1949, however, the Soviet’s first successful test of their own atomic weapon in August was followed closely by establishment of the communist People’s Republic of China on October 1st shattered the illusion that American hegemony would remain unchallenged. Combined with the decision at home to increase the size of the atomic stockpile on and the on-going debate regarding the “Revolt of the Admirals,” the United States found itself facing a new round of crisis in what became the Cold War. Curatola explores these events and the debates surrounding them to provide a detailed history of an era critical to our own modern age. Indeed, the security state conceived of in the events of this critical autumn and the legacy of the choices made by American policymakers and military leaders continue to this day.

Author Bruce Ridge served as chair of the International Conference of Symphony and Opera Musicians from 2006 to 2016. In this time of economic upheaval and social change, when orchestras were besieged with lockouts and bankruptcies, many questioned the value of the symphony orchestra to society. Into this environment, Ridge brought an eloquent, positive message, embracing connection through social media, highlighting the value of musicians to their community, and promoting the healing orchestral music can provide. The essays and speeches Ridge shares recount ICSOM's expanding role as a true advocacy organization under his leadership. He addresses topics both global and personal, ranging from arts education's role in a vibrant civil society to the challenges of maintaining mental health in a stressful profession. This collection of writings serves as a remarkable journal of advocacy on behalf of one of the world's greatest cultural treasures: our symphony orchestras.

In St. Teresa of Avila’s classic spiritual book Interior Castle she describes a difficult period of time in her spiritual journey when she said, “When I think of myself, I feel like a bird with a broken wing.” When I left the monastery thirty-eight years ago, this was exactly how I felt. I Was Gone Long Before I Left is the story about my interior struggle to leave the monastery after living this lifestyle for over twenty-five years. It explores the reasons why I went to the monastery, why I stayed, why I eventually left, and what I have learned. Maybe more importantly, it describes the many years of mental anguish, confusion, and depression that I went through to finally make this decision. It has brought back many painful memories and experiences and called for an honesty and vulnerability that I found daunting. For over thirty-eight years, I have been unable to write about my experience of life in the monastery because I felt ashamed. For years, I thought about leaving, but couldn’t make this decision because I felt paralyzed psychologically and emotionally. Now, after all these years, I have found the courage to share my story.

The final novel of one of America’s most beloved writers—a tale of degeneration, corruption, and spiritual crisis A Penguin Classic In awarding John Steinbeck the 1962 Nobel Prize in Literature, the Nobel committee stated that with The Winter of Our Discontent, he had “resumed his position as an independent expounder of the truth, with an unbiased instinct for what is genuinely American.” Ethan Allen Hawley, the protagonist of Steinbeck’s last novel, works as a clerk in a grocery store that his family once owned. With Ethan no longer a member of Long Island’s aristocratic class, his wife is restless, and his teenage children are hungry for the tantalizing material comforts he cannot provide. Then one day, in a moment of moral crisis, Ethan decides to take a holiday from his own scrupulous standards. Set in Steinbeck’s contemporary 1960 America, the novel explores the tenuous line between private and public honesty, and today ranks alongside his most acclaimed works of penetrating insight into the American condition. This Penguin Classics edition features an introduction and notes by leading Steinbeck scholar Susan Shillinglaw. For more than seventy years, Penguin has been the leading publisher of classic literature in the English-speaking world. With more than 1,700 titles, Penguin Classics represents a global bookshelf of the best works throughout history and across genres and disciplines. Readers trust the series to provide authoritative texts enhanced by introductions and notes by distinguished scholars and contemporary authors, as well as up-to-date translations by award-winning translators.

The heat between them is enough to ward off the chilly Alaska weather conditions in the next Fortunes of Lost Lake novel from USA Today bestselling author M. M. Crane. Bowie Fortune has always liked a risky proposition. A bush pilot out in the Last Frontier, flying in and out of places that give most pilots nightmares is what he lives for. That and his off-the-grid home out by Lost Lake, where his family has been living up close with the elements for generations. When his sister dares him to participate in the local version of a mail-order bride contest, he’s not interested—but Bowie doesn’t back down from a challenge. Even when the challenge turns out to be a woman who makes him want every last thing he knows he shouldn’t. Entering a summer-long publicity stunt in far-off Alaska might seem extreme, but Autumn McCall has always had an indomitable spirit. She took care of her sisters and father after her mother died, and this is more of the same—since she intends to win the contest. Immersing herself in the pioneer lifestyle is one thing, but what she isn’t expecting is brooding, sharp-eyed Bowie with his wicked smile. As the sparks fly between them, will they burn each other alive—or learn how to simmer their way to a much bigger prize...together?

Loyalty and betrayal are among key concepts of the ethic of nationalism. Marriage of state and culture, which seems the essence of the congruence between political power structure and collective identity, usually offers a simple explanation of loyalty and dissent. Loyalty is seen as once-and-for-all commitment of the individual to his or her nation, whereas betrayal is identified as a failure to commit him or herself to a common cause or as a diversion from the object of political loyalty and cultural/linguistic fidelity. For conservative or radical nationalists, even social and cultural critique of one’s people and state can be regarded as treason, whereas for their liberal counterparts it is precisely what constitutes political awareness, civic virtue, and a conscious dedication to the people and culture. "This book is the first attempt to provide a discursive map of Lithuanian liberal and conservative nationalism. Analyzing the works and views of dissenters and critics of society and culture, we can reveal a mode of being of liberal nationalism as a social and cultural criticism. This volume is of interest for intellectual historians, social theorists, students of East-Central European thought, and anyone interested in Baltic studies and the new members of the EU. Dissent: act of betrayal, or loyalty? Leonidas Donskis' new remarkable study is one consistent, thorough and dedicated effort to provide an answer to that question." – Zygmunt Bauman (from the Preface)

Acclaimed translator Edith Grossman brings to English-language readers Rojas’s imaginative vision of Francisco de Goya and the reverberations of his art in Fascist Spain This historical novel by one of Spain’s most celebrated authors weaves a tale of disparate time periods: the early years of the nineteenth century, when Francisco de Goya was at the height of his artistic career, and the final years of Generalissimo Franco’s Fascist rule in the 1970s. Rojas re-creates the nineteenth-century corridors of power and portrays the relationship between Goya and King Fernando VII, a despot bent on establishing a cruel regime after Spain’s War of Independence. Goya obliges the king’s request for a portrait, but his depiction not only fails to flatter but reflects a terrible darkness and grotesqueness. More than a century later, transcending conventional time, Goya observes Franco’s body lying in state and experiences again a dark and monstrous despair. Rojas's work is a dazzling tour de force, a unique combination of narrative invention and art historical expertise that only he could have brought to the page.